TVB Unveils Artiste-Creator Network (ACN) at MarketingPulse 2026

Source: Media Outreach

How TVB’s ACN is shaping the creator economy by empowering brands to leverage premium talent-turned-creators for authentic, multi-platform storytelling

HONG KONG SAR – Media OutReach Newswire – 19 March 2026 — As the era of Artificial Intelligence (AI) matures, cross-media platforms must innovate at pace to meet the demand for forward-looking marketing solutions. Today, at the Hong Kong Trade Development Council’s (HKTDC) flagship events, MarketingPulse and eTailingPulse, themed “Generate New Growth,” industry leaders gathered to explore the frontiers of agentic AI, phygital commerce, and the evolution of content creation.

The sharing session titled “Beyond Broadcast, Beyond Borders: The Social Appeal and Commercial Value of TVB Artiste-Creators” was moderated by Mr. Kevin SHUI, Chief Marketing Officer of Starry (1st left), and featured in-depth exchanges with Ms. Alexandra LO, CEO of TaRa Innovation Limited & TaRa Bloom (HK & Asia), and Assistant Adjunct Professor at HKU Business School (1st right); popular TVB artistes Bowie CHEUNG (2nd left), and Tony HUNG (2nd right).

Television Broadcasts Limited (TVB), a world renowned cross-media platform, marked the occasion by introducing the TVB Artiste-Creator Network (ACN). This strategic initiative integrates TVB’s robust marketing ecosystem with its extensive roster of talent to offer a digital-first, influence-driven solution for modern brands.

Mr. SIU Sai Wo, General Manager (Business Operations) of TVB, stated, “With the largest talent pool of artistes in Hong Kong and an unparalleled, loyal audience, TVB remains at the forefront of influence. In this new AI-driven landscape, we are capitalizing on the inherent credibility our artistes have built on the TV screen and extending it across digital and social ecosystems through the Artiste-Creator Network.

This represents more than a new career trajectory for our talent; it is a sophisticated, integrated marketing engine. By precisely matching brands with the right creators, we provide seamless coverage across every consumer touchpoint—from primetime television to personal mobile screens—enabling brands to scale effectively within the Greater Bay Area and beyond.”

Industry Leaders and Artiste-Creators Convene to Explore the Path to Brand Conversion

At MarketingPulse 2026, TVB hosted a high-level sharing session titled “Beyond Broadcast, Beyond Borders: The Social Appeal and Commercial Value of TVB Artiste-Creators.” Addressing an audience of marketing industry leaders, the session was moderated by Mr. Kevin SHUI, Chief Marketing Officer of Starry and a digital marketing veteran with over 20 years of Asia-Pacific expertise.

The panel featured Ms. Alexandra LO—former Head of Digital at Nestlé HK, current CEO of TaRa Innovation Limited, and Assistant Adjunct Professor at HKU Business School—alongside popular TVB artistes Bowie CHEUNG and Tony HUNG. Together, they explored the strategic cultivation of “cross-platform hybrid content creators,” focusing on how to extend an artiste’s broadcast authority into a powerful, multi-channel digital influence.

Bowie CHEUNG and Tony HUNG shared their first-hand insights on navigating dual identities as traditional artistes and digital creators, highlighting how they engage diverse regional audiences.

Bowie CHEUNG remarked, “Television provided the foundation of recognition and credibility, but social media allows me to layer in my authentic self—sharing my genuine interests, lifestyle, and personal style. This creates a unique point of resonance for fans across different regions, transforming the ‘out-of-reach’ celebrity persona into a relatable, trusted figure who bridges the distance between the screen and the audience.”

Tony HUNG added, “After years as a TVB artiste and a digital creator, I’ve found these two identities to be deeply complementary. By merging the massive reach of broadcast media with the interactivities of social media, brand collaborations can achieve a broader, more multi-layered reach that speaks to consumers at every level of the engagement funnel.”

Strategic Partnership with Starry: AI-Powered Precision in Talent Matching

In a move to further modernize its commercial offering, TVB announced a strategic collaboration with Starry, a leading KOL marketing platform. By integrating Starry’s proprietary AI-driven engine, TVB now provides brand partners with data-backed, high-precision matching for its Artiste-Creator Network (ACN).

Mr. Kevin SHUI, Chief Marketing Officer of Starry, explained, “Traditional platforms often rely on static, pre-set criteria that fail to capture the nuances of influence. Our AI-powered system makes intelligent, real-time adjustments based on the specific DNA of each brand. By analyzing a comprehensive data set—including an artiste’s personality, specialized talents, content sentiment, and social media performance, alongside their broader media reputation—we ensure a seamless, high-conversion match from within TVB’s extensive talent ecosystem.”

Expert Insight: The Irreplaceable Value of Broadcast Trust

Ms. Alexandra LO, CEO of TaRa Innovation Limited & TaRa Bloom (HK & Asia), and Assistant Adjunct Professor at HKU Business School, shared her strategic perspective on the criteria for selecting high-impact KOLs. Ms. LO observed, “In the current marketing landscape, brands have moved beyond simply chasing follower counts. Today’s priorities are engagement quality, brand compatibility, and cross-platform influence. KOL partnerships now allow brand messaging to become truly multi-dimensional through authentic interactions.

TVB artiste-creators hold a significant advantage across all these metrics. The deep-seated trust they have built with the general public through the television screen translates directly into higher brand affinity and business conversion rates, making them a premium commercial asset that is exceptionally difficult to replicate.”

TVB ACN – A Stellar Lineup of Artiste-Creators, The Catalyst for Business Success

A prominent delegation of TVB’s popular artiste-creators attended the event in person, including Judy KWONG, Niklas LAM, Hilary CHONG, Ellyn NGAI, Andrew CHAN, Lucy LI, Karen WU, Derek WONG, Kris LAM, and Arthur SY. The ACN signifies a strategic evolution for TVB’s talent—spanning actors, singers, and performers—who now leverage their massive public recognition to ensure brand communications carry an elite level of credibility. By bridging their established television profiles with deep social media engagement, these creators drive higher-quality digital discourse and superior conversion rates for brand partners.

At this year’s MarketingPulse exhibition, TVB showcased its innovative e-commerce and marketing technologies, demonstrating a seamless transition from Television Primetime to Personal Screen Time. This one-stop content solution, powered by unparalleled star power and advanced matching technology, empowers clients to seize new growth opportunities and achieve sustainable business success.

Hashtag: #TVB #Artiste-Creator #MarketingPulse

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/tvb-unveils-artiste-creator-network-acn-at-marketingpulse-2026/

Cushman & Wakefield Ranked No.1 Real Estate Investment Brokerage Firm in Greater China, Hong Kong, and Chinese Mainland Industrial Market in 2025 by MSCI

Source: Media Outreach

HONG KONG SAR – Media OutReach Newswire – 19 March 2026 – Cushman & Wakefield has been recognized as the top real estate investment brokerage firm in the Greater China* All-sector, Hong Kong All-sector, Hong Kong Office market and Chinese Mainland Industrial market for 2025 by MSCI based on sell-side sales volume. These top rankings highlight the firm’s continued dominance and exceptional performance in the region’s commercial real estate sector.

According to MSCI 2025 Global Broker Rankings, based on sales volume, Cushman & Wakefield represented 28% of all-sector sell-side investment brokerage transactions in Greater China totaling US$2.2 billion. In Hong Kong, the firm secured 36% of all-sector sell-side brokerage volume, worth US$1.2 billion, and 69% of the office sell-side brokerage volume. Furthermore, the team captured a commanding 77% share of the Chinese Mainland Industrial sell-side brokerage market, accounting for US$887 million in transaction value.

*Rankings in Greater China are based on the sum of sell-side brokerage transaction volume in the Chinese Mainland, Hong Kong China and Taiwan China.

KK Chiu, International Director and Chief Executive, Greater China at Cushman & Wakefield, said, “The MSCI global brokerage ranking reinforces our leading market share in Greater China and in Hong Kong. We stand out from our peers in our deep local market knowledge and connections with both international and domestic capital, which enables us to serve our investor clients throughout market cycles. In addition, we have fostered strong collaboration between our teams in the Chinese mainland and in Hong Kong, enabling us to swiftly capitalize on cross-border opportunities and ensure seamless deal execution for our clients.”

The Hong Kong market experienced a significant rebound late last year, driven by major end-user acquisitions. Francis Li, International Director, Vice President and Head of Capital Markets, Greater China at Cushman & Wakefield, detailed the market’s momentum. “We saw strong liquidity coming back to Hong Kong in 2H last year, including the acquisition by Alibaba and Ant Group of multiple floors at One Causeway Bay for use as their Hong Kong headquarters, a landmark deal brokered by us,” said Li. “Our data shows that full-year commercial real estate investment volume in Hong Kong grew by 33% year-over-year in 2025. At the same time, Hong Kong’s residential and student housing markets are also garnering significant interest from investors.”

In addition to the success in Hong Kong, Li mentioned, “The Cushman & Wakefield Capital Markets team has completed several large logistics deals in the Chinese mainland in the last three years, totaling more than RMB10 billion. These significant transactions reinforce our strong local team capability and resilience when navigating complex market challenges.”

In addition to en-bloc logistics transactions, Cushman & Wakefield has also played a significant role in facilitating industrial investments, including factories and R&D centers, and particularly in assisting leading international companies in establishing a presence in China. Tony Su, Managing Director, National Head of Industrial & Logistics Property Services, China, said: “Despite the challenges faced by China’s logistics and industrial sectors, our team delivered an exceptional performance in 2025. We successfully completed transactions with numerous high-profile, industry leading clients, particularly in the biopharmaceuticals, new materials, and premium food sectors. These partnerships stimulated the local economy, set new industry benchmarks, and inspired a wave of policy innovations. I am extremely proud of the growth and resilience demonstrated by Cushman & Wakefield’s Industrial team in navigating a complex market environment.”

About MSCI

MSCI is a leading provider of critical decision support tools and services for the global investment community. With over 50 years of expertise in research, data and technology, MSCI power better investment decisions by enabling clients to understand and analyze key drivers of risk and return and confidently build more effective portfolios. MSCI creates industry-leading research-enhanced solutions that clients use to gain insight into and improve transparency across the investment process.

Hashtag: #Cushman&Wakefield

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/cushman-wakefield-ranked-no-1-real-estate-investment-brokerage-firm-in-greater-china-hong-kong-and-chinese-mainland-industrial-market-in-2025-by-msci/

PT Danantara Investment Management opens DPT registration for PSEL partners

Source: Media Outreach

JAKARTA, INDONESIA – Media OutReach Newswire – 19 March 2026 – In its efforts to accelerate the energy transition while addressing the growing challenge of urban waste, the government has tapped PT Danantara Investment Management (DIM) to seek capable partners in developing waste-to-energy (WtE) power plant projects, locally known as Pengolahan Sampah Menjadi Energi Listrik (PSEL).

The PSEL program is supported by Presidential Regulation (Perpres) No. 109/2025, which governs urban waste management through environmentally sustainable renewable energy solutions.

The initiative begins with the establishment of a verified providers list (Daftar Penyedia Terverifikasi or DPT), a pre-qualification mechanism designed to identify companies with proven track records, strong financial capacity and technical expertise in WtE.

To that end, collaboration with private partners scheme reflects the government’s intention to share risks with the private sector while leveraging its expertise, ensuring that projects are not only delivered but also remain operationally sustainable.

Participation in the DPT is open to single entities and consortiums, both local and foreign, provided their countries maintain diplomatic relations with Indonesia.

In addition, DIM has appointed an independent registration and verification (R&V) agent to ensure a credible and transparent process, ensuring that prospective partners included in the list undergo a structured and transparent evaluation.

“The program is designed to ensure that the establishment of the DPT is carried out in a transparent and systematic manner, in line with good governance principles,” PT Danantara Investment Management said in an official statement.

The submission period for verification documents will run from March 25 to April 25, with DIM set to hold virtual technical discussions (aanwijzing) in two cycles to provide further clarity on technical requirements. The first cycle is scheduled for March 26, followed by the second on April 1. Each cycle will include two sessions to accommodate across different time zones.

While attendance at the aanwijzing sessions is not mandatory, they are expected to serve as an important forum for prospective participants to better understand the application requirements before submitting final documents through the official channel.

Interested companies can write indication of interest by email through registrationwte@danantaraindonesia.com

For further information, providers may refer to

https://www.danantaraindonesia.co.id/media-center/highlight/dim-waste-to-energy-verified-participants-list-registration-2026

Hashtag: #Danantara

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/pt-danantara-investment-management-opens-dpt-registration-for-psel-partners/

Chubb Life Hong Kong Celebrates 50th Anniversary with Life Chapters at Art Basel Hong Kong 2026 Connecting Art, Wealth and Legacy

Source: Media Outreach

  • Chubb Life Hong Kong returns as Official Show Partner of Art Basel Hong Kong for the third consecutive year.
  • Thai artist Wit Pimkanchanapong debuts immersive installation, Life Chapters, exploring how every action defines legacy.
  • The partnership with Art Basel enables Chubb Life Hong Kong to engage High-Net-Worth individuals (HNWIs) by integrating art assets into the broader conversation of wealth transfer and legacy planning.

HONG KONG SAR – Media OutReach Newswire – 19 March 2026 – To mark its 50th anniversary, Chubb Life Hong Kong presents Life Chapters, an immersive installation by Bangkok-based artist Wit Pimkanchanapong, at Art Basel Hong Kong 2026 (March 27–29). As Art Basel’s Official Show Partner for the third consecutive year, Chubb Life Hong Kong reaffirms the company’s longstanding role in safeguarding what truly matters, and protecting customers’ lifetime of work.

Hosted in the Chubb Life Hong Kong Lounge near the Hall 1D entrance at the Hong Kong Convention and Exhibition Centre, Life Chapters invites visitors to reflect on how every action shapes the journeys and legacies they leave behind. The artwork leads visitors through shifting paths and walls that reveal changing perspectives, reflecting that each action taken defines a life journey. Each step highlights a central theme: securing what matters most allows individuals to honor their unique journeys and the legacies they leave behind.

“As Chubb Life Hong Kong turns 50, beginning our anniversary year at Art Basel is a deliberate choice,” said Belinda Au, President of Chubb Life Hong Kong and Head of North Asia. “Our clients entrust us with what is irreplaceable – their families, their futures and their enduring legacy that reflects a lifetime of work. By bringing Life Chapters to Art Basel, we are highlighting a belief that runs through our 50th Anniversary campaign: every action is a legacy. Our role is to give customers the protection and clarity to take mindful actions with confidence.”

This commitment to safeguarding what matters most and recognizing the role of art in legacy planning is underpinned by Chubb’s global reputation as a long‑standing patron and insurer of the arts. With Hong Kong established as one of the world’s leading art trading hubs, and research showing that high-net-worth individuals allocated an average of 20% of their wealth to art collections, art is also an increasingly important part of client portfolios and a key consideration in asset portfolio and legacy planning for high-net-worth individuals.

The Art Basel installation marks the beginning of a year-long program celebrating Chubb Life Hong Kong’s 50th Anniversary, including cultural partnerships, community initiatives and conversations on life, legacy and intergenerational planning. Across this year, these activities will honor five decades of helping people in Hong Kong protect their aspirations and live the lives they imagine.

Appendix

About Life Chapters

At Art Basel Hong Kong 2026 (March 27–29), Chubb Life Hong Kong will present Life Chapters (hosted in the Chubb Life Hong Kong Lounge near the Hall 1D entrance at the Hong Kong Convention and Exhibition Centre), an immersive installation by Bangkok-based artist Wit Pimkanchanapong that explores life-defining moments that shape an individual’s path.

As patrons navigate the shifting, maze-like environment within Chubb Life’s lounge, they’ll encounter subtle cues – objects, sounds, phrases – that serve as portals for reflection, while shifting walls, semi-transparent surfaces, and changing sightlines will heighten visitors’ awareness of one another and create a shared experience.

Life Chapters leaves space for viewers to construct their own readings. Instead of guiding them toward a single conclusion, the installation encourages experimentation and responsiveness, rewarding those who explore its possibilities. The pathways visitors trace – deliberate or intuitive – suggest the fluidity with which life can pivot, open or be reimagined. In this sense, the work is completed by participation: each passage through the maze inscribes a new layer of meaning, making the audience an active contributor to the artwork’s evolving form.

The work embodies Chubb Life Hong Kong’s belief that every action is a legacy – that what we do, however small, reshapes the paths available to ourselves and others.

About Wit Pimkanchanapong

Wit Pimkanchanapong is a Bangkok-based artist. Born in 1976 in Bangkok, Pimkanchanapong graduated from the faculty of Architecture, Chulalongkorn University, Bangkok, Thailand in 1992 and received a MA in Visual Communication, Electronic Media & Time-Based Media, from Kent Institute of Art & Design, Maidstone, UK in 1994.

Wit identifies the special qualities of particular spaces, materials and multimedia from an architectural viewpoint and causes them to reflect the uniqueness of the region or place, transforming these into spaces that bring awareness to the viewer. He also creates places where people can share artworks, via an idiosyncratic mechanism combining media technology and everyday items.

Maze as a concept has become an important form in Pimkanchanapong’s work since 2021. Its origins come from his encounter with a Buddhist maze ceremony on the northern border of Thailand, which opened a way for him to bring together art, architecture, design and technology. He sees the maze as a literal representation of life: it is not linear or predetermined, and it contains many entry points, shifting routes, and unexpected possibilities. Viewers of the work may move forward, reach a dead end, and then find a new path — a rhythm the artist connects with the “rebirths” one can experience over a lifetime.

Exhibitions and shows:

  • Paraphernalia, Galerie du Haïdouc, Bourges, France (2003)
  • Have We Met?, Japan Foundation Forum, Tokyo, Japan (2004).
  • Bangkok Bangkok, La Capella, Barcelona (2005)
  • Politics of Fun, Haus der Kulturen der Welt, Berlin (2005)
  • Yokohama Triennale, Yokohama, Japan (2005)
  • Mairie de 6e, Paris, France (2006)
  • Temporary Art Museum SoiSabai with Yoshitomo Nara, Silpakorn Universiity, Bangkok (2006)
  • Some Proposals for the Next Future, Silpakorn University, Bangkok (2007)
  • Sharjah Biennale, Sharjah, UAE; Animated Painting, San Diego Art Museum (2007)
  • The 7th Asian Pacific Triennial of Contemporary Art (APT7), Queensland Art Gallery, Brisbane (2009)

Previous works:

  • Mist . Installation view at Central Plaza, Chieng Rai, Thailand, 2011.
  • Myarab (Fawn). New World Mall, Banglamphu – Bangkok Design Week 2026, 29 Jan – 8 Feb 2026
  • Baan Bardo: Wonderfruits, Pattaya, Thailand, Dec 2025
  • Not Quite a Total Eclipse – 100 Tonson Gallery, Bangkok, 2009
  • Planetary Seed, 100 Tonson Gallery, Bangkok, 2024
  • Octave Maze, Sonic Voyage: A Journey of Rhythmic Flair exhibition by One Bangkok Retail and Cat Radio

Hashtag: #Chubb

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/chubb-life-hong-kong-celebrates-50th-anniversary-with-life-chapters-at-art-basel-hong-kong-2026-connecting-art-wealth-and-legacy/

KCM Trade Celebrates Its 10th Anniversary with Exclusive Sailing Sponsorship in Sydney

Source: Media Outreach

HONG KONG SAR – Media OutReach Newswire – 19 March 2026 – In 2026, KCM Trade proudly celebrates its 10th anniversary — a significant milestone made possible by the continued trust and support of its valued clients. To mark this special occasion, the company has announced its sponsorship of a premium sailing event in Sydney.

In partnership with the renowned yacht charter company Sydney by Sail, the event is themed “2026 KCM Trade Sailing Sydney | A Decade of Progress, A New Chapter Ahead.” Designed as an exclusive celebration at sea, the private sailing gathering will bring together distinguished clients for an unforgettable experience that seamlessly blends festivity with meaningful connection.

Premium Yachts and an Elegant Atmosphere

To honour the occasion, KCM Trade has carefully selected high-specification sailing yachts renowned for their exceptional performance and superior comfort. Thoughtfully designed to balance elegance with practicality, each vessel is fully equipped with premium leisure amenities and comprehensive onboard facilities.

Set against the crystal-clear waters and expansive blue skies of Sydney, guests will enjoy the gentle sea breeze and the sight of graceful sails while engaging in relaxed conversation. The refined yet natural setting creates the ideal environment to strengthen relationships and foster deeper connections.

A Decade of Dedication and Industry Recognition

Since its establishment, KCM Trade has remained committed to professionalism, with innovation at the heart of its development. Over the past ten years, the company has steadily expanded its presence across the global financial markets, earning widespread recognition for its quality products and services, cutting-edge technological infrastructure, and comprehensive client protection.

Throughout this journey, KCM Trade has launched proprietary intelligent trading tools and actively supported a range of financial education initiatives, strengthening its brand influence while fulfilling its corporate social responsibilities.

Advancing Together Towards the Future

This sailing event not only reflects the achievements of KCM Trade’s first decade but also serves as an important opportunity to deepen client relationships and look ahead to the future together.

Moving forward, KCM Trade will continue to uphold its win–win philosophy, delivering enhanced services, forward-thinking innovation, and unwavering commitment. Together with its clients, the company will confidently navigate the evolving industry landscape and craft the next chapter of shared success.

https://www.linkedin.com/company/kcmtrade-global/
https://x.com/kcmtradenigeria?s=21
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https://www.instagram.com/kcm_trade_global?igsh=MTJ5Y2QydmJxY2Ziag==

Hashtag: #KCMTrade #kcmtrade10yrs #Globalbrokers #Sponsor #Sailing

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/kcm-trade-celebrates-its-10th-anniversary-with-exclusive-sailing-sponsorship-in-sydney/

Tasman ratepayers face rates increase of almost 10 percent as council grapples with costs

Source: Radio New Zealand

RNZ

Tasman District ratepayers are facing a rates increase of almost 10 percent, as the council grapples with the costs of last years floods and three waters infrastructure, on top of its core business.

Last week, the Tasman District Council elected members were split on moving forward with its draft annual plan which had an average rates increase of 9.9 percent, with sent staff back to the drawing board to consider how to further cut costs.

The split vote of 7-7 forced the council to seek legal advice after the plan failed to progress.

At an emergency meeting today, elected members voted 10-4 to put the draft annual plan out for consultation. The average rates increase for the 2026-27 remained at 9.9 percent, with an end of year debt of $320 million, $8m less than what was proposed at the last meeting.

The increase includes 2.3 percent for the costs of last year’s weather events, 5.3 percent for three waters cost increases and 2.3 percent for the rest of council business, which is below the government’s proposed 4 percent rates cap.

Council chief executive Leonie Rae told elected members that it had taken the direction to lower rates and had come back with options that could be exercised within the annual plan boundaries, with clarity on what the impact on the community would be.

She said the organisation was running lean, the salary budget had been reduced by $1.4m and it was running with around 40 staff under its FTE, and there were “continuing efforts to find efficiencies, savings and extra revenue where possible”.

Rae said in comparison to other councils, Tasman’s rates per capita were $1673, while the average was $1898. The district’s rates per rating unit were $3668, compared to an average of $3876.

“We are doing work and continuing to try and improve our financial position because we’re ratepayers too and no one wants to come to you with big figures, least of all of us.

“I do want to stress to you that further cuts into the operations will have to make significant cuts to levels of service because everyone is very, very busy.”

At last week’s meeting, elected members debated how the proposed storm recovery rate should be set, how much of the roading renewals should be funded by debt, and whether several community facility projects should be paused or not.

At today’s meeting, there was further discussion about the council’s debt in the short term, and whether to increase depreciation to get some debt relief.

One of the more contentious recommendations from last week was that a targeted weather event recovery rate of $125 be introduced for five years to fund $14.6m of the council’s recovery costs from the two winter floods last year.

Councillor Timo Neubauer proposed an amendment that the rate be set on capital value, instead of being a fixed amount per rating unit, which was lost 8-6, with staff agreeing it could be included as an option in the consultation document though the fixed charge would remain the preferred option.

Neubauer said the council had spent the last few months looking for savings, which hadn’t been easy and he hoped the process could be refined in the future, so elected members had more detail about major capital projects, earlier in the process.

He said he and others had asked for more detail around significant increases in the Three Waters infrastructure projects, and aggregated figures made it hard to understand what was driving the costs and where prioritisation could have occurred.

Mayor Tim King said the region was facing continued pressure in many areas, as was the rest of the country.

Mayor Tim King. Samantha Gee / RNZ

“That is the situation we are in all the time, pretty much the whole time I have been in this seat, things have come from left field, Covid, floods, it has been never ending the challenges.”

He said “uncertainty was the name of the game” and the council needed to be adaptable and flexible as it faced those challenges.

King said the council was not a business but instead had to provide a mix of community services, act as a regulator and be an infrastructure provider while also promoting growth.

“We have all of these roles and all of these hats and they don’t fit neatly into a tidy financial package.”

Councillor Trindi Walker asked whether there was any room for movement, if the feedback from the community after consultation was that they could not afford a 9.9 percent rates rise.

“Do we have room to suddenly stop, pause, look and acknowledge what our community is saying? Or are we so far in now that we have to wait for the long-term plan?”

Deputy Mayor Brent Maru supported the motion and said the diversity around the council table was a good thing.

“The debate and the different views and the different suggestions isn’t unhealthy for the system.”

“As we work through this, we will compromise, we will check the decisions we make on behalf of the communities we represent and come up with a collective decision.”

Councillors Mark Greening, Mark Hume, Dean McNamara and Paul Morgan voted against moving the updated draft annual plan to consultation.

McNamara said he wanted to see more action taken to reduce costs.

“This plan’s still going out with building nice-to-haves when we’re borrowing money to pay for our business as usual, all which increase both our debt and our ongoing costs.”

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LiveNews: https://livenews.co.nz/2026/03/19/tasman-ratepayers-face-rates-increase-of-almost-10-percent-as-council-grapples-with-costs/

Robbie Williams shows ‘touch and go’ without government funding, says Frontier Touring

Source: Radio New Zealand

Supplied / Farrel Music / Leo Baron

There is more discord in the music industry over the government helping fund two Robbie Williams concerts.

It has contributed an undisclosed amount from its $70 million Major Events and Tourism Package, $40 million of which is to secure large-scale international events that will attract international visitors.

But some in the industry say it is corporate welfare and believe commercially viable big-name acts would still come here without the funding.

Rob Warner, who has been involved in the local music industry for over 30 years, told Checkpoint the government is being taken for a ride by big players.

“It should worry both taxpayers and anyone who likes live events or values music culture. The schemes, as happened in Australia, have taught the biggest promoters they can hold events to ransom and the minister and MBIE apparently don’t recognise they’re being taken for a ride. Or they’re more concerned about looking good in the lead up to this year’s election.”

Dion Brant is CEO Of Frontier Touring, the company bringing Robbie Williams.

He told Checkpoint the money would not go directly to the popstar but instead make it viable to put on two Aotearoa shows, contributing to around half of what the freight to and from Australia and New Zealand will cost.

He did not disclose how much the government had put towards the shows, and said it was commercial in confidence.

While he said the money wasn’t paying Williams directly to come and play, the money makes it “worthwhile” for the star to play in New Zealand.

“Robbie Williams has a lot of places he can go and play concerts around the world, and these major concerts generate a really big economic impact for the cities and the places they play.

“He’s popular in a lot of places around the world. He has to prioritise that time, and he has to work out where he can get the best return for the machine that is Robbie Williams.”

Brant said putting on the show came with many costs, and the government contribution was a way of ensuring the costs don’t outweigh the returns.

He could not confirm whether Williams would have been able to play the shows without the funding but said it would have been “touch and go”.

“It certainly helps make the balance or the ledger look better, then when we put the options in front of Robbie, it allows him and his people to make a decision.

“[It’s] a way in which the returns on the incredible cost to get there and play there and for the infrastructure is able to be recouped without relying on lots of people buying lots of really expensive tickets.”

Brant said the benefit returned the taxpayer with the livelihood international shows bring to Aotearoa’s shores.

“Cities are alive when these shows are on. You can’t sit in the foyer of a hotel, you can’t sit in a cafe, you can’t walk around the shops without seeing, you know, hundreds of people wearing a T-shirt and dining in the restaurants and eating in the cafes and catching the Ubers and the taxis.”

While each show was expected to bring a $3.50 return for every $1 invested, Brant said he didn’t have any numbers reflecting how much of this would come from international visitors.

Attracting international visitors with big events is a key part of the fund’s purpose.

Brant said Frontier pitched the Williams concert to the government using results from past concerts.

“[What the] audience profiles were like at those concerts, and the budgets for these concerts. So therefore, what we’re projecting in terms of audience, sales, costs.”

Frontier will report back to the government after the two shows.

“We’ll report back who’s come to the shows, where they’ve come from, there’ll be some surveys on how long they’ve spent in the city, if they’re from out of the city.”

Splore Festival producer Fred Kublikowski applied for event funding through the Major Events and Tourism Fund but was denied.

Kublikowski told Checkpoint there needs to be more transparency around the fund.

“I think when taxpayer money is involved and it’s going into a pool that’s going to, international interests, if there’s no clarity around that, people ask questions.”

Kublikowski said there have been a countless number of successful international shows both in and outside of New Zealand without the government funding.

While it was hard to say whether the government was being influenced by these multinational promoters, Kublikowski said similar things had occurred in Australia.

“There’s been examples where funding’s been made available and it’s easy for large conglomerates to access that.

“Certainly easier than local homegrown events without the resources or the backup of that kind of admin facility.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/robbie-williams-shows-touch-and-go-without-government-funding-says-frontier-touring/

1exchange and Capitaux Partner to List NVDAt, among the First ISIN-Backed Tokenized NVIDIA Stock

Source: Media Outreach

SINGAPORE – Media OutReach Newswire – 19 March 2026 – 1exchange, a leading regulated RWA exchange for listing and trading RWA tokens, has entered a strategic partnership with Capitaux, the issuer of NVDAt, an ISIN-registered tokenized security referencing NVIDIA shares. The collaboration is set to bring NVDAt, ISIN-backed tokenized NVIDIA stock, to global investors, establishing a new benchmark for credibility and standardization in the global RWA tokenization market.
NVDAt is structured as a 1:1 asset-backed tokenized representation of NVIDIA shares, designed for compliant and efficient on-chain trading upon listing. ISIN registration enhances transparency, interoperability, and institutional recognizability across trading, settlement, and reporting systems. By supporting issuers in obtaining ISIN registration, 1exchange enables clearer identification and stronger alignment with established financial standards for RWA tokens.
With transparent and compliant architecture, independent third-party custody, and institutional grade blockchain security, Capitaux enables institutions to transform real-world assets into globally tradable digital securities. 1exchange is actively building its listing-to-trading ecosystem to bring high-quality and compliant RWA tokens to investors worldwide. The forthcoming listing of NVDAt further strengthens 1exchange’s tokenized product offering, supporting the scalable growth of the RWA tokenization market.
“By introducing an ISIN-backed RWA token in partnership with Capitaux, we will be bringing institutional-grade compliance standards into the on-chain RWA tokenization market.” says Sheena Lim, CEO of 1exchange, “Our focus is to make the listing and trading of RWA tokens more transparent, structured, and accessible for investors.”

Hashtag: #1exchange #tokenization #toenizedstocks #RWA

https://www.1x.exchange/
https://www.linkedin.com/company/1-exchange/

The issuer is solely responsible for the content of this announcement.

About 1exchange

1exchange, a member of FOMO Group, is a leading exchange for Real-World Assets (RWA) security tokens and private listings, licensed by the Monetary Authority of Singapore (MAS). Offering full-stack on-chain infrastructure, the platform enables issuers to list enterprise-grade RWAs, while enabling investors to trade modern digital assets in a regulated secondary market, unlocking global liquidity.
Visit www.1x.exchange for more information. For media inquiries, please contact media@1x.exchange.


Disclaimer:
The information contained in this article is provided strictly for general informational purposes only. It does not constitute financial advice, investment advice, an offer to sell, or a solicitation of an offer to purchase or subscribe for any securities or financial products listed or traded on 1exchange (“1X”).
Investments involve risks, including the possible loss of principal. Past performance is not necessarily indicative of future performance.
Readers should carefully consider their investment objectives, financial circumstances, and risk tolerance, and should conduct their own independent research. Where appropriate, readers are encouraged to seek advice from a qualified financial professional before making any investment decisions.
This article has not been reviewed by the Monetary Authority of Singapore.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/03/19/1exchange-and-capitaux-partner-to-list-nvdat-among-the-first-isin-backed-tokenized-nvidia-stock/

Tough breeding season for tara iti – one of New Zealand’s smallest birds

Source: Radio New Zealand

Supplied / Darren Markin

One of New Zealand’s smallest birds remains in big trouble after a tough breeding season saw a third of the eggs or newly hatched chicks eaten by predators.

There were 29 tara iti, or fairy tern, eggs laid across the country, but only 11 chicks survived.

Despite the majority of eggs not fledging, Department of Conservation (DOC) tara iti recovery programme lead Alex Wilson told Checkpoint she remained upbeat about the numbers.

“We’re feeling pretty positive about the season. We did lose quite a few this year, but we ended up with 11 chicks fledging this season, which is a good result for us.

“A bad year in the past, we could have gotten one to three chicks that might have fledged.”

Wilson said predators remained the biggest issue for the tara iti, and DOC put a lot of effort in to ensure the chicks have every chance of survival.

Supplied / Darren Markin

The Mangawhai site had a “rat problem”, and the Kahu, or Australasian Harrier, took out some of the chicks as well, Wilson said.

Wilson described the monitoring of the nests as “very intense”, and said the breeding sites are monitored around the clock during the breeding season, which runs from September to February.

DOC staff and volunteers share the duties keeping an eye on the sites, and Wilson said they are looking for risk of predators, human disturbance, and any other threats like the tide and storms that might come in.

“If we perceive a threat, that’s when we do things like collecting the eggs and taking them to safety.”

WIlson said when the eggs need to be moved, they switch the real egg with a hand-painted 3D printed egg.

Fairy tern / tara iti egg (left) and 3D printed dummy egg (right) used in the nest protection programme. Supplied / DOC

The real eggs are transported to either another safe nest, or to Auckland Zoo.

This season, 10 eggs ended up at Auckland Zoo, and a number of companies chipped in with fish to help feed the hungry chicks.

“They support us by providing us live fish, so trout and salmon, and the birds eat a lot so they can eat, when they’re little, up to 70 fish a day. More than their own body weight,” Wilson said.

DOC have also started tracking the birds, and after receiving some “cool results” last year, Wilson is hopeful the tracking will provide new insights into the birds.

Wilson said five birds have been fitted with satellite transmitters or “little mini backpacks”, and DOC hopes to track them for a year.

“The information last year we’d never seen before, so it gives us insight into where they’re going and areas that we might need to protect and other things that might be threatening them.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/tough-breeding-season-for-tara-iti-one-of-new-zealands-smallest-birds/

Pioneering Māori broadcaster and journalist Moari Stafford dies

Source: Radio New Zealand

Pioneering Māori journalist Moari Stafford. Moari Stafford

Pioneering Māori broadcaster and journalist Moari Stafford, who cultivated opportunity and empowered generations of Māori journalists for more than 20 years, has died.

He was 74.

Hailing from Waikato, Hauraki, Ngāti Maniapoto, Ngāti Apakura and Ngāti Te Wehi, Stafford spent much of his life in Kawhia situated on the east coast, under the shadow of Maunga Pirongia – the tallest peak in Waikato.

Stafford grew up speaking te reo in a community that recognised the language as a tāonga that must be preserved and protected.

He joined Te Karere as a reporter in 1987, the year te reo Māori was recognised as an official language in New Zealand.

At a pivotal time in history, he became part of a generation that championed Māori journalism through challenging times.

Veteran broadcaster Tini Molyneux worked closely with Stafford for many years in broadcasting and said it was a challenging time but his dedication to te reo was relentless.

“He didn’t pursue a career in broadcasting but had a calibre of reo that was becoming hard to find at the time, so he was encouraged to get involved,” Molyneux said.

“Throughout his career he prioritised te reo in his decision making which created opportunities for people who didn’t fit the status quo of mainstream journalism.”

Stafford was appointed editor of Te Karere in 1991 and over the next 20 years he played a vital role in launching the careers of award-winning journalists and broadcasters.

Māori broadcaster and journalist Mihingarangi Forbes remembers Stafford as an “incredible boss” and respected figure in the newsroom.

“I started at Te Karere in 1994, we were the last of the cadetships for Te Karere… we were so excited and we had a whakatau in the marae there at Māori and Pacific programmes. There would have been about 50 people who worked there at the time,” Forbes said.

“Moari was an incredible boss, so supportive: mātanga reo, mātanga tikanga, mātanga kawa. He had a huge heart, he believed in people.

“He would always see something in us. He would guide us through our hapa and our mistakes that we made which, when you work at Te Karere and Te Ao Māori, making a mistake can be fatal. He would always guide us through that and pull us out the other side.”

Forbes said Stafford would travel between Kawhia and the TVNZ office in Auckland weekly – a distance of around 200 kilometres.

“He was an amazing family man”, she said.

“He’d always bring us kai Māori, rewana bread or a boil up or any kind of Māori kai that he’d bring from home, kai moana, and he’d share it with everybody.”

“I’ll dearly miss him. I’ll miss his texts. He kept in touch with me for my last 32 years, encouraging me every time he saw me out there or doing something good, he’d let me know.”

Another veteran Māori broadcaster to work under Stafford was Julian Wilcox who, alongside Māori media mogul Bailey Mackey, joined Te Karere as a reporter in the late 1990s.

Wilcox told RNZ Stafford was a “quiet and humble” man whose time working manual jobs gave him a dogged work ethic.

“Moari just was worried about filling the half hour that we had on Te Karere… but he got into the gig because of, I found out later on, the encouragement of one of the great tohunga of Tainui, Henare Tuwhangai, who was a main orator for Te Arikinui Te Ataarangikaahu in his time, and one of the great tohunga of Māoridom,” he said.

“It was always about doing the gig, filling the half hour, making sure you had a kaupapa, and turning that kaupapa into a story, filling it out for two and a half minutes – which I know is a long time in news – but that was the average story length for Te Karere… he had that kind of discipline.”

Wilcox said Stafford was always interested in the voices of those the mainstream would leave out of the regular 6pm bulletin.

“How I figured out to please Moari was that if I could get kaumātua and kuia that people often didn’t see in news, particularly in mainstream, talking about news of the day, whatever it might have been at that time, the happier he’d be.

“I’d always turn up to work, and he would always say, ‘What’s your story?’ and I would tell him, ‘Well, I’ve got this kuia…’”

“He’d say ‘Kapai! Go get it’,” Wilcox said.

Stafford was part of a cohort of some of the first Māori broadcasters and journalists to appear regularly on New Zealand television screens like Hinerangi Goodman, Martin Rakuraku, Whai Ngata, Derek Fox, Tini Molyneux and Hirini Henare.

Wilcox remembers them all as “icons”.

“These were people who grew up watching… he was a cool, lovely, lovely man and [without] him I probably wouldn’t have a media career. We owe him a lot and we’re going to miss him.”

Former Te Karere journalist Dean Nathan joined Te Karere in the early 2000s. He told RNZ he met Stafford much earlier life as boy when Stafford worked in Forestry around the small, isolated town of Te Kao in the Far North.

“Who would have thought you would have met a forestry manager in television, right? Editing a national programme and obviously with turning over news it’s a demanding job and the team’s got to be out there and, you know, on the ball every day,” he said.

“I remember him as a really supportive editor and producer, a beautifully natured man.”

Nathan said Stafford gave him huge work opportunities.

“I’m grateful for Moari because he supported me and that was pretty much the starting of my career in television. He was the first editor to send me to repot internationally in America and North America, Canada and Hawaii and all over the South Pacific.

“Those are opportunities that really broadened my my skills and ability and I’m really grateful for that. I love Moari,” Nathan said.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/03/19/pioneering-maori-broadcaster-and-journalist-moari-stafford-dies/

Oyster farmers get final payment over October Mahurangi River sewage spill

Source: Radio New Zealand

Wastewater poured into the Mahurangi River in October. Supplied

Watercare has announced its final tranche of compensation payment for oyster farmers North of Auckland, after an estimated 1200 cubic metres of sewage flowed into the Mahurangi River last October.

Watercare said a power surge at its Lucy Moore Memorial Park pump station tripped the pumps, and was compounded by an alarm and monitoring system that wasn’t operating as it should be – leading to delays in the response.

Wastewater poured into the Mahurangi River between the afternoon of 29 October, and the next morning.

One Mahurangi oyster farmer told RNZ that much of their 80,000 dozen oysters had to be dumped.

Watercare’s final payment brings the total payout to $2.75 million for the nine oyster farms.

Previously, a payment of $1 million was made in the immediate weeks following the spill and another $1 million at the end of last year.

Watercare chief operations officer Mark Bourne said the payment decision followed independent assessments of the financial impact resulting from the October event.

“We sincerely apologise to the oyster farmers affected by this incident and recognise the impact it had on their livelihoods and on the wider Mahurangi Harbour aquaculture industry,

“We commissioned an independent loss assessment to understand the financial impact of the October event on oyster farmers, resulting in the farms being shut down by MPI during a critical part of their harvesting season. This process has informed Watercare’s approach to resolving the claims.”

Watercare said independent reviews into the cause of the overflow has now been completed.

It said the reviews found that the incident resulted from “a unique chain of events involving technical and operational factors” at the newly commissioned station at Lucy Moore Memorial Park.

“We have taken the findings of the reviews seriously and have already implemented improvements to strengthen our systems and processes,” said Bourne.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/03/19/oyster-farmers-get-final-payment-over-october-mahurangi-river-sewage-spill/

Queenstown Lakes District Council seeks 35-year consent to pump wastewater into Kawarau River

Source: Radio New Zealand

RNZ / Nate McKinnon

Queenstown Lakes District Council has voted to seek long-term approval to pump treated wastewater into the Kawarau River.

Councillors agreed on Thursday to lodge a 35-year resource consent application for discharge from the Shotover Wastewater Treatment Plant, while staff keep looking for alternative solutions to the region’s wastewater woes.

The decision comes one year after the council first diverted wastewater to the Shotover River under emergency powers, following persistent performance issues at a disposal field on the Shotover Delta.

The temporary plan prompted community backlash, with some locals saying the river was at risk and the council had not been transparent.

QLDC retrospectively applied for consent in May, then sought for the case to be handled by the Environment Court.

Separately, the Environment Court ruled the council needed to fix the issues long-term, and lodge a long-term resource consent application by 31 May.

Under the $77.5 million plan supported by most councillors on Thursday, the council would install advanced filters at the treatment plant, and build a 1.4km pipeline to carry the treated wastewater to a rock outfall structure on the Kawarau River.

It was the option recommended by council staff as the most technically feasible and cost-effective pathway, designed to handle the district’s projected growth through to 2060.

However, the plan was strongly opposed by Ngāi Tahu.

RNZ / Nate McKinnon

Iwi representatives stated that the direct discharge of human waste to natural water was “abhorrent” and contrary to tikanga, because water classified as waikino (polluted water) should not be mixed with other categories of water, council documents showed.

Assessments showed the Kawarau River’s high energy and flow would provide rapid dilution, meaning the environmental effects were “no more than minor”.

The volume of wastewater requiring disposal from the Shotover plant was projected to more than double by 2060 to to 26 million litres per day, council documents showed.

On Thursday, councillors debated asking the Environment Court for an extension to the consent deadline – a move council staff had warned could be risky and costly.

Ultimately, an alternative option put forward by councillor Gavin Bartlett – to apply for the consent, but also direct the chief executive to undertake further investigations into long-term disposal options – was approved.

Councillor Jon Mitchell described it as a pragmatic but inclusive option.

“This will expedite getting us out of the current situation we’re in, into something marginally more acceptable. With an open mind to pursuing what other options might be available,” he said.

Councillor Nicola King said it was a difficult decision, but it would be costly and without “real reason” to delay the decision.

“We just have to make sure it’s not our long-term solution,” she said.

Mayor John Glover abstained from voting, and councillor Niki Gladding voted against it.

Once the council selected the most cost-effective option, it would be difficult to justify looking at anything else, she said.

“If you’re a developer and you’ve paid development contributions towards it, you’re not going to be wanting to pay twice for a second solution,” she said.

“Once we’ve done this, we’ve done it… we’ll have lost the opportunity to set the direction that we don’t want our wastewater just pouring into the Kawarau.”

RNZ / Nate McKinnon

Community urges caution

Earlier in the meeting, during a public delegation, Queenstown Lakes Community Action founder Nikki Macfarlane urged the council to pause – in part because there had not been a “full environmental assessment clearly setting out the risks of each option” nor “meaningful engagement with the community”, she said.

“Once that pathway is set, it’s difficult to reverse,” she said.

“We’re asking you to request an extension from ORC and the Environment Court so you have the time and the necessary information to make a decision that you can stand behind with confidence.”

Andrew Davis, a Queenstown resident of 20 years, said the council should look at options to improve the quality of the wastewater.

“We are privileged to live in an environment with pristine water bodies, whereas many of the comparative plants are discharging into highly degraded environments,” he said.

Other options on the table

In the lead-up to Thursday’s vote, council staff also looked at adding a wetland to the Shotover Delta, hybrid schemes trialling partial disposal via deep boreholes, or shallow soakholes at Frankton Flats, or a high-cost land-only irrigation scheme on the Crown Terrace.

The council held a series of drop-in sessions in December and January for community members to learn about the options, but skipped full public consultation to meet the May deadline.

Councillors agreed to direct the chief executive to keep looking at “reasonably practicable wastewater options, including land-based and hybrid land-water options that may minimise the extent of the discharge of treated effluent to water”, and report back by March 2027.

The council also agreed to seek further hui with Kā Rūnaka leaders, and undertake further community engagement.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/03/19/queenstown-lakes-district-council-seeks-35-year-consent-to-pump-wastewater-into-kawarau-river/

Oyster farmers to get another $2.75 million compensation over Mahurangi River sewage spill

Source: Radio New Zealand

Wastewater poured into the Mahurangi River in October. Supplied

Watercare has announced its final tranche of compensation payment for oyster farmers North of Auckland, after an estimated 1200 cubic metres of sewage flowed into the Mahurangi River last October.

Watercare said a power surge at its Lucy Moore Memorial Park pump station tripped the pumps, and was compounded by an alarm and monitoring system that wasn’t operating as it should be – leading to delays in the response.

Wastewater poured into the Mahurangi River between the afternoon of 29 October, and the next morning.

One Mahurangi oyster farmer told RNZ that much of their 80,000 dozen oysters had to be dumped.

Watercare’s final payment brings the total payout to $2.75 million for the nine oyster farms.

Previously, a payment of $1 million was made in the immediate weeks following the spill and another $1 million at the end of last year.

Watercare chief operations officer Mark Bourne said the payment decision followed independent assessments of the financial impact resulting from the October event.

“We sincerely apologise to the oyster farmers affected by this incident and recognise the impact it had on their livelihoods and on the wider Mahurangi Harbour aquaculture industry,

“We commissioned an independent loss assessment to understand the financial impact of the October event on oyster farmers, resulting in the farms being shut down by MPI during a critical part of their harvesting season. This process has informed Watercare’s approach to resolving the claims.”

Watercare said independent reviews into the cause of the overflow has now been completed.

It said the reviews found that the incident resulted from “a unique chain of events involving technical and operational factors” at the newly commissioned station at Lucy Moore Memorial Park.

“We have taken the findings of the reviews seriously and have already implemented improvements to strengthen our systems and processes,” said Bourne.

Sign up for Ngā Pitopito Kōrero, a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/03/19/oyster-farmers-to-get-another-2-75-million-compensation-over-mahurangi-river-sewage-spill/

As it happened: Fuel stations run out again, Luxon warns NZ preparing for ‘prolonged’ Iran conflict

Source: Radio New Zealand

Petrol stations across the country are seeing a surge of drivers filling up as fuel prices rise amid fears over the Iran war and potential shortages.

Meanwhile, Prime Minister Christopher Luxon and Finance Minister Nicola Willis have been addressing the latest on the fuel crisis, warning that NZ is now preparing for a possible ‘prolonged’ Iran conflict.

“Hope is not a plan,” Luxon said.

It comes in the wake of a global rise in oil prices following the US-Israel war on Iran. Iran’s response has included the closure of the Strait of Hormuz, a key transportation channel for Middle Eastern energy exports.

Strikes overnight hit Iran’s part of the world’s largest gas field. Iran has vowed revenge, listing energy targets in Saudi Arabia, the UAE and Qatar as potential targets.

The Automobile Association here has warned further price hikes are likely.

Prime Minister Christopher Luxon and Finance Minister Nicola Willis face questions on the fuel crisis. RNZ / Samuel Rillstone

There have been reports of service stations running out of fuel as motorists rush to fill up.

New Zealand has several weeks’ supply in storage or on the way, the government has said.

Follow our liveblog for how the day unfolded:

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/as-it-happened-fuel-stations-run-out-again-luxon-warns-nz-preparing-for-prolonged-iran-conflict/

Proposals sought for restoration of historic Chateau Tongariro hotel

Source: Radio New Zealand

The Chateau Tongariro has been sitting empty since it was closed in February 2023. Wikimedia Commons

The government is seeking proposals from operators to restore and operate the historic Chateau Tongariro hotel in the Central North Island at the base of Mt Ruapehu.

The heritage building has been sitting empty since it was closed in February 2023 due to earthquake risk, after more than 90 years in business.

Conservation Minister Tama Potaka has announced the new process will identify operators capable of restoring the building, while also respecting the area’s unique conservation values.

Ruapehu mayor Weston Kirton says it’s a significant step forward for saving the heritage building and bringing more tourists to the district.

It’s situated near the Tongariro Crossing Alpine Walk which brings in around 100,000 visitors each year for the spectacular 19 kilometre volcanic hike.

“We’ve got two parts to it, one is that we’ve got the tender process for the Chateau,” Kirton said

“The other is to see what the government is saying about the concessions, meaning that anyone that is going to bid for the Chateau needs to have certainty that they’ve got it for a reasonable period – some were suggesting 100 years.”

The Chateau was built in 1929 within the boundaries of the Tongariro National Park to encourage tourism within the park.

The conservation minister said it has long been an iconic destination for visitors and was an important part of the region’s identity.

“The Request for Proposals (RFP), opening on 19 March 2026, invites interested parties to put forward plans that recognise both the heritage significance of the Chateau and the cultural importance of Tongariro National Park,” Potaka said.

“The Chateau is a landmark many New Zealanders have visited for holidays to school trips and international visitors experiencing Tongariro for the first time.”

Ruapehu mayor Weston Kirton says there are companies out there who could restore the Chateau to its former glory. Jimmy Ellingham / RNZ

Restoring the building will help ensure the area continues to attract visitors while supporting local businesses and tourism in the wider region.

“We are looking for proposals that balance commercial viability with conservation values, respect for tangata whenua aspirations, and the unique character of Tongariro National Park.”

The RFP process will help identify operators capable of restoring the building while ensuring it remains consistent with the values of one of New Zealand’s most important national parks.

National Party MP for Whanganui Carl Bates has welcomed the announcement calling it “great news”.

“The Chateau is a landmark many New Zealanders have visited for holidays to school trips and international visitors experiencing Tongariro for the first time. Restoring the building will help ensure the area continues to attract visitors while supporting local businesses and tourism in the wider region.”

Kirton said it showed the government was serious about restoring the building and bringing certainty around the lease of the land.

“We know now that the government is serious about looking for potential bidders – those who have balance sheets to revitalise the Chateau.”

He was aware of companies that could bring the heritage-listed building back to its former glory.

“There are people around. We’ll be meeting one of them this weekend,” he said.

“I think it’s a long way towards saving it, but there’s a lot of work to be done on behalf of the Department of Conservation and the National Park Acts of Parliament need to be adjusted.

“The government could well work through the existing legislation to allow this to proceed. All I can do is relay to the government that it’s important for our district and the country to save the chateau because of its heritage status.”

Tenders are open from 19 March to 21 April 2026.

Potaka said a panel will assess all proposals it receives.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/proposals-sought-for-restoration-of-historic-chateau-tongariro-hotel/

Sale of one of NZ’s oldest running independent craft brewery deal worth toasting

Source: Radio New Zealand

Three Sister’s Brewery founder Joe Emans wants to leave the Sunshine Brewing brands intact. Robin Martin/RNZ

The sale of one of New Zealand’s oldest running independent craft brewery is a deal worth toasting, according to those close to the transaction.

Sunshine Brewing – including its iconic Gisborne Gold brand – has been sold, saving the multi-award winning brewery from potential closure.

Taranaki’s Three Sister’s Brewery is taking over its East Coast cousin – for an undisclosed sum – “with the intention of keeping Sunshine alive, keeping the taproom trading, and protecting the legacy Sunshine has built in Gisborne”.

Legend has it surfers Geoff “Lumpy” Logan and Gerry Maude came up with idea for Sunshine Brewing while out catching waves in 1989, famously launching the lager Gisborne Gold – a 90s staple for uni students – in the process.

Current owner Martin Jakicevich and two mates, Mark Young and Peter Thorpe, bought Sunshine in 2013 and set about modernising it and creating a popular taproom.

Jakicevich had mixed feelings about letting it go.

“There’s been a lot of joy in getting the brand re-established and back on the map and talked about, so it’s sort of bittersweet to see it go, but at the same time I’m really pleased to see it go to a brewer and out there making some good beers and with a vision, so yeah, it is a bittersweet type thing.”

Martin Jakicevich would miss the great staff at the brewery and those eureka moments only brewing could provide.

“I’ll certainly miss the smell of the brew in the morning there’s no doubt about that. Walking into that place when there’s a brew going on is fantastic.

“It always comes down to this… when I try a new beer and the beer is fantastic that’s always been the best moments and we’ve had a few of them. That’s what I’ll miss those moments of saying ‘we nailed it’.”

Three Sister’s founder Joe Emans was a huge fan of Sunshine Brewing.

“We’ve got a lot of respect for Sunshine and what they’ve been doing. They’ve been going a long time I think they are the oldest independent craft brewery in the country particularly with Gisborne Gold which is a really well distributed beer and I think a lot of people have affection for that beer and we do and I do particularly, so we want to keep that legacy going independently.”

Emans said Sunshine would be a good fit for Three Sisters which recently crowdfunded about $400,000 to expand its brewing capacity.

“We can immediately make use of that additional capacity that they’ve got, so that relieves our production constraints here in New Plymouth.

“We’ve been exporting to China and that’s partly why we’ve reached our production constraint and I’ve reached out to our distributor there and they’ve said they’d be keen to distribute Sunshine in China as well so there should be an immediate up tick from that.”

Emans said it was likely higher volume production for both brands would take place in Gisborne while New Plymouth would focus small-batch seasonal beers.

“Our plan is simple: Sunshine stays Sunshine – a Gisborne brewery with its own identity – while Three Sisters provides the operational backbone and production capacity to support stability and growth.

Sunshine’s core brands and taproom would remain and Eman’s hopeful of retaining key staff.

‘Bold move’ expansions show a brewery on the up: Beer writer

Publisher of craft beer magazine Pursuit of Hoppiness Michael Donaldson said Sunshine Brewing’s owners had been looking for a sale and it was great another craft brewer had come in for it.

“Look Gisborne Gold is a hugely popular beer in the East Cape region and Sunshine Brewery are an incredible local brewery and they are New Zealand’s longest running independently owned craft brewery, so it’s a really vital part of the landscape.”

He said it was a significant step for Three Sisters.

“I can understand why someone would want to pick up Sunshine because their local strength is amazing plus they still have a presence in Wellington. You’ll find it on tap in a number of bars there, Gizzy Gold.

“Yeah, so it’s a bold move by Three Sisters and it sort of follows on from their expansion into Wellington recently where they opened a taproom. They’re a brewery on the up.”

Donaldson said Three Sister’s innovative crowdfunding approach and exports to China – which made up about 30 percent of sales by volume – underpinned its success.

“It’s massive. China is a huge country but it’s also got a strong appetite for beer and so they’re getting unique products. New Zealand beers, a lot of them made with New Zealand hops and that New Zealand Inc story.

“Each one of these small breweries that is delivering export orders to China, it’s a drop in their beer ocean, but at this end it’s hugely significant.”

Drinkers in New Plymouth were excited about the move.

Wellington visitor Vincent gave it the thumbs up.

“I hope it saves Gizzy Gold because my friends and I drink it quite a bit, so if it could keep going that would be really good.”

He was familiar with Three Sisters also.

“I’ve been travelling for a bit but one of my friends posted about Three Sisters opening up down there and we really like them at Beervarna so we’re quite excited about that.”

Andrew had dipped into the crowdfunding offer.

“I think it’s really amazing and Joe and the team have been very progressive in the way they’ve grown the business here and I think it’s going to be a great thing overall. They’re going to take care of the Sunshine legacy and do great things with it.”

Allan was not totally convinced.

“I’m not a great lager fan, but I’ve got a small shareholding from the last funding round, so yeah, it’s all good as far as that goes, but as far as the lager goes I’m more of a hazy guy.”

Beer fans on both sides of the North Island should have easy access to both Sunshine Brewing and Three Sisters brands in a couple of months.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/sale-of-one-of-nzs-oldest-running-independent-craft-brewery-deal-worth-toasting/

Authors who missed out on Public Lending Right payment receive funds

Source: Radio New Zealand

Authors have to confirm their eligibility for payment every year, whether or not they have new books in libraries. Google Maps

Authors who missed out on a payment for having books in the library are receiving the money they are owed.

RNZ reported in February that 318 authors had received an email in error in July confirming they were registered for the Public Lending Right scheme, when they were not actually registered.

The Public Lending Right (PLR) scheme makes a payment to authors each year, when they have sufficient books in New Zealand libraries.

The payments are made in December from a government fund of $2.4 million. In 2025 there were 1541 registered and the per-book rate was $5.19.

Authors have to confirm their eligibility for payment every year, whether or not they have new books in libraries.

National librarian Te Pouhuaki Rachel Esson said in a statement on Thursday that 46 of those people had been identified as being eligible for a payment this year.

“We sincerely apologise for our failure to do that, and for the inconvenience it has caused.

“Authors are now being contacted directly regarding the outcome of our investigations and explaining next steps. We are reviewing the PLR administrative process, and the scheme’s usability to prevent this error from happening again.”

She said the 46 eligible authors who did not receive a payment had been offered the amount they would have received if their registration had been successfully processed.

“This payment comes from existing sources of National Library funding and is based on the 2025 book rate.”

Another 272 people had been contacted to confirm they were not eligible for a payment last year. Authors must have at least 50 copies of their book in a library to qualify.

“Our investigations have found that they were not eligible for the 2025 PLR round and/or did not attempt to register before 1 March 2025. Accordingly, they will not be receiving a payment in connection with the 2025 PLR round.

“We have had useful feedback from authors about how the registration process could be improved. A key recommendation from authors is an automated response in real-time to let them know that their registration has been received would resolve many concerns. In the absence of an automated email for the 2026 year, we have been manually sending acknowledgment of registration.

“The Public Lending Right Advisory Group, consisting of members from the New Zealand Society of Authors, the Library and Information Association, the Ministry of Culture and Heritage, and the Ministry of Business Innovation and Employment, met in March to discuss the ongoing review of the PLR Scheme and will continue to do so over the coming months.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/authors-who-missed-out-on-public-lending-right-payment-receive-funds/

Wellingtonians split over second tunnels and SH1 revamp

Source: Radio New Zealand

Artist’s impression of the Mt Victoria tunnel, part of the NZTA proposals for State Highway 1 in Wellington, which would see a second tunnel. Supplied / NZTA Waka Kotahi

Wellingtonians are divided over the government’s planned tunnels and highway extensions, according to a report by NZTA.

The plan to revamp the state highway corridor from the Terrace Tunnel through to Kilbirnie is expected to cost $2.9 billion to $3.8 billion, and is an attempt to ease congestion.

The project involves the construction of second tunnels at the Terrace and Mt Victoria, refurbishments of SH1 across the city, especially in Te Aro, Hataitai, Kilbirnie, and an upgrade of the roads at Basin Reserve.

NZTA has gathered public opinion in surveys, online and during community information sessions, and released the findings on Thursday.

Residents appeared split over the changes.

Proximity to the works influenced public perception.

Residents in southern and CBD suburbs – those nearest to the road works – were more likely to say the changes would be worse for them and the city.

But those further away from proposed changes, in northern suburbs and outside of Wellington city, were more likely say the changes would be better for them and the city.

People were most vocal about the second tunnel at Mt Victoria which attracted the most amount of online feedback of all the proposed changes.

Opinion was divided over whether cycle and pedestrian lanes were wide enough to be safe.

Those in favour of the second tunnel also cited easing congestion as a benefit.

Others complained of the tunnel’s impact on the loss of housing and the safety of children walking to school with more cars on the roads.

‘I am also disappointed that houses will be demolished along the route when housing is under such demand in Wellington,” read one comment.

The most popular change was the second tunnel at the Terrace, which locals hoped would boost investment in the city and fight bottlenecks.

One respondent wrote: “This will help grow our city as better infrastructure will encourage investment.”

The least popular changes in the project were the widening of Ruahine Street and Wellington Road to provide two lanes in each direction.

Residents expressed concerns that traffic from a wider road would overflow into smaller side roads.

The design’s lack of right-turns from Ruahine Street and Hamilton Road and limited entry and exit points attracted concern.

“You’ve only given us one on-ramp from Hataitai which is just going to back traffic all up the main street.”

Arguments in favour of proposed changes cited the need for better transport through the city, such as to the airport, to stimulate economic growth.

“This is a long overdue project …. a once-in-a-generation opportunity to futureproof the area.”

But others worried these benefits would be undermined by the costs.

“The cost of $3.8 billion is an extraordinary sum to spend for minimal time savings – the benefits are not worth it,” said one comment.

The project is estimated to save up to 10 minutes from travel times during peak journeys from the Wellington region to the CBD, hospital, and airport.

Some respondents focused on how the changes might ease congestion. One comment read: “The current situation is terrible for cyclists/walkers … I particularly like the cycle and walkway through the tunnel.”

The project’s environmental impact caused concern to residents, and some were happy NZTA was taking it into consideration. But others argued the changes were necessary. “We need growth, we need people. This will make all city suburbs better.”

Detractors complained that construction and the improvements themselves would result in more noise and pollution, worrying the changes would attract more cars on the road, worsening congestion in the area and possibly undermining public safety for cyclists and pedestrians.

“Induced demand will inevitably result in future congestion, bringing us back to the same bottlenecks,” said a respondent.

Another contentious issue was that of parking, as the project might remove up to 200 parking spaces.

“The removal of car parking by WCC has already impacted the central city, the removal of further carparks from Vivian Street will exacerbate the difficulties that locals, tradies, and shoppers encounter when accessing homes and businesses,” argued a local.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/wellingtonians-split-over-second-tunnels-and-sh1-revamp/

Queenstown Lakes District Council to permanently ban lakeside stalls

Source: Radio New Zealand

Queenstown Lakes District Council monitoring showed there were often between six and 22 stalls on a 150m stretch of the lakefront despite a requirement for stalls to be 50m apart. 123RF

Food stalls will be banned from the Queenstown lakefront after the district council voted on measures to deal with public health concerns, litter and traders blocking footpaths.

The decision extends and expands a year-long trial ban that was only partly successful because of persistent breaches and resistance from some stallholders, according to council staff.

Queenstown Lakes District Council (QLDC) monitoring showed there were often between six and 22 stalls on a 150m stretch of the lakefront despite a requirement for stalls to be 50m apart.

Traders were also a nuisance because of smells, litter and clutter, staff said.

All nine pop-up food stalls inspected by the council last year had issues with basic safety requirements, such as a lack of hand-washing facilities, poor temperature control and inadequate food storage.

During the last New Year’s Eve celebrations, council staff said police were called after several traders showed “severe and unnecessary aggression” in refusing to vacate event zones.

Business leaders gave the council evidence of fat residue and oil stains damaging the street, while the Queenstown Business Chamber of Commerce and Hospitality New Zealand argued that unregulated stalls were unfair competition for fixed-premise businesses.

Under the trial ban that began in April 2025, the council stopped issuing new permits but let existing traders run stalls until their permits expired.

Council staff said unlawful trading continued, including new operators with no permission to trade on the waterfront and existing traders who took no notice of the ban.

Stallholders push back

At a council meeting on Thursday several stallholders urged the council to rethink the ban.

Oyster stallholder Poppy Prentice said it would have a significant impact on traders.

“Some of the current rules, like the 50m spacing and moving around every hour, are simply not workable in practice. This isn’t about refusing to follow rules. We’re asking for practical, fair ones that can realistically be met,” she said.

“We’re also prepared to pay fair market value and an appropriate permit fee. We want to operate within a system that is fair, transparent and sustainable for everyone.”

Long-serving restaurateur and food-stall operator Graeme McCarthy said food carts had been part of the town for decades and the ban was unjust.

His said his food cart was promoted on YouTube and TikTok to well over one million subscribers.

“They come to Queenstown because they see the beautiful scenery behind our cart,” he said.

“Food vendors do create jobs in Queenstown and spend money locally. Removal of waterfront vendors just adds to this increasing commercialisation and loss of local character in the town,” he said.

Councillors all in favour of ban

Councillors unanimously supported the ban.

Heath Copland said while he enjoyed the vibe that the stallholders brought to the lakefront, he backed the council staff.

“I like the entrepreneurial spirit they bring. That notwithstanding though, I do have to trust the staff here,” he said.

Councillor Samuel “Q” Belk said some businesses were paying rates, insurance and other charges to operate on the waterfront while pop-up vendors were not.

“I think we need to look at the equity between the two business models,” he said.

Councillor Niki Gladding said she supported the ban as a way to “solve a problem that has not been solved by any other means” but the council should take some ownership of the problem and work towards a better long-term solution.

“The issues down there are not going away. This does temporarily relieve us of them. We have the review of the [activities in public places] bylaw coming up, which I think we know needs to be looked at,” she said.

The new measures extend the temporary ban beyond the lakefront and into nearby streets, as well as prolonging it.

They take effect on 17 April and will remain in place until the next formal review of the activities in public places bylaw, which was scheduled for July.

The number of valid registrations for the lakefront was falling, with only nine traders set to be operating there by next month, council staff said.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://nz.mil-osi.com/2026/03/19/queenstown-lakes-district-council-to-permanently-ban-lakeside-stalls/

Screening rates for HPV increase at clinics with self-tests

Source: Radio New Zealand

123rf

HPV self-tests increase screening rates, with a new study finding 10 percent more coverage at clinics which offer it.

Self-testing for human papillomavirus was rolled out nationally in September 2023.

The study period for this newly-published research took place before that change – between February 2022 and September 2023 – but it compared screening rates at clinics which offered self-testing, to those which didn’t.

It found screening coverage was 10.8 percent higher at practices offering self-testing, and higher for all groups, including Māori – a historically undeserved group.

Published on Thursday in The Lancet Obstetrics, Gynaecology, and Women’s Health journal, it included 22,511 people enrolled in 14 GPs in Te Tai Tokerau Northland.

Half the practices offered HPV self-testing and half offered a vaginal speculum exam by a doctor or nurse, the standard screening method before self-testing was introduced.

Professor Bev Lawton, lead author of the study and director of the University’s Te Tātai Hauora o Hine-National Centre for Women’s Health Research Aotearoa, said the study proved self-testing was a game changer.

“We know from our previous research the HPV self-test is acceptable and accessible for under- and never-screened wāhine Māori,” she said.

HPV causes 95 percent of cervical cancers. According to Health NZ, since HPV self-testing was introduced in 2023, 81 percent of those being screened have opted to self-test – in the two years to July 2025, screening coverage rose by 7.4 percent.

It was important to understand how changes to the kinds of test on offer would affect the overall coverage, or number of people being reached by the programme, Lawton said.

“If you’re going to change it and offer a self-test, you don’t want to lose your coverage,” she said. “Because the more people that the programme screens, the more likely that you’re going to save lives.”

Speaking from Austria, where she and her colleagues were discussing the study findings at the international conference EUROGIN, an international congress on HPV infections and associated cancers, she said the study could have worldwide ramifications – millions of people around the world could be spared an invasive vaginal speculum exam.

“We believe all national cervical screening programmes should urgently consider a universal offer of HPV self-testing through primary care,” she said.

“If you have an organised screening programme, as you do in high income countries… it really means that millions of women do not need to have a speculum.”

The research was funded by the Health Research Council, the Ministry of Health, and Mahitahi Hauora.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/03/19/screening-rates-for-hpv-increase-at-clinics-with-self-tests/