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Capella at Galaxy Macau Opens as the Pinnacle of Ultra-Luxury Hospitality

Source: Media Outreach

MACAU SAR – Media OutReach Newswire – 10 February 2026 – Capella at Galaxy Macau has officially opened, marking the arrival of the serene enclave within the celebrated world of Galaxy Macau. This exceptional property represents a rarefied expression of hospitality within Galaxy Macau, Asia’s highly awarded luxury resort.

Mr Francis Lui, Chairman (centre); Mr Kevin Kelley, Chief Operating Officer – Macau (2nd from right); and Mr Troy Hickox, Head of Hotels & Lifestyle Development (1st from right), of Galaxy Entertainment Group and Mr Samuel Ding, Senior Vice President of Design and Technical Services (2nd from left); Ms Mei Ping, Head of China and Chairman Assistant (1st from left), of Capella Hotel Group officiate at the Opening Ceremony of Capella at Galaxy Macau.

Capella at Galaxy Macau represents the pinnacle of the luxury resort’s experiential offering. Designed for the most discerning of premium guests, the property occupies a privileged position within Galaxy Macau’s constellation of lauded luxury hotels. An ultra-residential retreat designed for the most discerning traveller; it offers privacy, expansive space, and superlative service.

The golden hued architectural landmark comprises just 95 suites and penthouses, while maintaining an exceptionally low key-count and a welcoming sense of intimacy and seclusion.

The opening of Capella at Galaxy Macau further strengthens Galaxy Macau’s status as the region’s premier experiential destination, offering guests a highly curated way to experience the dynamism of the luxury resort, and all that UNESCO World Heritage–recognised Macau has to offer.

Mr Kevin Kelley, Chief Operating Officer – Macau of Galaxy Entertainment Group delivers his welcome remarks at the Opening Ceremony of Capella at Galaxy Macau.

Kevin Kelley, Chief Operating Officer – Macau of Galaxy Entertainment Group, states: “Galaxy Macau was created as a destination where the world’s finest hospitality and ultra-luxury experiences come together. We are delighted to reveal Capella at Galaxy Macau to our treasured guests from around the world; which showcases a new expression of our signature and ever-evolving ‘World Class Asian Heart’ service – that is not just personalised but anticipated; promising that true exclusivity is no longer about spectacle – but about scarcity.”

Clive Edwards, Senior Vice President, Operations, of Capella Hotel Group adds: “This strategic partnership positions Capella at Galaxy Macau as a distinctive expression of our brand vision: an intimate, residential retreat within an integrated resort context. Our guests enjoy seamless access to Galaxy’s world-class amenities while experiencing the culturally immersive hospitality that defines Capella—from our Capella Culturists to curated experiences celebrating Macau’s rich heritage.”

Mr Samuel Ding, Senior Vice President of Design and Technical Services, Capella Hotel Group, delivers a speech at the Opening Ceremony of Capella at Galaxy Macau.

A contemporary retreat where The Gilded Jungle meets the runway

Conceived with renowned Paris-based design studio Moinard Bétaille, Capella at Galaxy Macau introduces a distinct design sensibility to the city, influenced by the jungle-inspired motifs found throughout the world of fashion, defined by craftsmanship, sophistication, and vintage luxury accents.

Imagined as a gilded jungle, the undulating exteriors draw from the formations of Macau’s tropical landscape while offering a sleek, residential interpretation of ultra-luxury. Rather than enclosed opulence, the architecture and interiors emphasise soft curves and undulating fluid forms, mirroring meandering waterways, light, airflow, the organic forms of the rainforest canopy – all brought to life with tactile materiality; creating a deeply immersive and energetically aligned experience.

Interior design studio Moinard Bétaille was tasked with creating a ‘residential sanctuary in Macau.’ From the forest-like canopy at the Ground Floor Lobby arrival and the Tree of Life, to the multi-sensory digital artwork by Laura Cheung – whose hand-finished jungle inspired walls grace every suite, Bruno Moinard has composed an environment of serenity, luxury and quiet confidence. For Capella at Galaxy Macau – a collaboration with Bruno Moinard’s creative partner, Claire Bétaille – the design duo have built on their collective commitment to bespoke luxury; creating a signature new language that builds upon culture, community, tradition, and heritage craftsmanship in a way that is both distinctive and unique. Moinard states: “Our vision was to create a sense of calm, crafted elegance, a residential sanctuary that feels both intimate and timeless, set within the extraordinary environs of Galaxy Macau.”

Gentle curves, softened edges, and dappled light that mimics sunlight filtering through a rainforest canopy guides guests from the moment they enter the driveway.

Gentle curves, softened edges, and dappled light that mimics sunlight filtering through a rainforest canopy guides guests from the moment they enter the driveway, a protected space that transitions from the pulsing energy of Macau, surrounded by lush foliage that fosters a sense of calm and privacy. In an ecosystem of light, art and nature, as one steps into the Lobby, a chamber of light and running water frame the Tree of Life – the beating heart of the Lobby that pulsates in coloured light. Round pools, lush foliage, and a mustering of carved wooden storks alight, finding their place in front of the spellbinding three-metre immersive multi-sensory LED artwork by Hong Kong artist Laura Cheung, founder of artisanal luxury homeware brand LaLa Curio. Evoking the natural rhythm of a tropical jungle, the sculptural natural forms, rocks and fire pits enable the kinetic artwork to subtly transform from dawn to dusk; connecting the interior to the passage of time outside. This digital grove “breathes” with the time of day; featuring a cacophony of ambient sounds that culminate in a nightly bloom of glowing fireflies and shooting stars. A custom-handmade tumbled glass sculpture by Czech glass masters Lasvit – ‘Splash’ – cascades over the illuminated water pools.

The arrival experience unfolds on the first floor, where guests discover the gilded Lobby layered with specially commissioned artworks. Highlights include contemporary abstract gouache and oil artworks by Bruno Moinard, alongside ceramic scholar’s rocks on Amazonite marble plinths by American ceramic artist Jason Messinger, that blend the softly-hued neutral interiors with statement pieces.

Guests are welcomed by their Capella Culturist in the Capella Living Room, a brand signature reimagined here as a cocooning social salon, before being escorted to their private residences for in-suite check-in by their personal butler. “Jungle Blue” – a Bruno Moinard abstract oil painting anchors the space in Moinard’s signature Macau Blue, a nuanced hue that echoes his interior inspiration, where water meets the jungle. Here, the Capella Culturists host daily rituals such as tea ceremonies, baijiu tastings, and cultural introductions.

The ultimate exemplar of penthouse living

Capella at Galaxy Macau delivers a rare combination of grandeur, serenity and exclusivity.

Capella at Galaxy Macau delivers a rare combination of grandeur, serenity and exclusivity. Offering the largest rooms in Southern China, the Capella Penthouses are among the most remarkable accommodations ever introduced in the territory. Two- and four-bedroom penthouses offer expansive indoor-outdoor living, with sliding glass doors opening onto breezy, light-filled terraces, sun rooms and glass-walled outdoor private infinity pools overlooking futuristic Hengqin island – where visionary engineering meets architectural finesse – achievements previously unseen in the region. Artisanship is apparent in the details, such as the penthouse entrance doors featuring bespoke woven horsehair panelling lining, offering superior acoustic protection and a refined, luxurious patina. Four-bedroom penthouses, spanning close to 700 square metres, include a private Winter Garden with its diamond-stitched leather upholstery inspired by vintage automotive seats; wellness room with state-of-the-art massage chair and TechnoGym personal training equipment, games room with foosball table, and butler pantry. A den-like, soundproofed media and entertainment room houses a state-of-the-art home theatre and karaoke system, while airy, spa-like marble bathrooms feature generous soaking tubs and ultra-spacious his and hers showers. Two-bedroom penthouses include many of the same bespoke amenities, along with a dedicated VIK (Very Important Kids) room for family travellers.

The Capella Penthouses are among the most remarkable accommodations ever introduced in the territory, each equipped with private swimming pool for the utmost sense of leisure.

One- and two-bedroom suites begin at 128 square metres and feature indoor relaxation pools, sunbeds, Amazonite marble bathrooms with mosaic floors, and polished finishes. Bedrooms are accentuated with jungle-inspired, hand-finished wall coverings by LaLa Curio, extending into canopy-like ceilings.

A heightened and singular service philosophy

Capella at Galaxy Macau brings together a union of award-winning hospitality for exceptional personalization. With Capella Hotels and Resorts voted the “No.1 Hotel Brand in the World” in Travel + Leisure’s World’s Best Awards for the third consecutive year, Capella’s globally recognised service philosophy finds a new home in the most accentuated expression of Galaxy Macau’s signature and ever-evolving World Class Asian Heart service.

Every guest enjoys 24-hour butler service, packing and unpacking of luggage, a complimentary minibar, premium Chinese tea sets, Officina Profumo-Farmaceutica Santa Maria Novella bath amenities, locally-sourced pre-batched cocktails and a Bugatti kettle and Illy IperEspresso Professional Machine for the ultimate precision-brewed coffee experience. Dedicated Capella butlers – unique to this hotel – and Capella Culturists work seamlessly together to intuitively shape each stay around individual preferences; promising that true exclusivity is no longer about spectacle – but about rarity and experience.

Culturists curate bespoke experiences connecting guests to Macau’s heritage and contemporary culture, from art tours and baijiu tastings to culinary masterclasses with Stephen Hsu, the executive chef of Capella at Galaxy Macau’s signature restaurant Botanica, or private helicopter and walking tours arranged with insider access.

A dining destination for connoisseurs

As part of Galaxy Macau’s reputation as one of Asia’s most celebrated gastronomic destinations, Capella at Galaxy Macau introduces three highly anticipated dining and bar concepts.

Pony & Plume, a whisky and cocktail bar and divan designed by Moinard Bẽtaille, reveals a haven of hidden delights and secret spaces, waiting to be revealed. Set to become a vibrant Macau destination hotspot in its own right, the bar’s name is its creed: the “pony” – a precise measure of spirit – represents intention in every pour, while the “plume” is the bar’s calling card, introduced as an aromatic cloud of smoke that infuses its signature cocktails, bar snacks and the divan experience. Home to more than 650 whiskies curated across eight flavour profiles, the venue celebrates precision, ritual, and the aroma, from rare and limited-edition bottles to guided tastings and signature smoke-infused cocktails inspired by Macau’s cultural eclecticism and morsels designed to appeal to connoisseurs and the curious alike. Featuring a cabinet of the world’s rarest unicorn whiskies, even the private reserve of whisky casks of provenance might be sighted by those in-the-know.

Botanica, a 48-seat restaurant led by Executive Chef Stephen Hsu, serves international comfort classics reimagined with Asian influences for the global palate. Light floods the tropical interiors by Moinard Bétaille, where indoor water reflections feature beneath imaginary jungle vines and a cluster of soft, pillow-like fungi stretch across the high ceilings. Ornamental glass screens and trellises add to an ambient space punctuated by climbing botanicals and sculptural works by Mexican artist Joel Escalona, creating a casual yet refined atmosphere.

Further elevating Galaxy Macau’s culinary stature, acclaimed Hong Kong chef Vicky Cheng will open an independent fine-dining restaurant within Capella at Galaxy Macau in 2026. The Michelin-starred chef and Krug Ambassador, whose Wing restaurant is ranked number three on the Asia’s 50 Best Restaurants 2025 list, is set to present modern French cuisine shaped by his distinctive and adventurous culinary vision.

Francis Lui, Chairman of Galaxy Entertainment Group, concludes: “Capella at Galaxy Macau’s architecture, service, gastronomy, and residential privacy create a singular experience for our top percentile of VIP guests, one that sets a new reference point for hospitality in Macau and globally. Our design and operations teams have worked tirelessly to bring the vision for Capella at Galaxy Macau to life in close partnership with Capella Hotel Group. Together, we have crafted the most intimate, elevated, and personalised way to experience our global entertainment and leisure resort offering; creating a true sanctuary, where every stay unfolds as a bespoke retreat, shaped by design, culture, and service at the highest level.”

Hashtag: #GalaxyMacau

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/capella-at-galaxy-macau-opens-as-the-pinnacle-of-ultra-luxury-hospitality/

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Media Council dismisses four complaints against RNZ

Source: Radio New Zealand

RNZ / Samuel Rillstone

The Media Council has found that four complaints against RNZ did not have sufficient grounds to proceed.

In the first, the chief executive of United Flower Growers, Pete Brown, complained about the article Auckland florists say industry ‘in shambles’, plagued by resentment, published on September 15, 2025. The story reported florists facing difficulties relating to the state of the economy and a raft of changes made by their key supplier, United Flower Growers.

The article was based on comment from five florists, and included responses from Brown on behalf of UFG.

The Council noted that a feature of this complaint was Brown’s concern about RNZ’s decision to grant anonymity to the florists. He challenged that on the basis that two florists spoken to by RNZ had told him they were prepared to be named. This was disputed by RNZ.

The Council said it was in no position to consider this issue as it had no information to establish with any certainty what the florists and reporter agreed to. “Besides, the granting of anonymity in these circumstances is a matter of editorial discretion. That is appropriate and not a matter for second guessing by the Media Council.”

Beyond that the Council was not convinced there was sufficient foundation for complaint about this article. The complainant cited Principles (1) Accuracy, Fairness and Balance but there was no evidence that the article was inaccurate. As for fairness and balance, Brown was given the opportunity to respond and key points made by him were reported, albeit at the tail of the article.

“This sort of investigative reporting is supported by the Council,” the judgment said.

***

In the second case, Martin Broadbent complained about a series of articles published between November 17 to November 22, 2025, on the problems caused by feral cats and the decision to allow them to be targeted as predators.

Broadbent complained that RNZ’s reporting on feral cats and Predator Free 2050 blurred the legal distinction between feral and stray cats, thereby misleading the public and undermining animal welfare protections under the law.

RNZ firmly rejected the suggestion that it was blurring the categories. The term feral was widely used and was included in Predator Free 2050’s list of species. It argued the first story in the series clearly explained the difference between companion, feral and stray cats.

The Council agreed the first article spelt out precisely how feral and stray cats were defined and two other stories in the series also defined the word feral to make it clear they are not referring to strays. On that basis it saw nothing to support a claim that this was of “an orchestrated blurring of categories that misleads the public into believing all unowned cats are “feral” and subject to lethal control.”

The Council ruled there was nothing to show the reporting breached Principle (1) Accuracy, Fairness and Balance.

***

In the third case, RNZ published an article on November 23, 2025, titled Israeli airstrikes kill at least 20 people in Gaza, local medics say. This was a Reuters news agency report and was based on information provided by medics and witnesses to the airstrikes. It also included comment from the Israeli military and Hamas, who accused each other of violating a truce which was agreed to six weeks earlier.

Eric Mattlin complained that the story breached Media Council Principles (1) Accuracy, Fairness and Balance; (4) Comment and Fact; and (7) Discrimination and Diversity. He argued: “The article demonstrates a pattern of asymmetrical attribution with uncritical adoption of Israeli military claims, and a lack of context that affected how readers understood the events being reported. This article concerns an ongoing and highly controversial international conflict involving profound power asymmetries. While balance does not require false equivalence, it does require that significant perspectives and relevant context be included.”

In response, RNZ rejected the complaint and sent Mr Mattlin its language guide to the Middle East Conflict, which explained why it used such terms as ‘militant’ and ‘hostage-prisoner’. It added that RNZ had broadcast and published hundreds of pieces over the past two years, providing a wide range of views and the historical context behind the conflict.

The Council noted that RNZ and all other major New Zealand news outlets rely on international news agencies for most of their world news. Agencies like Reuters report for a wide and diverse international audience which requires coverage to be even handed.

The Council considered this story to be a fairly typical news report from Gaza. In accordance with standard journalistic practice it identified where information was obtained, and comment about the alleged ceasefire breaches was attributed to the Israeli military and Hamas. It also provided brief background on how the Gaza war started two years earlier.

Dealing with the complaint about terminology, the Council refered back to its decision on Mr Mattlin’s earlier complaint (No.3725) which stated: “The Council notes RNZ and other New Zealand media outlets are reliant on overseas news agencies for their coverage of the conflict, and it would be risky or possibly even a breach of RNZ’s agreement with those agencies to change the terminology used.”

The Council noted the story cited in this latest complaint was one of many that have been published on the Gaza War. “This is a long and complex story which has been reported extensively, and it is impractical to expect every report to cover all the context and background. It is clear that balance has been provided over time.”

The Council saw no evidence of bias or that the coverage and terminology was unfair or asymmetrical.

***

In the fourth case, Radio New Zealand (RNZ) published an article on December 22, 2025, Winston Peters makes u-turn on Chorus debt sell-off. The story was about the NZ First leader Winston Peters reversing his previous opposition to the Chorus debt sell-off, which in turn would clear the way for the Government to proceed with a plan to sell about $650m in interest-free loans that Chorus owes the government.

Hector O’Brien complained that the comment – “The Government does not have an (equity) stake in Chorus” – was factually incorrect as the Government-owned holding company National Infrastructure Funding and Finance Ltd had around 61.6 percent of shares in Chorus.

RNZ said the article was correct. The Government did not have an equity stake in this privately owned company. However, it was owed debt by Chorus, more specifically Ultra-Fast Broadband securities. It said the word “stake” had been used in a previous report, but this was updated in this story to make it clear that the Government had no equity or ownership in Chorus.

The Council noted that the line was taken directly from the December 17 press statement in which Infrastructure Minister Chris Bishop said: “It is important to note the government does not have an equity stake in Chorus and the securities involved are not ordinary shares.”

It further noted that NIFFCO is not listed as a major Chorus shareholder. Rather, it is shown through official documents and ministerial statements that the company was used to provide Government loan finance to Chorus.

In the circumstances no inaccuracy was shown, nor any unfairness.

All judgments can be found here: Media Council – Search

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/09/media-council-dismisses-four-complaints-against-rnz/

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‘Whimsical Gallop’ Invites The City to Stride into the Year of the Horse at Pacific Place and Starstreet Precinct

Source: Media Outreach

Marvel at the Whimsical Gallop of Horses Adorned in Embroidered Artistry, Alongside an AI Fai Chun Photo Booth and Joyful New Year Rewards

HONG KONG SAR – Media OutReach Newswire – 6 February 2026 – This Chinese New Year, Pacific Place and Starstreet Precinct invite you to take a joyful gallop into the Year of the Horse with ‘Whimsical Gallop’ — a celebration that blends artistry, imagination and auspicious cheer. From 5 February to 3 March 2026, the mall is transformed into a contemporary Chinese garden awash in soft, nature-inspired pink hues. Leading the way is a striking 3.5-metre-tall embroidered horse in Park Court, alongside three other beautifully adorned horses brought to life by Hong Kong embroidery atelier YLYstudio. Together, this quartet of horses brings luck and fortune to all.

Spring Bloom Gallop Pavilion

Beyond the installations, the festivities continue with thoughtful and playful experiences. Create your own personalised blessings at the ‘Splendid Blessings’ AI Fai Chun Photo Booth, and enjoy ‘Galloping Joy’ New Year Shopping Rewards with festive ‘Blooming Splendour’ Lai See packets and exclusive shopping treats. The celebration culminates with lively jazz tap dance performances and a lion dance parade, bringing heritage and modern festivity together for everyone to enjoy.

A Garden Where Embroidery Meets Imagination

Across the mall and into Starstreet Precinct, visitors are immersed in a fantastical Chinese landscape of embroidered ornaments, blooming florals, lanterns and gazebos. YLYstudio dedicated over 1,000 hours to handcrafting more than 590 ornaments featuring eight auspicious motifs — feathers, birds, pomegranates, coins, flowers, four-leaf clovers, ladybirds, and clouds — using over 80 types of sequins, threads, and ribbons. These motifs are showcased on the four horses, spreading good fortune while enriching the festive landscape with depth and artistry.

Spring Bloom Gallop Pavilion

Location: Garden Court, Level LG1, Pacific Place

 Three embroidered horses stand in quiet splendour — each a symbol of good luck, harmony and prosperity. Rising above them, a five‑metre‑tall gazebo becomes a sanctuary of artistry, where the eight auspicious motifs conceived by YLYstudio are revealed in delicate detail. Each work conveys multicultural blessings, all rendered with exquisite craftsmanship.
Blossoms of Imagination

Location: Level L1 (near lululemon), Pacific Place

 Amid peach blossoms, a pastel pavilion shelters two young horses at rest. The scene evokes New Year anticipation, filled with hope and the promise of spring.

‘Splendid Blessings‘ AI Fai Chun Photo Booth

Blending tradition with technology, the ‘Splendid Blessings’ AI Fai Chun Photo Booth invites visitors to create personalised New Year blessings with a contemporary twist.

By registering as an above member and spending HK$300 on the same day via electronic payment, shoppers can select an auspicious message, capture full-body photos, and receive both printed and animated digital versions to take home and share with loved ones.

Date: 5 February – 3 March 2026
Time: 10am – 10pm
Magical Blessings

Location: Level L1 (near Lane Crawford), Pacific Place

 Energetic mini horses line both sides of the pathway, accompanied by floral arrangements and whimsical plants that create a festive corridor of movement and charm. An abundance of mini horses extends the blessings along the way, embodying prosperity and joy in every step.
Poised in Bloom

Location: Park Court, Level L1, Pacific Place

 At the heart of Park Court, a 3.5‑metre‑tall

giant horse is poised in mid‑gallop — a graceful emblem of blossoming fortune. Flanked by peach blossoms, it moves forward to usher in a more prosperous year ahead.
Lanterns of Serenity

Location: Outside Three Pacific Place on Wing Fung Street and Star Street

 Lanterns sway and blossoms bloom in this outdoor extension of the celebration. Set against the urban backdrop of Starstreet Precinct, the installation carries the festive spirit beyond the mall — inviting passersby to pause, smile and soak in the new year fantasy.


Poised in Bloom


‘Blooming Splendour‘ Lai See Packets – Celebrate the Year of the Horse with Flourishing Flowers

The ‘Blooming Splendour’ Lai See packets are inspired by the elegance of embroidery. They feature delicate floral motifs rendered with painterly precision, blending layers of red, pink, and orange threads to create a sense of graceful movement. At the heart of the design, a sculpted floral emblem evokes abundance, beauty, and new beginnings, enriched with pearl-like accents recalling couture embroidery techniques, where beads, sequins and threads are meticulously layered.

Each set includes 10 Lai See packets in two harmonious colourways, accompanied by a velvet pouch in either soft pink, adorned with a pomegranate charm, or rich green, accented with a lucky four-leaf clover charm. These detachable embroidered charms are thoughtfully designed to be worn or styled long after the festive season, carrying the spirit of prosperity and good fortune throughout the year.

‘Galloping Joy‘ – Elevate Your Experience with Exclusive Shopping Rewards

From 5 to 16 February 2026, shoppers can enjoy festive privileges designed to usher in a prosperous year, including exclusive ‘Blooming Splendour’ Lai See packets, movie ticket exchange coupons, Pacific Place shopping e-vouchers and gourmet treats.

Accumulated Same-day
Electronic Spending		 Shopping Rewards*
HK$3,800 – HK$8,799

One Set of
‘Blooming Splendour’
Lai See Packets
+
Two MOViE MOViE
Pacific Place
Ticket Exchange Coupons (valued at HK$260)

 —
HK$8,800 – HK$17,999 HK$300 Pacific Place
Shopping e-Voucher
HK$18,000 – HK$37,999 HK$600 Pacific Place
Shopping e-Voucher
+ The Grand Sicilian Pistachio Puff
(valued at HK$128)
HK$38,000 – HK$87,999 HK$1,400 Pacific Place
Shopping e-Voucher
+ The Grand Sicilian Pistachio Puff
(valued at HK$128)
HK$88,000

or above

 HK$2,400 Pacific Place
Shopping e-Voucher
+ COVA Nutty Duo Cookie Gift Box
(valued at HK$198)

*Shoppers are required to join the Pacific Place Loyalty Programme – above and meet the accumulated same-day spending requirement by electronic payment during the Promotion Period in order to be entitled to redeem Shopping Rewards. The Rewards are limited in quantity and are available on a first-come, first-served basis while stocks last. Other Terms and Conditions apply.

Redemption Period: 5 – 16 February 2026
Redemption Location: Gift Redemption Counter, Level L1 (near Theory)
Redemption Hours: 11am – 10pm

Where Hooves Move to the Rhythm

The Year of the Horse arrives in a dance of joy. Step Out Studio and fellow tap dancers will be tapping out the heartbeat of the season, their rhythms galloping alongside the soaring notes of Jazz Band led by Nate Wong. Together, they will conjure a celebration where artistry and vitality run free. After the lions are awakened in an eye‑dotting ritual, our lion dance parade will unfurl like a living tapestry of tradition — spreading fortune, unity and exuberance throughout the mall, and inviting everyone to stride boldly into the year ahead.

Tap and Jazz into the New Season Let your feet and heart gallop with joy as Step Out Studio and fellow tap dancers bring tap to life, echoing the energy of racing hooves. Accompanied by keyboard, bass, and saxophone from Nate Wong’s Jazz Band, the performance blends percussive footwork with swinging jazz, creating a lively celebration of the Year of the Horse.

Dates:

  • 14 February 2026 – Performers: Cal (Step Out Studio), Zoe Chan, Jazz Band led by Nate Wong
  • 21 February 2026 – Performers: Cal (Step Out Studio), Natalie Hung, Jazz Band led by Nate Wong

Time: 3:30pm

Location: Level L1 (near Shiro), Pacific Place
Roaring into Prosperity: Eye-dotting Ceremony & Lion Dance Parade Stride into the excitement of the Chinese New Year at Pacific Place! After bringing the lions to life in a traditional eye-dotting ceremony, the lion dance parade will wind its way through the mall, spreading energy, luck, and prosperity for the year ahead.

Date: 23 February 2026 (Monday, 7th day of Chinese New Year)

Time: 1pm

Location: Park Court, Level L1, Pacific Place

Join the ‘Whimsical Gallop’at Pacific Place and Starstreet Precinct this Chinese New Year — where embroidered artistry, festive celebrations, and joyful rewards come together to welcome a year filled with good fortune and blooming possibilities.

Hashtag: #WhimsicalGallop #HorseInBloom #GallopingJoyAtPP

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/08/whimsical-gallop-invites-the-city-to-stride-into-the-year-of-the-horse-at-pacific-place-and-starstreet-precinct/