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Black Foils boss Peter Burling first to earn SailGP demerit points for Perth scrape with Swiss

Source: Radio New Zealand

New Zealand SailGP

4pm Saturday, 14 February & Sunday, 15 February

Wynyard Point, Auckland

Live updates on RNZ

Black Foils driver Peter Burling has found himself on the wrong side of history, after the incident that sidelined his SailGP boat at Perth last month.

Early in the opening race of the new season, New Zealand and Switzerland collided at high speed, with the Swiss shearing the transom off ‘Amokura’.

While the Europeans were able to repair their F50 cataraman overnight and return to the water for the second day of competition, the Kiwis were consigned to their sheds, copping the blame for the melee and earning penalty points for causing it.

They finished the weekend with no championship points and faced a nervous process to bring their boat to full integrity before this weekend’s home event at Auckland’s Wynyard Point.

The punishment took on an even more personal note for Burling, when he became the first recipient of demerit points under the league’s new ‘Super Licence’ for drivers, similar to Formula One motor-racing requirements.

Black Foils driver Peter Burling at the New Zealand SailGP media conference. Marika Khabazi/RNZ

“I seem to have become the first driver with the ‘honour’ of getting demerit points on my license,” he told the official media conference. “It’s a whole new thing and I’m not even sure how many I can get in a season – I should probably work that out at some stage.

“Got the email the other day – all part of the fun.”

Burling revealed to RNZ he received three demerit points, but bore no grudges.

“To me, the demerit points and the new licensing system that SailGP has put in is a real sign of maturity in the league. It’s a really cool step to see the league putting protocols in, so people have to go through a process to get on the F50 and be responsible for one of the roles onboard.

Black Foils boat ‘Amokura’ is launched for testing before New Zealand SailGP at Auckland’s Wynyard Point. Marika Khabazi/RNZ

“Everyone has to pass a minimum standard in terms of their knowledge of the boat, knowledge of how the league operates… to be responsible for that role. It’s a good step for the league and also holding people accountable with its demerit points.

“Everyone’s going to have the odd crash. If you’re not bringing the boats close together, you’re not really racing.”

Burling still didn’t agree with the decision to penalise his team, but organisers seemed happy to play up the actual or perceived rivalry between the Kiwis and the Swiss.

“On the water, we got deemed that we didn’t turn quick enough, which – for me – is in the grey zone, if you look back at a lot of other incidents,” he said. “That’s the umpire’s call.

“In sailing, there’s Rule 14 as well, which is, if you can avoid a collision, you should. For me, at some stage, you can’t just disappear and I feel like there were two parties to the incident.

“That’s all in the past now, we’ve got to live by the decision and move forward.”

At the media conference, Burling was seated at the far end of the couch to Swiss counterpart Seb Schneiter, a detail that didn’t escape the attention of NZ-born Italy driver Phil Robertson.

“Why have you sat them so far apart?” Robertson chirped.

“We obviously spoke in the protest and a little bit after sailing,” Schneiter explained. “We had a birthday party last weekend and Pete was on the invite list, but he didn’t make it unfortunately.

“I think it’s part of the nature of racing these boats at such high speeds. It’s going to happen and, as Pete said, we have to learn as a league.

“No-one wants the boats to come together. Either you’re right or wrong, and there’s certainly a lot to learn from this.”

Burling was quick to explain his absence: “Just to set the story straight, last weekend, the weather was a bit nice down at Coromandel, so we decided with the family to stay there and not make the trip back to Auckland.”

He explained to RNZ that the Black Foils had history with the Swiss, who also clipped Amokura during a start at Abu Dhabi last November.

“Why have you sat them so far apart?” Peter Burling (extreme right) address the media conference, with Swiss counterpart Seb Schneiter (extreme left). Marika Khabazi/RNZ

“That’s two from two events they’ve hit that corner of the boat,” Burling chuckled. “Hopefully, we can keep apart this weekend and, hopefully as a league, we can learn from the incidents.

“The incident we had you probably see 5-10 times a weekend, where people make a tiny mistake on the timing and other boats help alleviate the problem, in terms of two boats not coming together, and both get to carry and race.

“Hopefully, the Swiss learn from that.”

Ironically, New Zealand have gained one tiny benefit from their misfortune.

With a weather bomb hovering over the North Island on Friday, SailGP teams lost their only official practice day in Auckland.

The only boats allowed on the water were the home team, Spain and Germany, which had all undergone major modifications since Perth and needed to test out repairs, before racing began on Saturday.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/13/black-foils-boss-peter-burling-first-to-earn-sailgp-demerit-points-for-perth-scrape-with-swiss/

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An Encounter with China: Chinese New Year in Paris: Nanjing Intangible Cultural Heritage Shines

Source: Media Outreach

PARIS, FRANCE – Media OutReach Newswire – 12 February 2026 – On February 10, the day of China’s Little New Year, An Encounter with China: Chinese New Year was held at the UNESCO Headquarters in Paris. The millennia‑old ancient capital Nanjing presented a “condensed version” of Chinese New Year through folk customs, art dialogues, and other forms. Representatives from permanent delegations of over 100 countries and international friends gathered to celebrate the Spring Festival, building a bridge for mutual learning among civilizations.

An Encounter with China: Celebrating Chinese New Year

In December 2024, the Spring Festival was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Khaled El-Enany, Director‑General of UNESCO, stated that the Spring Festival has become a globally shared cultural event, and its inscription highlights the global influence of Chinese culture. Yang Xinyu, Ambassador of China’s Permanent Delegation to UNESCO, praised Nanjing, calling this “City of Literature” a city that brings the charm and warmth of the Spring Festival to Paris, showcasing the profound heritage and contemporary value of Chinese culture.

Nanjing is home to the Nanjing City Wall, the largest existing ancient city wall in the world, and its Yunjin brocade weaving technique has been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. At the event, the 2026 Spring Festival Temple Fair, hosted by China’s Permanent Delegation to UNESCO, kicked off with great excitement. Inside the headquarters hall, the Nanjing Cultural Symbols Exhibition drew large crowds: Fuma lanterns and Yulong lanterns glittered with brilliance, while Yunjin brocade and velvet flower crafts dazzled with their exquisite artistry. At the interactive area titled “Rubbing to Transmit Cultural Heritage,” guests personally took rubbings of inscriptions from Nanjing City Wall bricks.

In Nanjing itself, the Qinhuai Lantern Fair, with a history of over 1,700 years, illuminates the Confucius Temple; around the Ming City Wall, people “climb the city wall to walk off ailments,” visit temple fairs, and attend exhibitions, making the stories of the city wall a bond connecting the world.

During the event, Nanjing intangible cultural heritage inheritors, design scholars, and world‑leading designers gathered at the Manufacture Nationale de France for a dialogue titled “Reshaping and Interweaving Heritage.” Nanjing upholds the principles of “living heritage and two‑way empowerment,” through authentic restoration, international exchanges, and artistic co‑creation, allowing millennia‑old craftsmanship wisdom to serve the present, and enabling the world to appreciate the charm of Chinese New Year and the enduring power of Chinese civilization.

Hashtag: #Nanjing

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/13/an-encounter-with-china-chinese-new-year-in-paris-nanjing-intangible-cultural-heritage-shines/

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Melco attains world’s most Forbes Travel Guide Five-Star Awards in 2026 for any integrated resort operator

Source: Media Outreach

Melco, with its American depositary shares listed on the Nasdaq Global Select Market (Nasdaq: MLCO), is a developer, owner and operator of integrated resort facilities in Asia and Europe. The Company currently operates City of Dreams ( www.cityofdreamsmacau.com) and Altira Macau ( www.altiramacau.com), integrated resorts located in Cotai and Taipa, Macau, respectively. In addition, the Company operates Studio City ( www.studiocity-macau.com), a cinematically-themed integrated resort in Cotai, Macau. In the Philippines, the Company operates and manages City of Dreams Manila ( www.cityofdreamsmanila.com), an integrated resort in the Entertainment City complex in Manila. In Europe, the Company operates City of Dreams Mediterranean, an integrated resort in Limassol, in the Republic of Cyprus ( www.cityofdreamsmed.com.cy). In South Asia, the Company manages the Nüwa hotel at City of Dreams Sri Lanka ( www.cityofdreamssrilanka.com), an integrated resort in Colombo, Sri Lanka. For more information about the Company, please visit www.melco-resorts.com.

Melco is majority owned by Melco International Development Limited, a company listed on the Main Board of The Stock Exchange of Hong Kong Limited, which is in turn majority owned and led by Mr. Lawrence Ho, who is the Chairman, Executive Director and Chief Executive Officer of the Company.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/12/melco-attains-worlds-most-forbes-travel-guide-five-star-awards-in-2026-for-any-integrated-resort-operator/

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Bangkok Design Week 2026 Sets the Stage as Asia’s Creative Hub

Source: Media Outreach

Uniting Networks from Over 17 Countries to Drive Cross-Border Collaboration and Sustainable Regional Growth

BANGKOK, THAILAND – Media OutReach Newswire – 12 February 2026 – As design increasingly proves its power to transform creativity into a strategic force of macroeconomic competitiveness, Bangkok Design Week 2026 (BKKDW2026), organized by the Creative Economy Agency (Public Organization) or CEA, together with its partners, enters its ninth edition with a bold ambition — evolving from a national design festival into a leading creative platform for Asia. By uniting networks of designers and international partners from more than 17 countries across Asia and Europe, the festival plays a pivotal role in positioning Bangkok as Asia‘s Creative Festival Hub (Creative Hub of Asia).

Under the theme “DESIGN S/O/S,” Bangkok Design Week 2026 highlights design and creativity as practical tools to help societies act, adapt, and survive amid global challenges. The festival significantly expands its international partnerships, opening new spaces for designers, artists, and creative entrepreneurs to exchange knowledge, technology, and business models. These collaborations aim to foster a new creative business ecosystem as one that leads to investment opportunities, business matching, and the development of Thai creative products capable of competing in global markets.

Explore perspectives from international partners, who shed light on the role of design as a universal language — a borderless bridge between cultures that generates tangible opportunities for Thailand’s creative economy in the global arena.

FROM LEGACY TO THE FUTURE. RESTORATION AS A DESIGN PROJECT
Sustainable Cultural Asset Management for Future Generations
by Embassy of Italy in Bangkok

The first international highlight comes from Italy, through the project Italia Reloaded, presented by the Italian Cultural Institute and the Embassy of Italy in Thailand. The initiative introduces the concept of “Restoration as Sustainability.”

Maria Sica, Director of the Italian Cultural Institute, explains “Restoration is not about the past, it lies at the heart of sustainability. It focuses on reusing existing resources rather than producing new ones, guided by the principle of ‘Not Fake’- repairing without imitation. By integrating innovation, restoration preserves the authenticity and living value of cultural heritage. The project also draws on the historical relationship between Florence and Bangkok, inspired by the legacy of Silpa Bhirasri, serving as a foundation for knowledge transfer and hands-on workshops. These activities aim to elevate Thai craftsmanship to international standards while supporting high-quality cultural tourism. Together, these efforts frame restoration as a strategic pillar of urban cultural asset management — revitalizing historic districts, generating economic vitality, and strengthening a creative business ecosystem that grows sustainably from the city’s existing foundations.

LAHI (Heritage): The Philippine Fashion Exhibition
Fashion as Cultural Diplomacy and a New Economic Bridge in ASEAN
by the Philippine Embassy in Thailand

Representing the Philippines, Bangkok Design Week 2026 serves as the launch platform for “LAHI (Heritage): The Philippines Fashion Exhibition,“ presented through a collaboration between the Department of Trade and Industry (DTI), the Philippine Trade and Investment Center in Bangkok, and the Philippine Embassy in Thailand. Using fashion as a tool of both economic development and creative diplomacy, the initiative underscores Thailand’s role as a strategic partner for the Philippines within ASEAN.

A representative from DTI noted “Bangkok Design Week is a key platform for showcasing Philippine design capabilities to regional and global markets. It also serves as a gateway for cross-border business and investment opportunities, particularly through co-creation.The collaboration explores hybrid products that combine Thailand’s strength in international-standard manufacturing with Philippine design and craftsmanship. This approach not only strengthens the ASEAN brand and elevates products into high-value market segments, but also demonstrates how fashion — when rooted in cultural heritage — can become a competitive economic asset on the global stage.”

Ephemeral Sounds of the Gulf
Listening to Impermanence Through Design That Is Meant to Dissolve

The project “Ephemeral Sounds of the Gulf“ by Japanese mixed-media artist and producer Erika Tsuchiya (VCUarts Qatar) examines the tension between permanence and impermanence in contemporary production and consumption. The work experiments with biomaterial records, using physical media as a sonic and conceptual platform.

Erika Tsuchiya explains “The project reflects the continued economic potential of the physical format market even in a digital era — especially in Bangkok, where vinyl culture is experiencing a revival. At the same time, the project functions as research and development for a future green supply chain in the music industry. By recording natural soundscapes from the Arabian Gulf region and distributing them globally through biodegradable records, the work challenges conventional expectations of sonic perfection, while raising awareness of digital pollution and resource-intensive mass reproduction.

“Presently, designers and creators must be conscious of where materials come from and the impact of their choices. Understanding costs and consequences from the very beginning of the supply chain is the foundation of business models that grow not only in profit, but in long-term sustainability.” Tsuchiya concludes.

People Pavilion: Reimagining Streetlights as Urban Landmarks
Shade, Light, and Inclusive Design for the Tropical City

Another tangible example of urban innovation is People Pavilion, or Lan Prakai Muang, a collaboration between Urban Ally and HAS design and research, led by Jenchieh Hung and Kulthida Songkittipakdee. The project reinterprets “the Streetlight Pole” an existing piece of urban infrastructure transforming it into a functional and inclusive public architecture.

The design is grounded in a shared perspective that “the tropical climate is not a constraint, but an urban resource.” Drawing from everyday life in Bangkok where people seek shade during the day and light at night, the pavilion upgrades existing infrastructure into usable public space. This approach reduces construction waste while adding value to existing urban assets through the concept of infrastructure upcycling.

The core of the project goes beyond creating a new space. People Pavilion functions as an urban prototype for sustainable city-making, offering alternative solutions to public space challenges without relying on large-scale budgets. Through cross-sector collaboration and inclusive design, underutilized or neglected areas are transformed into places of tangible social and economic impact supporting a more resilient, adaptive, and people-centered city. Ultimately, the project demonstrates that meaningful urban transformation can be achieved through strategic design, rather than heavy financial investment.

HONG KONG: Projecting Future Heritage
When Everyday Architecture Becomes Tomorrow‘s Blueprint

The exhibition “HONG KONG: Projecting Future Heritage,“originally presented at the Venice Biennale Architettura in 2025, arrives in Bangkok curated by Hong Kong architects and urbanists Sunnie S.Y. Lau and Fai Au. It offers a perspective on social innovation by re-examining architecture embedded in everyday life. Moving beyond iconic landmarks, it invites critical reflection on ordinary buildings and familiar urban structures.

The two creators explain “Under the concept of Future Heritage, we explore strategic commonalities among historic port cities such as Hong Kong, Venice, and Bangkok. Those highlight the role of urban water systems as foundational infrastructures that have shaped these cities’ transformation from historic settlements into economic centers. We also present local architectures that reflect real everyday life, which may become valuable historical heritage in the next 20 – 30 years.”

From a sustainability perspective, the exhibition proposes an approach to urban development that integrates traditional wisdom with contemporary technology. Rather than viewing existing buildings as obsolete or burdensome, it advocates adaptive reuse — reimagining and repurposing structures without demolition — so they can continue to support living, working, and everyday life in meaningful ways. The exhibition underscores that looking back at what already exists is a crucial key to transforming cultural heritage into economic and intellectual capital capable of sustainable growth in the future.

Elevating Bangkok Design Week as the Creative Hub of Asia

These collaborations represent only a fraction of what unfolds at Bangkok Design Week 2026, taking place from 29 January – 8 February 2026. Through CEA’s strategic direction, the festival is being elevated as an international creative platform connecting designers, cities, businesses, and investors from Thailand and abroad. The goal is clear to transform cultural capital into measurable economic value, while firmly establishing Bangkok as one of Asia’s leading creative festival hubs. Driven by the power of the creative economy and sustained through long-term cross-border collaboration, Bangkok Design Week continues to advance a vision of inclusive, competitive, and sustainable growth for the region and beyond.

Website: www.bangkokdesignweek.com
X: @BKKDesignWeek
Facebook/Instagram: bangkokdesignweek
Line: @bangkokdesignweek

Hashtag: #CEA #BKKDW2026 #BangkokDesignWeek #DesignSOS #PowerOfDesign #PowerOfThaiDesign

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/12/bangkok-design-week-2026-sets-the-stage-as-asias-creative-hub/

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Reserve Bank review set for completion in September, originally due to be done by March

Source: Radio New Zealand

The independent review will look at the Reserve Bank’s response to the pandemic. RNZ / Alexander Robertson

A review into the Reserve Bank’s monetary policy decisions during the Covid-19 pandemic was originally intended to be completed by March.

The Finance Minister says the delay was due to how long it took to appoint the right people to lead the review.

On Wednesday, Nicola Willis confirmed she had commissioned an independent review into the Reserve Bank’s response to the pandemic, including cuts to the Official Cash Rate, and the Large Scale Asset Purchase programme.

The opposition has criticised the government for the timing of the review, given it is set to be published in September, just weeks before the election.

The review will be led by monetary policy experts Athanasios Orphanides and David Archer.

Orphanides was a former governor of the Central Bank of Cyprus, and member of the Governing Council of the European Central Bank.

Archer was a former Reserve Bank assistant governor and former head of the Central Banking Studies Unit at the Bank for International Settlements in Basel, Switzerland.

On Thursday, the Treasury released a series of documents related to the review’s establishment, which show Willis first informed the Reserve Bank in July 2025 she was considering a review, and took the matter to Cabinet for sign-off in August 2025.

At the time, Willis expected the review would be completed by March 2026.

The documents also show parts of the review’s terms of reference were changed to factor in the benefits of its decisions, after a suggestion from the Reserve Bank.

Why the delay?

Willis told RNZ the hold-up was due to the appointment of the international reviewer.

She said following the Cabinet mandate, it was her job to find the appropriate reviewers, with Treasury making recommendations.

“First, people we approached weren’t available in the appropriate timeframe. We then had a challenge where one reviewer we proposed was available in the timeframe, but another wasn’t. And so we were both trying to balance getting a balance of someone with domestic perspective and international perspective, the appropriate international credentials, and being available for their time period,” she said.

“So there was a bit of a back and forth on finding appropriate reviewers. And at all times, I was very mindful of Treasury advice on the credentials that they needed to fulfil.”

Finance Minister Nicola Willis says the delay was due to the appointment of the international reviewer. RNZ / Samuel Rillstone

Willis said it was “frustrating,” but ultimately felt the most important thing for the credibility of the review was the quality of the reviewers.

“I’m satisfied that we’ve landed on very credible reviewers. No one’s questioning their authority, their credibility. Clearly, these are people who are independent. There’s not a political bone about them.”

The Cabinet minute shows Willis had the authorisation to approve the selection of the experts and make changes to the terms of reference, in consultation with the associate finance ministers.

What do the documents say?

In a letter dated 10 July 2025 and sent to then-Reserve Bank chair Neil Quigley and Governor Christian Hawkesby, Willis said the Monetary Policy Committee took “unprecedented” actions in response to the “significant economic challenges” caused by the pandemic.

She acknowledged the Bank’s review and assessment of its monetary policy performance between 2020 and 2022, which commissioned independent experts to provide peer review but was not independent of the Bank.

“As such, I am considering an external review to provide the Government with an independent perspective on the MPC’s performance during 2020 to 2022. This will ensure there is appropriate transparency over the MPC’s performance during a period of significant economic challenges, and will help identify lessons for future episodes of instability,” she wrote.

Feedback from then Governor Christian Hawkesby about changing the terms of reference were taken on board. RNZ / Dom Thomas

In response, Hawkesby said the Bank had made “significant progress” in implementing the recommendations of the 2022 review, but would fully cooperate with the external review if Willis chose to proceed with it.

Hawkesby had suggested the draft terms of reference be amended, particularly a section on whether the “stimulus” provided by the Large Scale Asset Purchase and Funding for Lending programmes “justified the risks to the public balance sheet and other costs”.

“We note that this frames the benefits and costs associated with these tools in narrow terms and should be widened to capture the impact LSAPs played in stabilising markets, and their broader fiscal benefits through lowering Crown borrowing costs and increasing tax revenue,” he wrote.

This feedback was taken onboard, with the final terms of reference changed to reviewing whether the “benefits” provided by the programmes “justified the risks and costs”.

Hawkesby also raised another section which referred to the review making “recommendations to improve the monetary policy response to future shocks, including commentary around potential changes to the frameworks, having regard to the benefits of hindsight”.

He said the Monetary Policy Committee’s remit was an important part of the policy framework, and while it could be reviewed at any time there were benefits to stability in the objectives of monetary policy.

“We suggest that any recommendations related to the objectives of monetary policy would be best addressed as part of the 5-yearly formal review of the MPC Remit, which is due by mid-2028.”

This was not changed.

On 9 February she told the new chair Rodger Findlay and new Governor Anna Breman that the government had finalised the establishment of the review, with the final terms of reference showing the new expected completion date of August.

“Independent monetary policy is a central pillar of New Zealand’s macroeconomic frameworks. The review strengthens this by supporting accountability and public confidence in the operational independence of monetary policy and informing its ongoing effectiveness,” Willis wrote.

She told Findlay and Breman she had adopted the Bank’s suggestion to broaden the review’s assessment of the costs and benefits of alternative monetary policy.

Willis told RNZ she thought it was important to engage with the Bank about how to get the best lessons out of the review.

“I think the final terms of reference allow for a full and penetrating review. So the questions will be asked, the information will be furnished, and those reviewers will be able to reach conclusions.”

She said it was up to former governor Adrian Orr and former chair Neil Quigley to decided if they wanted to front up to the inquiry, but said “if they’re wise, they will.”

Sign up for Ngā Pitopito Kōrero, a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/reserve-bank-review-set-for-completion-in-september-originally-due-to-be-done-by-march/

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Kiwi snowboarder qualifies for halfpipe final

Source: Radio New Zealand

Cam Melville Ives of New Zealand during Snowboard Halfpipe Winter Olympic Games in Italy, 2026. www.photosport.nz

Wānaka snowboarder Cam Melville Ives has qualified for the final of the halfpipe competition at the Winter Olympics.

Melville Ives finished eighth in qualification, with Australian Scotty James leading the top 12 to progress from the 24 starters.

Melville Ives was happy with his first run, which included a frontside triple cork 1440 and scored 84.75, which put him into sixth place.

James, who finished second in this event at the last games and is the current world champion, scored the best run of the day with a 94.00.

The 19-year-old Kiwi then started his second run in eighth position but was unable to improve when he landed heavily from a jump and lost momentum.

He then had a nervous wait as the rest of the field completed their second runs, but held onto eighth place and a place in Saturday morning’s final.

“It’s definitely a high-level qualification everyone was getting after it for sure,” Melville Ives told Sky Sport afterwards.

“I just got to focus on riding clean and putting as run down.

“Hopefully I can land some sick runs in finals, I’m hyped, it’s going to be super fun.”

Melville Ives went into the Olympics on the back of a silver medal performance at the FIS World Cup in Switzerland.

Sign up for Ngā Pitopito Kōrero, a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/kiwi-snowboarder-qualifies-for-halfpipe-final/

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All Whites to take on England

Source: Radio New Zealand

England captain Harry Kane Pressinphoto / PHOTOSPORT

The All Whites will play England as a part of their final preparations for this year’s FIFA World Cup.

The two sides will meet in Florida on 6 June, five days out from the start of the tournament.

England, who went through World Cup qualifying with a perfect sevens wins in their European group, are currently ranked four in the world and New Zealand 85.

The game will see the All Whites face their highest-ranked opponent in 17 years and they will clash with England for just the third time in history.

New Zealand last faced England in 1991, losing two friendlies in Auckland and Wellington.

“Our strategy over the last year has been to take on top-ranked sides to ensure we are in the best place to perform at the tournament, and this match gives us a final opportunity to really test ourselves against one of the favourites,” All Whites coach Darren Bazeley said.

“England are a great side with big names all over the pitch, but we want our players to face that type of challenge so we can work collectively to find solutions against top teams.

“This match should be a great occasion but also a critical part of our final preparation before we face Iran in Los Angeles at the FIFA World Cup 2026.”

Captains shake hands, Stuart Pierce (England) and Malcolm Dunford (All Whites), All Whites v England, Athletic Park, Wellington. 1991. Troy Restieaux / www.photosport.nz

Prior to departing for the World Cup the All Whites will play two home games in March against Finland and Chile as part of the FIFA Series 2026.

At the World Cup, New Zealand play Iran, Egypt and Belgium in group G, while England will face Croatia, Ghana and Panama in Group L.

Sign up for Ngā Pitopito Kōrero, a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/all-whites-to-take-on-england/

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NZ’s biggest triathlon festival toasts 20 years – Challenge Wānaka

Source: Challenge Wānaka

Next week’s anticipated Challenge Wānaka marks 20 years of New Zealand’s largest triathlon festival, which has attracted more than 25,000 athletes and injected more than $54 million into the local economy over the past two decades.

Part of the global Challenge Family – which runs middle and long-distance triathlon races in more than 30 countries – the Challenge Wānaka Half has been a cornerstone of NZ’s triathlon scene since 2007. It is regarded as a stepping stone for talented young age-group triathletes hoping to qualify for pinnacle world championship events and turn pro. It’s also a key event for the Wānaka community, providing an annual economic boost for the tourism town.

Challenge Wānaka event director Jane Sharman says that while road bikes, wetsuits and race tech have vastly improved over the past two decades, the pulling power of the event for triathletes and spectators remains the same.

“As we reflect on 20 years, it’s very exciting to see how far the festival has come and everything our athletes have achieved,” she says. “Challenge Wānaka has played a part in launching some incredible pro athletes and international racing careers. But it’s also a fantastic grassroots event where anyone can take part, in the most beautiful corner of the world.

“Of course, the youth events have long been a highlight and some of our pro athletes who started out racing in Challenge Wānaka are now watching their own children participate, so it’s very special for them.”

One of those athletes is two-time Challenge Wānaka winner and former Team NZ cyclor Dougal Allan, who will be cheering on his own children, Flynn and Matilda, at the Challenge Wānaka triathlon festival next week. Some 2100 kids will be taking part in the festival this year, from age two and up.

“Competing in and eventually winning Challenge Wānaka in 2016 and 2017 launched my profile into the world of international triathlon,” he says. “Challenge Wānaka was always known as one of the toughest and most honest long-distance triathlon events in the world and winning it was a huge badge of honour. It also led to being invited to race the famous Challenge Roth event in 2017 in Germany, which remains one of the biggest racing experiences of my life.

“Whether it is an athlete’s ambition to race pro or not, Challenge Wānaka offers the opportunity to be part of a very professionally organised event that offers so much across the weekend, from the event village to the crowd support. It is a truly internationally recognised event that’s made very accessible to domestic athletes. While these days I’m no longer competing, it’s great to be coaching some of those athletes lining up for next weekend’s race.”

The event welcomes athletes from all over NZ and the world every year, and some from closer to home, too. Wānaka GP Dr Andrew McLeod has participated in every Challenge Wānaka race since its inception.

“I don’t remember much of that first race in 2007 but I clearly remember crossing the line, already analysing what I’d done wrong, what I’d somehow done right, and how I’d do it better next time,” he recalls. “Twenty years on – and after races across NZ, Australia, North America and Europe – I’m still learning.

“Along the way my wife Karen and I have been to amazing places, met wonderful people, and so often heard the words: ‘You’re from Wānaka? I’ve always wanted to do that event.’ Being part of something that inspires that reaction is pretty special, and it’s probably why I keep coming back.”

This year’s Challenge Wānaka brings together more than 850 athletes competing in the Gallagher Insurance Challenge Wānaka Half, including 376 athletes in the individual half event. The anticipated professional field features Mike Phillips, Frederic Funk, Jack Moody, Tamara Jewett, Rebecca Clarke, Gabrielle Lumkes, and Lucy Byram. More than 155 teams are also entered, with 18 teams vying for the Gallagher Insurance Corporate Trophy, while friends and family team up for a fun day of swim, bike, and run. Media personality Brodie Kane will take on the 1.9km swim as part of a relay team.  

The 2026 Gallagher Insurance Challenge Wānaka Half is also an opportunity for age-group athletes to claim a National Title and qualify to wear the silver fern at the 2026 World Championships, as part of the Tri NZ Suzuki Series.

“This year’s event is set to be extra special to celebrate 20 years of Challenge Wānaka,” Sharman says. “This festival has always been about more than racing; it’s about community, resilience and the shared excitement of pushing boundaries in one of the world’s most scenic locations. We’re incredibly proud of the athletes, volunteers and supporters who return year after year to help make Challenge Wānaka a standout on the world triathlon stage.”
 
About Gallagher Insurance Challenge Wānaka
The Gallagher Insurance Challenge Wānaka is one of the world’s most scenic triathlon festivals, held annually in New Zealand’s stunning Southern Lakes region. Featuring a range of events, including the flagship middle-distance triathlon, multisport races, and AquaBike, the festival welcomes athletes of all levels. Operated by the Challenge Wānaka Sports Trust, a charitable organisation committed to community wellbeing, the event supports youth, adaptive athletes, and local charities through inclusive sport and recreation initiatives. In 2026, the Challenge Wānaka Festival event will mark its 20th year, taking place from February 19 – February 21. Registrations at  www.challenge-wanaka.com

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/nzs-biggest-triathlon-festival-toasts-20-years-challenge-wanaka/

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CGTN: Little Chinese New Year opens big window to China’s soul

Source: Media Outreach

BEIJING, CHINA – Media OutReach Newswire – 11 February 2026 – As China marks Xiaonian, or Little Chinese New Year, there is growing evidence of its ancient traditions evolving into global lifestyle trends. CGTN published an article analyzing how this prelude to the Year of the Horse – from the folk ritual of “sweeping the dust” to the cross-cultural fusion of the Spring Festival Gala – illustrates China’s growing global cultural resonance.

As the lunar calendar turns its final pages, China enters a period of joyful anticipation known as Xiaonian, or Little Chinese New Year. Often celebrated as the Festival of the Kitchen God, it marks the official start of the “busy year” – a traditional term for the intense, joyful period of preparing food, cleaning homes, and shopping for the upcoming Spring Festival.

The Spring Festival is a deeply significant time for family reunion. In 2024, UNESCO inscribed the “Spring Festival, social practices of the Chinese people in celebration of the traditional Chinese New Year” onto the Representative List of the Intangible Cultural Heritage of Humanity.

While daily routines continue to evolve, they remain anchored in rituals that provide a sense of normalcy and meaning. It is perhaps no wonder that in a climate of uncertainty, traditional Chinese lifestyles are finding a new audience beyond the country’s borders, with the Spring Festival chief among those unique traditions that are fast becoming a shared human experience.

Diverse traditions, shared aspirations

In a prelude to the broader celebrations, Xiaonian, observed on February 10 and 11 this year, kickstarts a focused period of preparation. According to ancient lore, families offer Zaotang, or sticky “Kitchen Candy,” to the Kitchen God to ensure he delivers a favorable report on the household’s conduct before he ascends to the heavens. This lighthearted tradition marks the beginning of several symbolic rituals aimed at welcoming a fresh start.

A key element of this transition is donning new clothes. In Chinese culture, the New Year represents a moment when “all things are renewed,” and wearing new garments symbolizes shedding the “dust” or misfortunes of the past to embrace auspicious energy for the year ahead. Alongside this personal renewal, families nationwide engage in “sweeping the dust,” a deep-cleaning ritual to purify the home and prepare it for new blessings.

Whereas these practices are universal, celebratory flavors vary by geography. In the north, families traditionally gather over steaming plates of dumplings, whereas in the south, the menu often features sweet rice cakes (Niangao) and glutinous rice balls (Tangyuan).

As Mao Qiaohui, a researcher at the Institute of Ethnic Literature at the Chinese Academy of Social Sciences, explains, these variations highlight the inclusive nature of Chinese civilization.

“Although folk customs differ between different regions across China, this diversity reflects the cultural pluralism within the Spring Festival tradition,” she notes. “Different regional identities contribute to a shared pursuit of harmony and reunion.”

The vitality of these traditions is also evident in local craftsmanship. In northern regions like Shandong and Henan, artisans are currently making Huamo, decorated steamed buns, featuring horse designs for the upcoming zodiac year. Meanwhile, in Shuozhou, Shanxi Province, intangible heritage inheritors are carving spirited stallions onto traditional gourds. These creations reflect the regional diversity of the festival and a collective desire for progress in the year ahead.

Cultural dialogue: From global stage to daily life

The festive atmosphere is reflected further in preparations for the Spring Festival Gala (Chunwan), produced by China Media Group.

Recent rehearsals show performances meshing traditional Chinese culture with international artistry. One performance piece combines the wooden clog dance of the Hani and Lisu ethnic groups with the rhythmic tap of Spanish Flamenco and Hungarian folk dance. And with global stars like Jackie Chan and Lionel Richie on the bill, the Gala’s stage is set to become a stage for the world to come together.

The reach of the gala has expanded far beyond a domestic audience. Through the “Spring Festival Gala Prelude” events held in the United States, Russia, France, Italy, and several African nations, the program has become a gateway to Chinese New Year customs and cultural exchange.

This interest extends beyond art and into the lives of people worldwide, as seen in the #BecomingChinese trend. This phenomenon features international social media users adopting elements of Chinese daily life – such as keeping a thermos of hot water handy, wearing quilted indoor slippers or practicing mindful movement with Baduanjin exercises.

The festival is no longer a distant event but a gateway to Chinese lifestyle, rooted in ancient wellness wisdom and constantly updated by modern convenience, and the first step to a journey of exploration into a culture that values ritual, safety and hospitality.

Whether through global broadcasts or shared daily habits, the Spring Festival increasingly strengthens a sense of cultural empathy between China and the rest of the world.

For more information, please click here:

https://news.cgtn.com/news/2026-02-10/Little-New-Year-opens-big-window-to-China-s-soul-1KEhJjMX2fe/p.html

Hashtag: #CGTN

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/cgtn-little-chinese-new-year-opens-big-window-to-chinas-soul/

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De Beers Group and Assouline Celebrate the Launch of “A Diamond Is Forever: The Making of A Cultural Icon 1926-2026”

Source: Media Outreach

LONDON, UK – Media OutReach Newswire – 11 February 2026 – In the 1930s, De Beers redefined the role of diamonds in society, celebrating them as masterpieces of nature and craftmanship. Before this, diamond jewelry pieces were treasures exchanged discreetly amongst society’s elite, as luxury houses, fearful of diminishing their mystique, fostered only private relationships with their clients. De Beers revealed the wonder of diamonds to a wider audience, shifting the perception of them from luxury item to a gift integral to romantic milestones and aspirational, glamorous lives, as well as a way of marking personal achievement.

De Beers Group And Assouline Celebate The Launch Of “A Diamond Is Forever: The Making Of A Cultural Icon 1926-2026”

When copywriter Frances Gerety captured the diamond’s essence with the phrase “A Diamond Is Forever” in 1947, the declaration enshrined the diamond as a promise of love and endurance, a sentiment resonating far beyond the notion of a simple gift. Gerety’s words, seen on archival advertisements, magazine placements, and celebrity endorsements, reflected the deep cultural connection between diamonds and enduring relationships. Commissioned artwork from artists such as Pablo Picasso, Salvador Dalí, and Raoul Dufy draw a direct line between a diamond’s rarity—each one formed deep within the earth over billions of years—and the creative genius of fine art. By sharing these artistic visions with the world, De Beers revealed the wonder of diamonds—nature’s oldest treasure—to a wider audience, elevating their aura and allure while preserving the sense of rarity and significance that sets them apart.
For a century, the story of diamonds has been one of transformation and continuity. In the 1960s, stars like Elizabeth Taylor and Marilyn Monroe adorned themselves with diamonds, embodying the elegance and glamour associated with the gemstone. The 1990s “Shadows” campaign, with its evocative pairing of diamonds and the neoclassical composition Palladio by Karl Jenkins, captured the essence of the diamond: authentic, unique, and everlasting.
In recent years, the conversation around diamonds has expanded to include provenance, sustainability, and ethical stewardship, affirming the diamond’s place as a symbol not just of love but of responsibility and conscience. Much like walking through a gallery that traces the evolution of artistic expression, A Diamond Is Forever offers a view into how diamonds have come to embody the shifting ideals and aspirations of society itself.

https://www.debeersgroup.com/
https://www.linkedin.com/company/debeersgroup/posts/?feedView=all
https://www.facebook.com/DeBeersGroupOfCompanies
https://www.instagram.com/debeersgroup/

Hashtag: #DeBeersGroup #NaturalDiamonds #diamonds #ADiamondIsForever #Assouline

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/de-beers-group-and-assouline-celebrate-the-launch-of-a-diamond-is-forever-the-making-of-a-cultural-icon-1926-2026/

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Independent review of Covid-19 monetary policy

Source: New Zealand Government

The Government has instigated an independent review of New Zealand’s monetary policy response to the Covid-19 pandemic.

Finance Minister Nicola Willis says the purpose of the review is to identify any lessons New Zealand could learn to improve the monetary policy response to future major events.

“An independent review means the conclusions found can be objective and constructive.

“The Reserve Bank of New Zealand took unprecedented action in response to the Covid-19 pandemic. This included reducing the Official Cash Rate to 0.25 per cent, and the use of additional monetary policy tools, including a Large Scale Asset Purchase (LSAP) programme.

“These actions helped to preserve jobs and keep businesses afloat, but the indirect impacts included decades-high inflation, and losses of about $10.3 billion on the LSAP programme and a significant spike in asset values with house prices increasing 30 per cent in one year.

“The purpose of the review is to learn from experience. It will focus on decisions by the Monetary Policy Committee (MPC), and analysis provided by the Reserve Bank to support those decisions. This includes MPC decision making and communication, the use of additional monetary policy tools, and the coordination of monetary and fiscal policy.”

Monetary policy experts Athanasios Orphanides and David Archer have been appointed to conduct the independent review.

Dr Orphanides is a former governor of the Central Bank of Cyprus and member of the Governing Council of the European Central Bank, and a professor of the Practice of Global Economics and Management at the Massachusetts Institute of Technology. 

Mr Archer is a former Reserve Bank assistant governor and former head of the Central Banking Studies Unit at the Bank for International Settlements. 

The review is expected to be completed in August 2026 and publicly released in September 2026.

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/independent-review-of-covid-19-monetary-policy/

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New Zealand’s corruption-free reputation takes hit for fourth-year in a row – survey

Source: Radio New Zealand

Voter fraud allegations and a lack of transparency around political lobbying and funding were some of the top concerns. (File photo) Pixabay/shafin_protic

New Zealand’s reputation for low levels of corruption has taken a hit for the fourth year in a row.

In global organisation Transparency International’s latest Corruption Perception Index – a survey of surveys measuring how corrupt a country is thought to be – New Zealand’s score has fallen two points.

New Zealand still ranked highly in fourth place alongside Norway, and behind Denmark, Finland and Singapore.

“We used to be first in the world and we’ve just seen a continual drop down the ladder – about 10 percent in four years,” Transparency International New Zealand chairperson Anne Tolley said.

“It sort of feels like the wheels are coming off a bit and that’s really dangerous for our democracy.”

Voter fraud allegations and a lack of transparency around political lobbying and funding are some of the top concerns, with prosecutions for bribery, deception and misuse of public funds adding to potential reputational damage.

“A strong democracy has people feeling very confident about those democratic systems and wanting to take part,” Tolley said.

Corruption perception versus reality

Transparency International’s concerns were mirrored in the pilot report released Tuesday from the Anti-Corruption Taskforce, lead by the Serious Fraud Office.

The report looked at how big the issue of fraud and corruption was within public agencies and how well-equipped they were to find and prevent it.

“Cases of internal fraud and corruption are almost certainly being under-reported, due to a number of factors, and the true scale of the issue remains unclear,” the report said.

It highlighted the need for a national anti-corruption strategy, according to Tolley, and it was crucial for New Zealand’s reputation as a small trading nation reliant on global relationships.

“The world’s become more conscious of dirty money – that money is that’s derived from the drug trade and prostitution and modern slavery,” she said.

“We’re all more aware of being sure that we are we are investing and trading with a country that has good systems in place to stop that.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/11/new-zealands-corruption-free-reputation-takes-hit-for-fourth-year-in-a-row-survey/

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How to limit processed meats for lunch

Source: Radio New Zealand

I have a confession to make.​

I buy myself a really expensive prosciutto that is cured only with salt. My kids, on the other hand, are fed ham and salami with ingredients that have a long list of weird chemical-sounding additives like pyrophosphates and polyphosphates hidden behind the numbers like E451 and E452. My prosciutto is merely considered processed, whereas what I feed my kids reaches the level of ultra-processed. 

Look here, people, my prosciutto is more than $100 a kilo, and I buy the tiniest amount each week. Grocery store ham or salami costs a little over $30 a kilo.

A sandwich with layers of ham and mayonnaise.

victor_16605

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/11/how-to-limit-processed-meats-for-lunch/

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Minister to attend Munich Security Conference

Source: New Zealand Government

Defence Minister Judith Collins departs today for Germany to attend the international Munich Security Conference. 

“In a turbulent and unpredictable world, the Munich Security Conference is an important opportunity to debate key security issues that impact New Zealand,” Ms Collins says.

“This year the conference brings together global decision-makers and military leaders from more than 100 countries, working to bolster cooperation, collective security and the peaceful resolution of conflicts.”

During the three-day conference Ms Collins will hold bilateral meetings with a number of New Zealand’s long-standing defence partners, including the United Kingdom’s Secretary of Defence, John Healey, and NATO Secretary General, Mark Rutte.

She will also speak at a session focused on the interconnected nature of security challenges in the Indo-Pacific and Euro-Atlantic regions.

“I look forward to sharing New Zealand’s perspectives on a range of international issues, particularly the interconnected security challenges facing both of our regions such as Russia’s illegal invasion of Ukraine and escalating strategic competition. 

“As a small nation reliant on trade at the bottom of the southwest Pacific, we must take every opportunity to sit at the table and advocate for our interests and values.”

Ms Collins will return to New Zealand on 16 February.

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/minister-to-attend-munich-security-conference/

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How rugby and NZ are giving hope in war-torn Ukraine

Source: Radio New Zealand

Anton Shashero with Sir Graham Henry. Sarah Gloyer Waiheke Gulf News 

While the country has been dragged into a devastating war, two Ukranians are ensuring that rugby stays alive in their home, and that young players have a potential path to safety.

Anton Shashero is coach of Ukraine’s national under-16 side, and thanks to a collaboration between some prominent rugby minds in Aotearoa, he and best friend Maksym Dulia have spent the past week in the country learning from some of the best in the business.

Shashero said the invasion has had an horrific impact on players and the sport in Ukraine.

“A lot of players from the senior national team and from the under-18 team have already died. A lot of them are in the war. In almost in every family now in Ukraine, someone have lost someone. It’s huge. It’s huge.”

He said rugby acts as a beacon for young men during dark times, and for Shashero and Dulia, it had a significant impact.

“When we were kids, rugby was everything for us. You can travel, you can have friends, you can share your moments with boys on the field and it’s the values rugby which rugby gave us.”

That path was able to be extended across the other side of the world,

“We knew that we wanted to come to New Zealand and try to learn from the best. So it was our dream.

“When our boys see that we’re here with the All Blacks, it has a huge impact for them, for their families and for everyone in Ukraine, when they see that we here, it’s big moment now for Ukraine.”

Upon arrival, the pair spent time with Sir Graham Henry, the Hurricanes and at the IRANZ institute.

Anton Shashero and Maksym Dulia at IRANZ in Upper Hutt. supplied

The initiative is part of a broader plan to bring Ukrainian youth boys and girls teams to play in Aotearoa a joint effort between IRANZ, Henry and Brent Impey of Kiwi KARE, a foundation which provides New Zealand aid to Ukraine.

IRANZ general manager Wayne Taylor said it felt like the right thing to do.

“The country has been through a lot of hardship and sport can be something really positive, obviously the timing wasn’t great though with the war but it’s still something we are really keen to do, we are hoping to still get some funding and that it will still happen in the future.”

Impey said that despite everything going on in Ukraine, their passion for sport persists as the five team senior mens rugby competition continues to run.

“Their goal is to reach the 2032 Olympics in sevens, so i thought how can New Zealand help make that happen? We can be a part of reconstruction through sports diplomacy. It represents an opportunity, for New Zealand to be a visionary. “

Infrastructure in Ukraine has been significantly compromised as a result of Russian strikes, forcing Shashero to host junior camps to be held outside of the country.

“We usually do camps outside of Ukraine, in Poland and Georgia and now we go to Portugal for international tournament,” Shashero said.

Shashero and Dulia will take what they have learned home as his young side prepare to take on the best in the Northern Hemisphere.

“We have been given some fundamental things which we implement, now we have to fight to try to become the best team in the Europe. We want to show we can win against the best teams like France, Ireland, England.”

The game has come a long way in Ukraine, as Shashero vividly recalls his first trip to the European champs as a youngster where his team was soundly beaten.

“All we did was trained one week and went there and we couldn’t play well against them.”

Shashero said he has been blown away by the passion for rugby in New Zealand.

“I was at a rugby club and saw a boy maybe one years old, he cannot speak now but he already passing the ball and it’s amazing.”

Having seen some secrets behind competing on the global stage, Shashero also hopes to one day bring a Ukrainian side to Aotearoa.

“I hope that one day one will come in the future. I hope and I believe that if we prepare them for such long period, they can be on the same level with them, especially with New Zealand specialists helping us with this. I hope that it’s going to rise.”

Shashero and Dulia mixing with Hurricanes players. supplied

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/11/how-rugby-and-nz-are-giving-hope-in-war-torn-ukraine/

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‘It whacked my snowboard’: Olympian Zoi Sadowski-Synnott’s medal breaks

Source: Radio New Zealand

Silver medallist New Zealand’s Zoi Sadowski Synnott poses on the podium after the snowboard women’s big air final during the Milano Cortina 2026 Winter Olympic Games. AFP/KIRILL KUDRYAVTSEV

New Zealand snowboarder Zoi Sadowski-Synnott has joined an elite club of Olympians – those who will be bringing home broken medals.

After a rough start, Sadowski-Synnott earned her second consecutive silver medal in the Big Air event at the Winter Olympics in Italy, matching her result from four years ago.

“You set goals and you dream about it, and when it actually happens, you still can’t really believe it,” the 24-year-old told Morning Report.

“But yeah, I’m really grateful that I was able to put it down when it mattered and just thankful for all the support from back home and grateful to have my family out here too.”

There have been reports of medals from this year’s Games breaking easily – including from American downhill skiing champion Breezy Johnson, Swedish cross-country skier Ebba Andersson and United States figure skater Alysa Liu.

Asked if she had kept hers safe, Sadowski-Synnott admitted “not exactly”.

“Mine actually broke. But it’s chill. It whacked my snowboard and fell off the thing, but it goes right back in. It’s all good.”

It was suspected the fault stemmed from the medal’s clasp and ribbon, which are designed to split if pulled with force to prevent strangulation.

Organisers on Thursday (local time) said they had found a fix.

Sadowski-Synnott, who has won five Olympic medals in her career, was going to cherish her latest prize regardless.

“It’s pretty sick. It’s pretty special, so beautiful and can’t really believe that I’m holding another Olympic medal.”

She next competes in slopestyle, where she will be defending the gold she won in Beijing in 2022.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/11/it-whacked-my-snowboard-olympian-zoi-sadowski-synnotts-medal-breaks/

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BRP-Rotax: Aircraft Meets Racetrack – Luke Czepiela Flies the Racing Line at Bahrain International Circuit

Source: Media Outreach

BRP‑Rotax unveils its latest milestone in aviation with Aircraft Meets Racetrack. In an unprecedented accomplishment for the Bahrain International Circuit, Red Bull athlete and Rotax Ambassador Luke Czepiela became the first pilot to fly this Grand Prix track’s complete racing line from the air, showcasing the capabilities of Rotax powered aviation in a dramatic low‑level performance.

Gunskirchen, Austria – Newsaktuell – 10 February 2026 – In a demonstration of precision aviation, Luke Czepiela traced the full ideal line of the Bahrain International Circuit at low level, including short takeoffs and landings (STOL) on the start/finish straight. The achievement is documented in the short film Aircraft Meets Racetrack, the first project to emerge from BRP-Rotax’s Brand Ambassador partnership with Luke Czepiela, launched in 2025. The short film premiered during the Bahrain International Circuit’s official F1 pre‑season press conference today.

When Racing Meets Aviation

The project transfers what racing drivers follow on the ground with high precision accuracy into the sky. The circuit’s racing line becomes an aerial flight path, demanding exceptionally tight tolerances, high and low speeds, and uncompromising line discipline. Conducting the maneuver required extreme precision. Low altitude, shifting wind conditions, more than 495 light poles, and the narrow, enclosed layout of the Grand Prix track created an environment with virtually no margin for error.

“Flying a racing line from the air demands absolute control at low altitude and instant reaction in every phase,” said Czepiela, Rotax Brand Ambassador. “It is precision flying in its purest form.”

The flight was performed in a CubCrafters Carbon Cub UL equipped with the 160‑hp Rotax 916 iS engine. The aircraft’s lightweight STOL design, immediate throttle response, and exceptional power‑to‑weight ratio made the aerial replication of the racing line possible.

Production took place during the 2025 Rotax MAX Challenge Grand Finals in Bahrain – marking the first time all project partners collaborated on‑site. Working closely with the Bahrain International Circuit, Red Bull Bahrain, and local authorities, the team implemented a comprehensive safety and operations plan. The track and airspace were fully closed to ensure uninterrupted filming, supported by constant air traffic coordination and emergency services on-site.

“With Luke Czepiela, we aimed to create something that authentically unites our two passions: racing and aviation,” said Peter Ölsinger, General Manager of BRP‑Rotax and Vice-President Sales, Marketing RPS‑Business & Communications. “This project represents technical precision, long‑standing partnerships, and the courage to pursue new creative paths.”

The film not only showcases a great achievement it underscores Rotax’s mission to connect disciplines, push boundaries, and deliver high‑performance experiences on the ground and in the air.

Links:
Youtube: https://www.youtube.com/watch?v=wNgMGArCGBU
Presskit: https://newsroom.ketchum.at/Media.aspx?menueid=34496

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/brp-rotax-aircraft-meets-racetrack-luke-czepiela-flies-the-racing-line-at-bahrain-international-circuit/

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Ascott Signs Record 19,000 Units Across 102 Properties in 2025

Source: Media Outreach

Advances multi-typology brand expansion into more than 10 new cities in Asia Pacific and Europe, including lyf in Wellington and Ascott in Taipei

SINGAPORE – Media OutReach Newswire – 9 February 2026 – The Ascott Limited (Ascott), the wholly owned lodging business unit of CapitaLand Investment (CLI), signed a record 19,000 units across 102 properties in 2025, marking 27% year-on-year growth in new signings. Its asset-light expansion was led by higher-fee segments such as resorts, supported by accelerating franchise momentum and strong conversion activity. Ascott entered more than 10 new cities across Asia Pacific and Europe, growing its global footprint to over 230 cities in more than 40 countries. The company now operates and has under development more than 1,000 properties[1] with over 176,000 units globally.

Ascott marked its entry into Taipei with the signing of the 185-room Ascott Nangang Taipei, located in a prime mixed-use development within Nangang Software Park, one of the city’s premier business districts. The partnership agreement was signed by Ms Jocelyn Wang, Chairman, The GAIA Hotel and Mr Kevin Goh, Chief Executive Officer, The Ascott Limited and Lodging, CapitaLand Investment.

Mr Kevin Goh, Chief Executive Officer, Ascott, said: “2025 marked a key milestone for Ascott as we accelerated asset-light signings and strengthened revenue visibility. With these new signings, we now have the embedded income to exceed our S$500 million fee target as pipeline projects turn operational. Our flex-hybrid model and multi-typology brand strategy enable us to optimise performance for property owners across market cycles, while disciplined investments in loyalty, technology and business development position us to capture growth in higher-fee segments including resorts, branded residences, MICE (Meetings, Incentives, Conventions, Exhibitions) and wellness. I thank our global teams and partners for their continued support as we advance our ambition to be the preferred hospitality company.”

Ms Serena Lim, Chief Growth Officer, Ascott, said: “As travel evolves into a lifestyle, consumers are seeking greater flexibility and choice in how they live, work and explore. Guided by insights from our owners and guests, we have pursued a deliberate growth strategy anchored in our flex-hybrid model and a differentiated suite of flexible living offerings. We are heartened by the robust growth in 2025, driven by strong owner commitment as reflected in portfolio deals across multiple brands. Approximately 30% of new signings came from existing partners expanding with us, underscoring trust in Ascott’s platform and our ability to meet diverse traveller and resident needs worldwide.”

Strategic City Expansion
In 2025, Ascott entered more than 10 new cities in Asia Pacific and Europe, including notable first properties in Wellington and Taipei, resort destinations such as Phuket, Phu Quoc and Langkawi, as well as emerging Tier-2 cities like Lucknow and Thanjavur in India.

Key milestones included the company’s expansion into New Zealand beyond its Quest franchise, with lyf making its debut in Wellington. Construction is expected to commence by the end of 2026, with the 108-room property set to transform six floors of a commercial building in the CBD, incorporating lyf’s signature social spaces and interconnected rooms for group travellers. With its strategic location in the heart of the capital’s business hub, the property embodies lyf’s experience-led social living philosophy, providing an accessible base for travellers, professionals and long-stay guests to connect with Wellington’s vibrant urban energy.

Ascott also entered Taipei, launching its flagship brand with the 185-room Ascott Nangang Taipei in Nangang Software Park, one of the city’s premier business districts. Scheduled to open in 1Q 2027, the serviced residence is part of a prime mixed-use development that also houses Taiwan Fertilizer Co., Ltd.’s headquarters and multinational companies including HP, Yahoo, Philips and Intel. It is further supported by a vibrant MICE and tourism ecosystem, with direct footbridge access to the Nangang Exhibition Centre, Taipei Nangang Exhibition Centre metro station and LaLaport shopping mall. The Nangang High Speed Rail station is also within walking distance. Designed for both short and extended stays, the property builds on Ascott’s expertise in transit oriented, mixed-use developments and supports its continued growth in the market.

Resort Portfolio Expansion
Capitalising on strong leisure travel demand, Ascott’s multi-typology brand strategy drove 15 resort signings in prime locations such as Phuket, Phu Quoc, Nha Trang and Bali, expanding its portfolio in resort destinations to over 50 properties. Notable additions include the 693-unit HARRIS Resort Cam Ranh, marking the brand’s first entry into Vietnam, alongside a 250-unit lyf and a 120-unit Somerset at Lagoon City Seville, Spain, a mixed-use development anchored by an 18,000-square-metre man-made lagoon.

In 2025, Ascott expanded its branded residences portfolio by partnering with quality developers on two new properties, adding over 1,000 units. These include the 227-unit Residences at Ascott Abov Patong Phuket (pictured), adjacent to Ascott Abov Patong Phuket Resort and just 150 metres from the iconic Patong Beach.

The company also expanded its branded residences portfolio by partnering with quality developers on two new properties, adding over 1,000 units: Residences at Ascott Abov Patong Phuket, next to Ascott Abov Patong Phuket Resort, and Oakwood Premier Branded Residences Luohu Shenzhen, co-located with Oakwood Premier Luohu Shenzhen. Leveraging its hospitality expertise and brand recognition, Ascott is well-placed to deliver lifestyle-oriented residences that meet growing demand in Asia Pacific while generating fee growth. Co-locating branded residences with its hotels enhances operational and marketing synergies, diversifies revenue streams and strengthens Ascott’s value proposition to owners and investors.

Ascott’s second branded residence project in 2025, Oakwood Premier Branded Residences Luohu Shenzhen, will feature 792 residential units in the vibrant Luohu district, sharing the same building as the 450-unit Oakwood Premier Luohu Shenzhen.

Franchise Growth Momentum
More than a quarter of the units signed in 2025 were under franchise agreements, supporting Ascott’s asset-light expansion. Franchise momentum in East Asia accelerated as the company strengthened its regional pipeline. Five Quest properties were secured in China through Ascott’s joint venture with Jin Jiang, alongside four franchise agreements to expand Citadines’ presence in the country. The largest franchise signing of the year was the 510-key Oakwood in Gangneung, South Korea, a resort-led development in Gangneung’s Cultural Olympic Special Zone with strong connectivity to Seoul, demonstrating Oakwood’s scalability in leisure and extended-stay markets.

In other regions, Ascott’s Quest franchise contributed five new signings in Australia, while franchise agreements for the Oakwood, Somerset and The Unlimited Collection brands in Europe and Africa further strengthened the company’s global footprint.

Conversions-led Growth
Over 38% of units signed in 2025 were conversions, reflecting owners’ preference for faster, lower-risk routes to market and Ascott’s ability to execute conversions efficiently across its diversified brand portfolio. Recent conversions, including Citadines Antasari Jakarta, Oakwood Bencoolen Singapore and lyf Zhangjiang Shanghai, were completed within months of signing, demonstrating Ascott’s capability to reposition assets swiftly and accelerate revenue generation for owners.

Brand Performance and Expansion
Ascott’s brands achieved milestones in scale and geographic reach in 2025. Citadines surpassed 200 properties globally with 17 new signings, boosted by its conversion-friendly positioning, while Oakwood secured 16 signings, maintaining strong owner appeal across business, leisure and extended-stay segments. Ascott’s collection brands continued their geographic expansion, with The Unlimited Collection expanding in Africa and Europe, while The Crest Collection entered the Middle East. Following the signing of The Unlimited Collection in Casablanca, Morocco, Ascott’s portfolio in the country now comprises 10 operational and pipeline properties across Casablanca, Tangier and Marrakech. This underscores Ascott’s strong momentum in Morocco, one of Africa’s most dynamic hospitality markets.

The flagship Ascott brand recorded 10 new signings, expanding its global portfolio to 87 properties including operational and pipeline assets. Notable additions include Ascott Coronation Square Johor Bahru, which secures a flagship position at the Johor-Singapore Special Economic Zone with direct connection to the upcoming Rapid Transit System Link, and Ascott Shenton Way Singapore, the brand’s third property in the city-state. Opening as a dual-format hotel and serviced residence, Ascott Shenton Way Singapore will integrate wellness-driven experiences with sustainable operations, showcasing the brand’s evolution in a prime CBD location.

[1] Includes Managed, Franchised, Leased, Owned and Other properties (including those under funds and JVs).

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LiveNews: https://livenews.co.nz/2026/02/10/ascott-signs-record-19000-units-across-102-properties-in-2025/

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Health Research – New international report warns global drug policies are failing

Source: NZ Drug Foundation

The NZ Drug Foundation says a major new report on international drug policy reform over the past 10 years shows that the drug control system has failed and countries like New Zealand urgently need to change direction.

The UNGASS decade in review: Gaps, achievements and paths for reform report assesses progress made since the 2016 UN General Assembly Special Session (UNGASS) on drugs, widely viewed as a potential turning point in global drug policy.

NZ Drug Foundation Executive Director Sarah Helm says it paints an incredibly grim picture, with many challenges hampering efforts to reduce the harm from drugs including the financial crisis facing the United Nations, threats to the international rule of law, AI-fuelled illicit trade and reduced funding for harm reduction.

“Old tropes, and the ‘war on drugs’ approach that is regaining momentum in the United States and elsewhere, need to end. Aotearoa New Zealand risks sliding into the same chaos seen in parts of North America if nothing changes,” Helm says.

“All the evidence tells us these approaches are continuing to push things in the wrong direction – the increase in harm and deaths globally over the last ten years is just staggering.”

The report shows that under the current international settings:

  • More drugs are being consumed. 
  • More potent and new substances have emerged, many of which are volatile and toxic. 
  • More people are using drugs. An estimated 316 million people aged 15-64 used drugs in 2023, which is a 28% increase since 2016 and far outpaces 9% global population growth. 
  • More people are dying as a result of drug use. Between 2016 and 2021, more than 2,678,000 people died (not including deaths from armed conflict in countries that supply the global drug market). 

There has been an alarming level of incarceration that has disproportionately affected marginalised communities. About 20% of the global prison population – or one in five people – is in prison for drug offences. Of those people, 22% or 2.5 million people are in prison for drug possession alone.

“Sadly, these international trends are all too familiar in New Zealand. Our Safer Drug Laws for Aotearoa New Zealand report shows that everything from addiction, to overdose deaths, to criminalisation have increased under our current approach – it’s painfully obvious that we need to change,” Helm says.

“We lose almost three New Zealanders per week to overdose, methamphetamine and cocaine use have doubled in the past year, new toxic substances like nitazenes are killing people and 3,000 New Zealanders have been criminalised for cannabis consumption in the past two years.”

More and more money has been spent on reducing supply, including drug busts, to little or no effect. In fact, mounting evidence shows that law enforcement strategies aimed at disrupting trafficking organisations have often been counterproductive. Instead of reducing supply, they have fragmented criminal groups, creating more dynamic and violent competition over illegal markets.

“Both internationally and here at home, we spend vastly more on combating the supply of drugs than on reducing demand and the harm caused. This approach has not worked so it’s time to take a different approach,” Helm argues.

There are a few bright spots to be found over the 10 years the report canvasses. 59 jurisdictions in 39 countries have now adopted some form of decriminalisation, compared to 33 jurisdictions in 23 countries in 2016. And 45 countries – including Aotearoa New Zealand – have adopted laws and policies to improve access to medicinal cannabis since 2016, bringing the global total to 63.

Helm says that for New Zealand to start turning things around, decriminalisation of drug use, coupled with significant investment in health and harm reduction services, has the clearest evidence of success internationally.

“For example, Portugal’s two decades of experience of decriminalisation is compelling,” she says. “Overdose deaths fell dramatically, HIV transmission rates plummeted, and the burden on the criminal justice system was eased, all without an increase in drug use. Portugal now has one of the lowest rates of drug-related deaths in the EU.”

“The evidence is clear that any law reform efforts must be coupled with significant investment in support, including ringfenced funding for services designed and delivered by Māori, who have experienced the greatest harm from our current laws,” she says.
 

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/09/health-research-new-international-report-warns-global-drug-policies-are-failing/