Documentary series ‘My China Story’ shines spotlight on US martial artist Jake Pinnick

Source: Media Outreach

BEIJING, CHINA – Media OutReach Newswire – 14 February 2026 – The People’s Daily has launched two seasons of the documentary My China Story, featuring 10 foreigners who have pursued their careers in China. Season one features tech entrepreneur Nikk Mitchell, US zoologist Kevin Messenger, US ceramist Matt Watterson and Argentinian motorcycle designer Rodrigo Álvarez. The newly released season two of the series puts the spotlight on Neil Schmid, a US expert on Buddhist studies and Dunhuang; US martial arts lover and Taoist Jake Pinnick; French spelunker Jean Bottazzi and Russian vlogger Anton Butov, all of whom have shared their distinctive life paths in China.

My China Story gives the world a window into foreign residents who have lived across different regions with a wide range of career choices. This documentary series has gained a significant number of overseas viewers on a variety of social media platforms, including Youtube, Tiktok and X. Among all the episodes, the viewers have shown the most interest in Pinnick, who was born in the 1990s in the US, and came to China following an obsession with Chinese martial arts and Taoism studies. This contrasting background has made viewers more eager to learn why and how he lived in China ‘s Wudang Mountains for over a decade.

2025 marked a remarkable year for Pinnick. In April, he received China’s Foreign Permanent Resident ID Card — the “Five-Star Card” — and in May, he was named an Honorary Citizen of Shiyan City at an inaugural ceremony. These honors stand as powerful testaments to his decade-and-a-half journey of cultural immersion.

Pinnick’s story began in 2010 when, inspired by kung fu movies, the then-20-year-old arrived at the foot of the Wudang Mountains with zero martial arts experience and no knowledge of the Chinese language. He carried only a dictionary and a handwritten note that read, “I want to go to the Wudang Mountains.” Emerging from the morning mist, he found his purpose the moment he saw a master leading disciples in practice.

The path from novice to master has been paved with rigorous discipline. Pinnick mastered Tai Chi and various weapon techniques. Beyond the physical movements, he delved into the spiritual heart of China, studying the Tao Te Ching and learned to play Taoist music. During his toughest moments of exhaustion and homesickness, it was his “kung fu family” that gave him the strength to persevere.

Over the past 16 years, Pinnick has not only transformed personally but also witnessed China’s rapid development. He vividly remembers that reaching Wudang once required a slow train to Yibin; today, the journey is defined by high-speed rail and an expanding airport now welcoming international travelers.

Today, Pinnick serves as a vital cultural bridge. Through social media and live performances, he shares the wisdom of Wudang with a global audience. “I originally came for martial arts,” Pinnick reflects, “but I stayed for the culture and history.” Guided by his master’s philosophy that “Kung fu knows no borders,” Pinnick continues to demonstrate that martial arts is not about conflict, but about inclusivity and connecting a diverse world.

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/15/documentary-series-my-china-story-shines-spotlight-on-us-martial-artist-jake-pinnick/?doing_wp_cron=1771139142.4675970077514648437500

Aussie Tom Slingsby capitalises on Black Foils crash for New Zealand SailGP honours

Source: Radio New Zealand

Australia celebrate their New Zealand SailGP victory off auckland’s Wynyard Point. Getty Images

Despite defending his New Zealand SailGP crown off Auckland’s Wynyard Point, Aussie supremo Tom Slingsby harbours mixed feelings about how his team achieved their feat.

The three-time series champion had a front-row view of the horrible high-speed crash that sent New Zealand and France out of the regatta on Saturday, and admitted the Kiwis’ absence played a big part in the Flying Roos’ repeat success.

“Us winning in Auckland again, I’m not sure why, but it’s become a very happy hunting ground for us and it was very unfortunate the Kiwis weren’t there today,” Slingsby reflected. “We always want to compete against the best teams and the Kiwis, in those conditions, would have been our biggest rivals, I feel.

“Sad for them not being there, but we just focused on ourselves and we’re really happy to convert it into a win.”

Slingsby and Black Foils counterpart Peter Burling have developed a strong rivalry over their years on the professional sailing circuit, and the incident took its toll on the Aussies, as it did on the rest of the fleet.

“I happened to be looking right at it when it happened,” he said. “It was very scary.

“The Kiwis, as a team, we love to hate them, but individually, I love all of those guys. They’re just amazing people and, when a crash like that happens, I instantly think, ‘They’re all my friends and friends I’ve had for a long, long time’.

“When they called off the race, I was happy, because my mind definitely wasn’t on the game. We want the Kiwis out there and we don’t want to see anything like that ever.”

NZ grinder Louis Sinclair suffered compound fractures to both legs in the mayhem and underwent surgery on his right leg overnight. Slingsby messaged Burling to offer his support and hoped to see the Kiwis back on the water soon, although Sydney in two weeks seemed a stretch.

“They’re a champion team,” he said. “No-one knows timelines or when they’ll be back, but we know the day they come back, even if it’s not for championship wins this season, they’ll be out to win as much prize money and events as they can.”

NZ boat ‘Amokura’ was virtually destroyed, when it swerved into the path of the French, who flew over the bow and sliced it in two.

Some drivers questioned the sense of having 13 boats jockeying for position on such a small course in tricky wind conditions and organisers responded by introducing a split-fleet format for the first time on Sunday.

The fleet had experimented with smaller fields in practice, with the anticipated addition of a 14th team next year likely to force the change fulltime.

Slingsby had mixed feelings about the reduced format.

“The racer in me wants the full fleet there,” he said. “I just feel like the full fleet is why we do this – it’s lots of boats and lots happening.

Black Foils boat ‘Amokura’ is salvaged, after crashing with France on the Waitematā Harbour. Felix Diemer for SailGP

“At the same time, you’ve got to make changes, when something like that happens, whether it’s a permanent change or not. At least for today, I totally agree with the split fleet.

“We need to show we’re making changes here and not taking this accident lightly. With windy conditions today and a bigger forecast, I think it was the right call.”

While common sense prevailed, the diluted version felt like the SailGP equivalent of golden oldies scrums in rugby. Let’s just get out of Auckland with no further damage.

Racing was already brought forward to avoid the worst of the weather forecast and conditions changed dramatically again for the three-boat final, where speeds reached 100kmh and crews battled just to keep their boats upright.

Slingsby and his team now head home to Sydney, and he doubts two weeks will allow enough time for New Zealand or France to repair their boats.

“From my technical and structural knowledge of these boats, I think there’s no chance either of those boats are there,” he said.

“For sure you’re facing mental battles. We had a bit incident in Christchurch a couple of years ago and I remember, heading back out onto the racetrack, there were a few little scars there.

“As soon as they fire the gun, I was able to black it out and we got straight back into it.

“I know Peter Burling better than most people, and he will just get back in there and be ripping around the whole way.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/15/aussie-tom-slingsby-capitalises-on-black-foils-crash-for-new-zealand-sailgp-honours/

Politics – Seymour’s calls for small government lazy politics straight from hard-right playbook – ignores NZ’s growing challenges – PSA

Source: PSA

ACT Leader David Seymour’s latest attack on the public sector is straight out of the hard-right playbook – slash and burn now, worry about the consequences later.
“We’ve seen this movie before Iin the 1980s and 90s and we know how it ends – with worse services for New Zealanders and the country less able to deal with the challenges we face,” said Fleur Fitzsimons, National Secretary for the Public Service Association Te Pūkenga Here Tikanga Mahi.
“The last thing New Zealand needs is more ideologically driven re-structuring designed to meet some arbitrary numerical target and bugger the impact on what really matters – the future of our country and the health and well-being of New Zealanders.
“This is lazy politics from David Seymour and an attempt to distract from the failure of the Government to address the high cost of living facing New Zealanders.
“Seymour wants to cut agencies at exactly the wrong time. New Zealand’s population is growing rapidly and aging. We face a massive infrastructure deficit. Climate change is here right now, as recent severe storms even this week show.
“On top of that, we have our unique bicultural obligations under Te Tiriti o Waitangi, severe homelessness and high unemployment, and being an isolated island nation dependent on biosecurity – these challenges are complex and require more capability, not less, they need specialist agencies.
“Now is the time to be investing in the public services here to support New Zealand, not make more damaging cuts.
“The sad irony is that every time there’s a crisis – whether it’s Pike River, the Christchurch earthquakes, or the 15 March mosque attacks – the Royal Commissions consistently recommend more resources and clearer accountability, not fewer agencies.
“What Seymour dismisses as ‘vanity portfolios’ are often responses to specific community needs and advocacy. The Cancer Control Agency exists because cancer advocates fought for years for independent national leadership. Agencies serving women, Pacific peoples, and ethnic communities exist because these groups were historically underserved by government.
“Seymour claims reducing agencies will magically boost productivity and wages. That’s fantasy economics. Countries with strong public services – like Norway, which he name checks – invest heavily in their public sector and pay their workers well.
“ACT’s ideological belief in a minimal state will leave ordinary Kiwis to fend for themselves while the wealthy like Seymour’s landlord mates get tax cuts.
“The truth is New Zealand needs a capable, well-resourced public service to tackle the challenges ahead. Seymour’s slash-and-burn approach would leave us weaker, less prepared, and less able to protect New Zealanders when they need it most.
“Voters will have a clear choice this election – and the PSA will be saying loud and clear that ACT wants to sacrifice our future all for a deeply flawed ideology.”
The Public Service Association Te Pūkenga Here Tikanga Mahi is Aotearoa New Zealand’s largest trade union, representing and supporting more than 95,000 workers across central government, state-owned enterprises, local councils, health boards and community groups.

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/15/politics-seymours-calls-for-small-government-lazy-politics-straight-from-hard-right-playbook-ignores-nzs-growing-challenges-psa/

As it happened: Fleet split for day two after big NZ-France crash

Source: Radio New Zealand

SailGP organisers have decided to split the fleet for day two of racing off Wynyard Point, after the huge high-speed crash between New Zealand and France on Saturday.

One sailor from each team was taken to hospital, with Kiwi grinder Louis Sinclair reported in stable condition with compound fractures to both legs.

Neither team will front for competition on Sunday, when stronger conditions are expected on the water.

Racing starts at 11.30am.

Follow all the live action here:

Black Foils’ boat Amokura lifted out of the water, after crashing with France. Felix Diemer for SailGP

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/15/as-it-happened-fleet-split-for-day-two-after-big-nz-france-crash/

SailGP live updates: Fleet split for day two after big NZ-France crash

Source: Radio New Zealand

SailGP organisers have decided to split the fleet for day two of racing off Wynyard Point, after the huge high-speed crash between New Zealand and France on Saturday.

One sailor from each team was taken to hospital, with Kiwi grinder Louis Sinclair reported in stable condition with compound fractures to both legs.

Neither team will front for competition on Sunday, when stronger conditions are expected on the water.

Racing starts at 11.30am.

Follow all the live action here:

Black Foils’ boat Amokura lifted out of the water, after crashing with France. Felix Diemer for SailGP

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LiveNews: https://livenews.co.nz/2026/02/15/sailgp-live-updates-fleet-split-for-day-two-after-big-nz-france-crash/?doing_wp_cron=1771107070.6770188808441162109375

SailGP: Kiwi driver Phil Robertson wants changes after Black Foils, France crash

Source: Radio New Zealand

New Zealand and French boats crash during SailGP racing on Waitematā Harbour. Phil Walter

New Zealand SailGP

11.30am Sunday, 15 February*

Wynyard Point, Auckland

Live updates on RNZ

*Start time has been changed due to the weather

Kiwi SailGP driver Phil Robertson hopes the high-speed crash between New Zealand and France on Auckland’s Waitematā Harbour will force a rethink of racing format for the rest of the 2026 championship.

Competition was suspended during race three of New Zealand SailGP, after the two rivals collided during the sprint to the first mark. Replays showed the Black Foils apparently lose control of their rudder and spin into the path of the French, whose boat flew over the bow of Amokura.

All crew were quickly accounted for, but two sailors – one from each team – were injured and rushed ashore to hospital.

The rest of the fleet continued around the mark, but the contest was called off, as they headed back towards the scene of the crash, where the two boats were still entangled midcourse.

Soon after, organisers suspended racing for the day. The French boat was towed back to Wynyard Basin, but Amokura lay in pieces on the harbour and likely be out of action for quite a while.

The incident shook up the entire fleet, with Italian team driver Robertson recounting his own close call in the build-up.

“It’s obviously pretty hectic,” he said. “You never really want to see anything like that.

Italy driver Phil Robertson holds court at the SailGP media conference. Alan Lee/Photosport

“It’s a bit shocking, but it’s racing and it was a racing incident that went on out there.”

Auckland-born Robertson described how the New Zealand boat initially veered towards his boat, but seemed to regain control to avoid that contact.

“I saw them in my peripheral, as they started sliding towards us, then took a glance over my shoulder and saw them spin out. I didn’t really see the rest, until we stopped and looked back, and saw two boats on top of each other – it’s not very nice to see that.

“These boats are pretty hard to control at those high speeds and everyone’s pushing like mad on those reaches. They got a bit slidey, which is very natural to happen, and slid towards us, but you trust they’re going to get grip again and they did.”

New Zealand SailGP is the first time the fleet has raced with 13 boats, with Artemis Sweden joining the championship this year.

At last month’s season-opener in Perth, the Spanish boat suffered damage in practice and was unable to compete.

Organisers hope to add another team next year and have experimented with splitting the fleet into two heats of seven.

[embedded content]

“I think it’s the shortest racecourse in SailGP and 13 boats… yeah, I don’t know,” Robertson offered. “I think questions will be asked.

“I think when it’s conditions like this, I think that [two fleets] will be the expectation. We know it’s going to be tricky and there will be crashes, but it just minimises the risk, when there’s a bit more space on the course.

“Bigger courses sure, 13 boats no problem, but I think small courses and big breeze, when everyone’s on the limit of control already, it’s probably a smart idea to start having that conversation seriously.

“I assume a few sailors will be asking a few questions.”

Despite the Auckland incident, British driver Dylan Fletcher still favours the bigger fleet.

“I’d rather it stay as one fleet,” the defending SailGP champion said. “It doesn’t honestly feel that different, whether you’ve got 11 or 13.

“It’s relatively similar. Even at the start, you’ve got that separation.

“From my point of view, I love the racing with 13 boats. It’s unfortunate we won’t have that for a little bit of while now, but that’s the way it is.”

New Zealand and France come together midfleet, as they sprinted to the first mark of race three. Phil Walter

Robertson has been a SailGP fixture since the professional sailing began in 2019, steering teams from China, Spain and Canada, before joining the Italian outfit last year.

With a weather bomb forecast for the North Island this weekend, the local lad was quizzed about the prospect of racing in big winds on the Waitematā at Friday’s official media conference.

His reaction: “You wet your pants a little and move on.”

Italy narrowly avoided their own disaster, when they were caught in a gust of win that almost tipped them over during the build-up to race one. They barely managed to regain equilibrium and bring their boat back down on both hulls.

Sunday racing has already been moved forward a few hours to avoid the worst of the weather, but most drivers anticipate even more testing conditions on day two.

“Look, the accident was obviously extremely unfortunate, but I don’t think anyone’s really going to change,” Robertson said. “It’s a little bit out of the ordinary and you trust everyone’s being careful out there.

“That’s probably a situation I don’t think anyone envisioned, a boat spinning out and getting run over. It’s always in our mind that someone may crash in front of you, but coming from that position the Kiwis were in and into the French like that, no-one’s really thought about that situation before.”

“I think all the sailors are pretty shaken up, seeing that sight. It’s not something you want to see and I’m sure it affects everyone a bit.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/15/sailgp-kiwi-driver-phil-robertson-wants-changes-after-black-foils-france-crash/

AsiaBC Introduces Award-Winning Incorporation & Asia Market Entry Expertise to UAE’s Global Founders

Source: Media Outreach

HONG KONG SAR/DUBAI, UAE – Media OutReach Newswire – 13 February 2026 – Asia Business Centre (AsiaBC), a Hong Kong-based leader in corporate services and cross-border startup consultancy, has been named Outstanding Company Formation Services of the Year at the HKCT Business Awards 2025.

Presented by the Hong Kong Commercial Times (HKCT), the award recognises AsiaBC’s excellence in helping global founders establish, scale, and succeed in business hubs across Asia and the Middle East. With deep expertise in regulatory frameworks and banking ecosystems, AsiaBC helps entrepreneurs overcome market-entry challenges faced by SMEs and new ventures.

AsiaBC plays a key role in simplifying and accelerating incorporation, bank account setup, and international compliance in Hong Kong, Singapore, and offshore centres.

AsiaBC’s Expertise Solves Hong Kong Setup Challenges

Since 2009, AsiaBC has turned entrepreneurial vision into operational businesses through end-to-end support. Beyond company registration, the team guides clients through structuring, documentation, bank onboarding, tax planning, and accounting, ensuring that each step fits the business model.

AsiaBC demystifies cross-border operations by leveraging market insight and ties with over 100 banks and FinTech providers. The firm delivers reduced setup time, guaranteed bank account results under its “No Win, No Fee” programme, and proven legal readiness. One recent case saw a client complete company formation and bank account opening in Hong Kong on the same day, just before flying home. Another client, a tech startup, secured banking approval within 48 hours, enabling rapid launch into the APAC market.

AI-Powered Compliance & UAE Hub to Serve Global Founders

To better serve international entrepreneurs, AsiaBC is broadening its presence and technology.

In 2026, AsiaBC will open its first advisory hub in Dubai to support UAE entrepreneurs entering Asia. Services will include offshore company planning, tax coordination, risk assessment, and compliance across jurisdictions.

AsiaBC is also launching AI-enabled tools to make bank onboarding more predictable. A smart matching engine will analyse each client’s profile – including business model and risk category – and map it to onboarding preferences across AsiaBC’s banking network. Drawing on 6,000+ cases, this tool aims to shorten approval time and improve success rates, especially for founders under scrutiny.

“For 16 years, we’ve followed one principle: ‘Professionalism is the foundation, but solving problems is the core,’” said Raymond Wong, Managing Director. “This award affirms our commitment to outcome-driven solutions that help clients expand smoothly and sustainably.”

Championing the Entrepreneurial Spirit
AsiaBC’s client-first strategy includes:

  • Tailored support from incorporation to compliance
  • Guaranteed banking results
  • Strong ecosystem relationships
  • Multilingual support in English, French, Spanish, Russian, and Mandarin

Hashtag: #AsiaBC

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/14/asiabc-introduces-award-winning-incorporation-asia-market-entry-expertise-to-uaes-global-founders/

Black Foils boss Peter Burling first to earn SailGP demerit points for Perth scrape with Swiss

Source: Radio New Zealand

New Zealand SailGP

4pm Saturday, 14 February & Sunday, 15 February

Wynyard Point, Auckland

Live updates on RNZ

Black Foils driver Peter Burling has found himself on the wrong side of history, after the incident that sidelined his SailGP boat at Perth last month.

Early in the opening race of the new season, New Zealand and Switzerland collided at high speed, with the Swiss shearing the transom off ‘Amokura’.

While the Europeans were able to repair their F50 cataraman overnight and return to the water for the second day of competition, the Kiwis were consigned to their sheds, copping the blame for the melee and earning penalty points for causing it.

They finished the weekend with no championship points and faced a nervous process to bring their boat to full integrity before this weekend’s home event at Auckland’s Wynyard Point.

The punishment took on an even more personal note for Burling, when he became the first recipient of demerit points under the league’s new ‘Super Licence’ for drivers, similar to Formula One motor-racing requirements.

Black Foils driver Peter Burling at the New Zealand SailGP media conference. Marika Khabazi/RNZ

“I seem to have become the first driver with the ‘honour’ of getting demerit points on my license,” he told the official media conference. “It’s a whole new thing and I’m not even sure how many I can get in a season – I should probably work that out at some stage.

“Got the email the other day – all part of the fun.”

Burling revealed to RNZ he received three demerit points, but bore no grudges.

“To me, the demerit points and the new licensing system that SailGP has put in is a real sign of maturity in the league. It’s a really cool step to see the league putting protocols in, so people have to go through a process to get on the F50 and be responsible for one of the roles onboard.

Black Foils boat ‘Amokura’ is launched for testing before New Zealand SailGP at Auckland’s Wynyard Point. Marika Khabazi/RNZ

“Everyone has to pass a minimum standard in terms of their knowledge of the boat, knowledge of how the league operates… to be responsible for that role. It’s a good step for the league and also holding people accountable with its demerit points.

“Everyone’s going to have the odd crash. If you’re not bringing the boats close together, you’re not really racing.”

Burling still didn’t agree with the decision to penalise his team, but organisers seemed happy to play up the actual or perceived rivalry between the Kiwis and the Swiss.

“On the water, we got deemed that we didn’t turn quick enough, which – for me – is in the grey zone, if you look back at a lot of other incidents,” he said. “That’s the umpire’s call.

“In sailing, there’s Rule 14 as well, which is, if you can avoid a collision, you should. For me, at some stage, you can’t just disappear and I feel like there were two parties to the incident.

“That’s all in the past now, we’ve got to live by the decision and move forward.”

At the media conference, Burling was seated at the far end of the couch to Swiss counterpart Seb Schneiter, a detail that didn’t escape the attention of NZ-born Italy driver Phil Robertson.

“Why have you sat them so far apart?” Robertson chirped.

“We obviously spoke in the protest and a little bit after sailing,” Schneiter explained. “We had a birthday party last weekend and Pete was on the invite list, but he didn’t make it unfortunately.

“I think it’s part of the nature of racing these boats at such high speeds. It’s going to happen and, as Pete said, we have to learn as a league.

“No-one wants the boats to come together. Either you’re right or wrong, and there’s certainly a lot to learn from this.”

Burling was quick to explain his absence: “Just to set the story straight, last weekend, the weather was a bit nice down at Coromandel, so we decided with the family to stay there and not make the trip back to Auckland.”

He explained to RNZ that the Black Foils had history with the Swiss, who also clipped Amokura during a start at Abu Dhabi last November.

“Why have you sat them so far apart?” Peter Burling (extreme right) address the media conference, with Swiss counterpart Seb Schneiter (extreme left). Marika Khabazi/RNZ

“That’s two from two events they’ve hit that corner of the boat,” Burling chuckled. “Hopefully, we can keep apart this weekend and, hopefully as a league, we can learn from the incidents.

“The incident we had you probably see 5-10 times a weekend, where people make a tiny mistake on the timing and other boats help alleviate the problem, in terms of two boats not coming together, and both get to carry and race.

“Hopefully, the Swiss learn from that.”

Ironically, New Zealand have gained one tiny benefit from their misfortune.

With a weather bomb hovering over the North Island on Friday, SailGP teams lost their only official practice day in Auckland.

The only boats allowed on the water were the home team, Spain and Germany, which had all undergone major modifications since Perth and needed to test out repairs, before racing began on Saturday.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/13/black-foils-boss-peter-burling-first-to-earn-sailgp-demerit-points-for-perth-scrape-with-swiss/

An Encounter with China: Chinese New Year in Paris: Nanjing Intangible Cultural Heritage Shines

Source: Media Outreach

PARIS, FRANCE – Media OutReach Newswire – 12 February 2026 – On February 10, the day of China’s Little New Year, An Encounter with China: Chinese New Year was held at the UNESCO Headquarters in Paris. The millennia‑old ancient capital Nanjing presented a “condensed version” of Chinese New Year through folk customs, art dialogues, and other forms. Representatives from permanent delegations of over 100 countries and international friends gathered to celebrate the Spring Festival, building a bridge for mutual learning among civilizations.

An Encounter with China: Celebrating Chinese New Year

In December 2024, the Spring Festival was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Khaled El-Enany, Director‑General of UNESCO, stated that the Spring Festival has become a globally shared cultural event, and its inscription highlights the global influence of Chinese culture. Yang Xinyu, Ambassador of China’s Permanent Delegation to UNESCO, praised Nanjing, calling this “City of Literature” a city that brings the charm and warmth of the Spring Festival to Paris, showcasing the profound heritage and contemporary value of Chinese culture.

Nanjing is home to the Nanjing City Wall, the largest existing ancient city wall in the world, and its Yunjin brocade weaving technique has been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. At the event, the 2026 Spring Festival Temple Fair, hosted by China’s Permanent Delegation to UNESCO, kicked off with great excitement. Inside the headquarters hall, the Nanjing Cultural Symbols Exhibition drew large crowds: Fuma lanterns and Yulong lanterns glittered with brilliance, while Yunjin brocade and velvet flower crafts dazzled with their exquisite artistry. At the interactive area titled “Rubbing to Transmit Cultural Heritage,” guests personally took rubbings of inscriptions from Nanjing City Wall bricks.

In Nanjing itself, the Qinhuai Lantern Fair, with a history of over 1,700 years, illuminates the Confucius Temple; around the Ming City Wall, people “climb the city wall to walk off ailments,” visit temple fairs, and attend exhibitions, making the stories of the city wall a bond connecting the world.

During the event, Nanjing intangible cultural heritage inheritors, design scholars, and world‑leading designers gathered at the Manufacture Nationale de France for a dialogue titled “Reshaping and Interweaving Heritage.” Nanjing upholds the principles of “living heritage and two‑way empowerment,” through authentic restoration, international exchanges, and artistic co‑creation, allowing millennia‑old craftsmanship wisdom to serve the present, and enabling the world to appreciate the charm of Chinese New Year and the enduring power of Chinese civilization.

Hashtag: #Nanjing

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/13/an-encounter-with-china-chinese-new-year-in-paris-nanjing-intangible-cultural-heritage-shines/

Melco attains world’s most Forbes Travel Guide Five-Star Awards in 2026 for any integrated resort operator

Source: Media Outreach

Melco, with its American depositary shares listed on the Nasdaq Global Select Market (Nasdaq: MLCO), is a developer, owner and operator of integrated resort facilities in Asia and Europe. The Company currently operates City of Dreams ( www.cityofdreamsmacau.com) and Altira Macau ( www.altiramacau.com), integrated resorts located in Cotai and Taipa, Macau, respectively. In addition, the Company operates Studio City ( www.studiocity-macau.com), a cinematically-themed integrated resort in Cotai, Macau. In the Philippines, the Company operates and manages City of Dreams Manila ( www.cityofdreamsmanila.com), an integrated resort in the Entertainment City complex in Manila. In Europe, the Company operates City of Dreams Mediterranean, an integrated resort in Limassol, in the Republic of Cyprus ( www.cityofdreamsmed.com.cy). In South Asia, the Company manages the Nüwa hotel at City of Dreams Sri Lanka ( www.cityofdreamssrilanka.com), an integrated resort in Colombo, Sri Lanka. For more information about the Company, please visit www.melco-resorts.com.

Melco is majority owned by Melco International Development Limited, a company listed on the Main Board of The Stock Exchange of Hong Kong Limited, which is in turn majority owned and led by Mr. Lawrence Ho, who is the Chairman, Executive Director and Chief Executive Officer of the Company.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/12/melco-attains-worlds-most-forbes-travel-guide-five-star-awards-in-2026-for-any-integrated-resort-operator/

Bangkok Design Week 2026 Sets the Stage as Asia’s Creative Hub

Source: Media Outreach

Uniting Networks from Over 17 Countries to Drive Cross-Border Collaboration and Sustainable Regional Growth

BANGKOK, THAILAND – Media OutReach Newswire – 12 February 2026 – As design increasingly proves its power to transform creativity into a strategic force of macroeconomic competitiveness, Bangkok Design Week 2026 (BKKDW2026), organized by the Creative Economy Agency (Public Organization) or CEA, together with its partners, enters its ninth edition with a bold ambition — evolving from a national design festival into a leading creative platform for Asia. By uniting networks of designers and international partners from more than 17 countries across Asia and Europe, the festival plays a pivotal role in positioning Bangkok as Asias Creative Festival Hub (Creative Hub of Asia).

Under the theme “DESIGN S/O/S,” Bangkok Design Week 2026 highlights design and creativity as practical tools to help societies act, adapt, and survive amid global challenges. The festival significantly expands its international partnerships, opening new spaces for designers, artists, and creative entrepreneurs to exchange knowledge, technology, and business models. These collaborations aim to foster a new creative business ecosystem as one that leads to investment opportunities, business matching, and the development of Thai creative products capable of competing in global markets.

Explore perspectives from international partners, who shed light on the role of design as a universal language — a borderless bridge between cultures that generates tangible opportunities for Thailand’s creative economy in the global arena.

FROM LEGACY TO THE FUTURE. RESTORATION AS A DESIGN PROJECT
Sustainable Cultural Asset Management for Future Generations
by Embassy of Italy in Bangkok

The first international highlight comes from Italy, through the project Italia Reloaded, presented by the Italian Cultural Institute and the Embassy of Italy in Thailand. The initiative introduces the concept of Restoration as Sustainability.”

Maria Sica, Director of the Italian Cultural Institute, explains “Restoration is not about the past, it lies at the heart of sustainability. It focuses on reusing existing resources rather than producing new ones, guided by the principle of ‘Not Fake’- repairing without imitation. By integrating innovation, restoration preserves the authenticity and living value of cultural heritage. The project also draws on the historical relationship between Florence and Bangkok, inspired by the legacy of Silpa Bhirasri, serving as a foundation for knowledge transfer and hands-on workshops. These activities aim to elevate Thai craftsmanship to international standards while supporting high-quality cultural tourism. Together, these efforts frame restoration as a strategic pillar of urban cultural asset management — revitalizing historic districts, generating economic vitality, and strengthening a creative business ecosystem that grows sustainably from the city’s existing foundations.

LAHI (Heritage): The Philippine Fashion Exhibition
Fashion as Cultural Diplomacy and a New Economic Bridge in ASEAN
by the Philippine Embassy in Thailand

Representing the Philippines, Bangkok Design Week 2026 serves as the launch platform for LAHI (Heritage): The Philippines Fashion Exhibition, presented through a collaboration between the Department of Trade and Industry (DTI), the Philippine Trade and Investment Center in Bangkok, and the Philippine Embassy in Thailand. Using fashion as a tool of both economic development and creative diplomacy, the initiative underscores Thailand’s role as a strategic partner for the Philippines within ASEAN.

A representative from DTI noted “Bangkok Design Week is a key platform for showcasing Philippine design capabilities to regional and global markets. It also serves as a gateway for cross-border business and investment opportunities, particularly through co-creation.The collaboration explores hybrid products that combine Thailand’s strength in international-standard manufacturing with Philippine design and craftsmanship. This approach not only strengthens the ASEAN brand and elevates products into high-value market segments, but also demonstrates how fashion — when rooted in cultural heritage — can become a competitive economic asset on the global stage.”

Ephemeral Sounds of the Gulf
Listening to Impermanence Through Design That Is Meant to Dissolve

The project Ephemeral Sounds of the Gulf by Japanese mixed-media artist and producer Erika Tsuchiya (VCUarts Qatar) examines the tension between permanence and impermanence in contemporary production and consumption. The work experiments with biomaterial records, using physical media as a sonic and conceptual platform.

Erika Tsuchiya explains “The project reflects the continued economic potential of the physical format market even in a digital era — especially in Bangkok, where vinyl culture is experiencing a revival. At the same time, the project functions as research and development for a future green supply chain in the music industry. By recording natural soundscapes from the Arabian Gulf region and distributing them globally through biodegradable records, the work challenges conventional expectations of sonic perfection, while raising awareness of digital pollution and resource-intensive mass reproduction.

“Presently, designers and creators must be conscious of where materials come from and the impact of their choices. Understanding costs and consequences from the very beginning of the supply chain is the foundation of business models that grow not only in profit, but in long-term sustainability.” Tsuchiya concludes.

People Pavilion: Reimagining Streetlights as Urban Landmarks
Shade, Light, and Inclusive Design for the Tropical City

Another tangible example of urban innovation is People Pavilion, or Lan Prakai Muang, a collaboration between Urban Ally and HAS design and research, led by Jenchieh Hung and Kulthida Songkittipakdee. The project reinterprets “the Streetlight Pole” an existing piece of urban infrastructure transforming it into a functional and inclusive public architecture.

The design is grounded in a shared perspective that “the tropical climate is not a constraint, but an urban resource.” Drawing from everyday life in Bangkok where people seek shade during the day and light at night, the pavilion upgrades existing infrastructure into usable public space. This approach reduces construction waste while adding value to existing urban assets through the concept of infrastructure upcycling.

The core of the project goes beyond creating a new space. People Pavilion functions as an urban prototype for sustainable city-making, offering alternative solutions to public space challenges without relying on large-scale budgets. Through cross-sector collaboration and inclusive design, underutilized or neglected areas are transformed into places of tangible social and economic impact supporting a more resilient, adaptive, and people-centered city. Ultimately, the project demonstrates that meaningful urban transformation can be achieved through strategic design, rather than heavy financial investment.

HONG KONG: Projecting Future Heritage
When Everyday Architecture Becomes Tomorrows Blueprint

The exhibition HONG KONG: Projecting Future Heritage,originally presented at the Venice Biennale Architettura in 2025, arrives in Bangkok curated by Hong Kong architects and urbanists Sunnie S.Y. Lau and Fai Au. It offers a perspective on social innovation by re-examining architecture embedded in everyday life. Moving beyond iconic landmarks, it invites critical reflection on ordinary buildings and familiar urban structures.

The two creators explain “Under the concept of Future Heritage, we explore strategic commonalities among historic port cities such as Hong Kong, Venice, and Bangkok. Those highlight the role of urban water systems as foundational infrastructures that have shaped these cities’ transformation from historic settlements into economic centers. We also present local architectures that reflect real everyday life, which may become valuable historical heritage in the next 20 – 30 years.”

From a sustainability perspective, the exhibition proposes an approach to urban development that integrates traditional wisdom with contemporary technology. Rather than viewing existing buildings as obsolete or burdensome, it advocates adaptive reuse — reimagining and repurposing structures without demolition — so they can continue to support living, working, and everyday life in meaningful ways. The exhibition underscores that looking back at what already exists is a crucial key to transforming cultural heritage into economic and intellectual capital capable of sustainable growth in the future.

Elevating Bangkok Design Week as the Creative Hub of Asia

These collaborations represent only a fraction of what unfolds at Bangkok Design Week 2026, taking place from 29 January – 8 February 2026. Through CEA’s strategic direction, the festival is being elevated as an international creative platform connecting designers, cities, businesses, and investors from Thailand and abroad. The goal is clear to transform cultural capital into measurable economic value, while firmly establishing Bangkok as one of Asia’s leading creative festival hubs. Driven by the power of the creative economy and sustained through long-term cross-border collaboration, Bangkok Design Week continues to advance a vision of inclusive, competitive, and sustainable growth for the region and beyond.

Website: www.bangkokdesignweek.com
X: @BKKDesignWeek
Facebook/Instagram: bangkokdesignweek
Line: @bangkokdesignweek

Hashtag: #CEA #BKKDW2026 #BangkokDesignWeek #DesignSOS #PowerOfDesign #PowerOfThaiDesign

The issuer is solely responsible for the content of this announcement.

– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/12/bangkok-design-week-2026-sets-the-stage-as-asias-creative-hub/

Reserve Bank review set for completion in September, originally due to be done by March

Source: Radio New Zealand

The independent review will look at the Reserve Bank’s response to the pandemic. RNZ / Alexander Robertson

A review into the Reserve Bank’s monetary policy decisions during the Covid-19 pandemic was originally intended to be completed by March.

The Finance Minister says the delay was due to how long it took to appoint the right people to lead the review.

On Wednesday, Nicola Willis confirmed she had commissioned an independent review into the Reserve Bank’s response to the pandemic, including cuts to the Official Cash Rate, and the Large Scale Asset Purchase programme.

The opposition has criticised the government for the timing of the review, given it is set to be published in September, just weeks before the election.

The review will be led by monetary policy experts Athanasios Orphanides and David Archer.

Orphanides was a former governor of the Central Bank of Cyprus, and member of the Governing Council of the European Central Bank.

Archer was a former Reserve Bank assistant governor and former head of the Central Banking Studies Unit at the Bank for International Settlements in Basel, Switzerland.

On Thursday, the Treasury released a series of documents related to the review’s establishment, which show Willis first informed the Reserve Bank in July 2025 she was considering a review, and took the matter to Cabinet for sign-off in August 2025.

At the time, Willis expected the review would be completed by March 2026.

The documents also show parts of the review’s terms of reference were changed to factor in the benefits of its decisions, after a suggestion from the Reserve Bank.

Why the delay?

Willis told RNZ the hold-up was due to the appointment of the international reviewer.

She said following the Cabinet mandate, it was her job to find the appropriate reviewers, with Treasury making recommendations.

“First, people we approached weren’t available in the appropriate timeframe. We then had a challenge where one reviewer we proposed was available in the timeframe, but another wasn’t. And so we were both trying to balance getting a balance of someone with domestic perspective and international perspective, the appropriate international credentials, and being available for their time period,” she said.

“So there was a bit of a back and forth on finding appropriate reviewers. And at all times, I was very mindful of Treasury advice on the credentials that they needed to fulfil.”

Finance Minister Nicola Willis says the delay was due to the appointment of the international reviewer. RNZ / Samuel Rillstone

Willis said it was “frustrating,” but ultimately felt the most important thing for the credibility of the review was the quality of the reviewers.

“I’m satisfied that we’ve landed on very credible reviewers. No one’s questioning their authority, their credibility. Clearly, these are people who are independent. There’s not a political bone about them.”

The Cabinet minute shows Willis had the authorisation to approve the selection of the experts and make changes to the terms of reference, in consultation with the associate finance ministers.

What do the documents say?

In a letter dated 10 July 2025 and sent to then-Reserve Bank chair Neil Quigley and Governor Christian Hawkesby, Willis said the Monetary Policy Committee took “unprecedented” actions in response to the “significant economic challenges” caused by the pandemic.

She acknowledged the Bank’s review and assessment of its monetary policy performance between 2020 and 2022, which commissioned independent experts to provide peer review but was not independent of the Bank.

“As such, I am considering an external review to provide the Government with an independent perspective on the MPC’s performance during 2020 to 2022. This will ensure there is appropriate transparency over the MPC’s performance during a period of significant economic challenges, and will help identify lessons for future episodes of instability,” she wrote.

Feedback from then Governor Christian Hawkesby about changing the terms of reference were taken on board. RNZ / Dom Thomas

In response, Hawkesby said the Bank had made “significant progress” in implementing the recommendations of the 2022 review, but would fully cooperate with the external review if Willis chose to proceed with it.

Hawkesby had suggested the draft terms of reference be amended, particularly a section on whether the “stimulus” provided by the Large Scale Asset Purchase and Funding for Lending programmes “justified the risks to the public balance sheet and other costs”.

“We note that this frames the benefits and costs associated with these tools in narrow terms and should be widened to capture the impact LSAPs played in stabilising markets, and their broader fiscal benefits through lowering Crown borrowing costs and increasing tax revenue,” he wrote.

This feedback was taken onboard, with the final terms of reference changed to reviewing whether the “benefits” provided by the programmes “justified the risks and costs”.

Hawkesby also raised another section which referred to the review making “recommendations to improve the monetary policy response to future shocks, including commentary around potential changes to the frameworks, having regard to the benefits of hindsight”.

He said the Monetary Policy Committee’s remit was an important part of the policy framework, and while it could be reviewed at any time there were benefits to stability in the objectives of monetary policy.

“We suggest that any recommendations related to the objectives of monetary policy would be best addressed as part of the 5-yearly formal review of the MPC Remit, which is due by mid-2028.”

This was not changed.

On 9 February she told the new chair Rodger Findlay and new Governor Anna Breman that the government had finalised the establishment of the review, with the final terms of reference showing the new expected completion date of August.

“Independent monetary policy is a central pillar of New Zealand’s macroeconomic frameworks. The review strengthens this by supporting accountability and public confidence in the operational independence of monetary policy and informing its ongoing effectiveness,” Willis wrote.

She told Findlay and Breman she had adopted the Bank’s suggestion to broaden the review’s assessment of the costs and benefits of alternative monetary policy.

Willis told RNZ she thought it was important to engage with the Bank about how to get the best lessons out of the review.

“I think the final terms of reference allow for a full and penetrating review. So the questions will be asked, the information will be furnished, and those reviewers will be able to reach conclusions.”

She said it was up to former governor Adrian Orr and former chair Neil Quigley to decided if they wanted to front up to the inquiry, but said “if they’re wise, they will.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/reserve-bank-review-set-for-completion-in-september-originally-due-to-be-done-by-march/

Kiwi snowboarder qualifies for halfpipe final

Source: Radio New Zealand

Cam Melville Ives of New Zealand during Snowboard Halfpipe Winter Olympic Games in Italy, 2026. www.photosport.nz

Wānaka snowboarder Cam Melville Ives has qualified for the final of the halfpipe competition at the Winter Olympics.

Melville Ives finished eighth in qualification, with Australian Scotty James leading the top 12 to progress from the 24 starters.

Melville Ives was happy with his first run, which included a frontside triple cork 1440 and scored 84.75, which put him into sixth place.

James, who finished second in this event at the last games and is the current world champion, scored the best run of the day with a 94.00.

The 19-year-old Kiwi then started his second run in eighth position but was unable to improve when he landed heavily from a jump and lost momentum.

He then had a nervous wait as the rest of the field completed their second runs, but held onto eighth place and a place in Saturday morning’s final.

“It’s definitely a high-level qualification everyone was getting after it for sure,” Melville Ives told Sky Sport afterwards.

“I just got to focus on riding clean and putting as run down.

“Hopefully I can land some sick runs in finals, I’m hyped, it’s going to be super fun.”

Melville Ives went into the Olympics on the back of a silver medal performance at the FIS World Cup in Switzerland.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/kiwi-snowboarder-qualifies-for-halfpipe-final/

All Whites to take on England

Source: Radio New Zealand

England captain Harry Kane Pressinphoto / PHOTOSPORT

The All Whites will play England as a part of their final preparations for this year’s FIFA World Cup.

The two sides will meet in Florida on 6 June, five days out from the start of the tournament.

England, who went through World Cup qualifying with a perfect sevens wins in their European group, are currently ranked four in the world and New Zealand 85.

The game will see the All Whites face their highest-ranked opponent in 17 years and they will clash with England for just the third time in history.

New Zealand last faced England in 1991, losing two friendlies in Auckland and Wellington.

“Our strategy over the last year has been to take on top-ranked sides to ensure we are in the best place to perform at the tournament, and this match gives us a final opportunity to really test ourselves against one of the favourites,” All Whites coach Darren Bazeley said.

“England are a great side with big names all over the pitch, but we want our players to face that type of challenge so we can work collectively to find solutions against top teams.

“This match should be a great occasion but also a critical part of our final preparation before we face Iran in Los Angeles at the FIFA World Cup 2026.”

Captains shake hands, Stuart Pierce (England) and Malcolm Dunford (All Whites), All Whites v England, Athletic Park, Wellington. 1991. Troy Restieaux / www.photosport.nz

Prior to departing for the World Cup the All Whites will play two home games in March against Finland and Chile as part of the FIFA Series 2026.

At the World Cup, New Zealand play Iran, Egypt and Belgium in group G, while England will face Croatia, Ghana and Panama in Group L.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/12/all-whites-to-take-on-england/

NZ’s biggest triathlon festival toasts 20 years – Challenge Wānaka

Source: Challenge Wānaka

Next week’s anticipated Challenge Wānaka marks 20 years of New Zealand’s largest triathlon festival, which has attracted more than 25,000 athletes and injected more than $54 million into the local economy over the past two decades.

Part of the global Challenge Family – which runs middle and long-distance triathlon races in more than 30 countries – the Challenge Wānaka Half has been a cornerstone of NZ’s triathlon scene since 2007. It is regarded as a stepping stone for talented young age-group triathletes hoping to qualify for pinnacle world championship events and turn pro. It’s also a key event for the Wānaka community, providing an annual economic boost for the tourism town.

Challenge Wānaka event director Jane Sharman says that while road bikes, wetsuits and race tech have vastly improved over the past two decades, the pulling power of the event for triathletes and spectators remains the same.

“As we reflect on 20 years, it’s very exciting to see how far the festival has come and everything our athletes have achieved,” she says. “Challenge Wānaka has played a part in launching some incredible pro athletes and international racing careers. But it’s also a fantastic grassroots event where anyone can take part, in the most beautiful corner of the world.

“Of course, the youth events have long been a highlight and some of our pro athletes who started out racing in Challenge Wānaka are now watching their own children participate, so it’s very special for them.”

One of those athletes is two-time Challenge Wānaka winner and former Team NZ cyclor Dougal Allan, who will be cheering on his own children, Flynn and Matilda, at the Challenge Wānaka triathlon festival next week. Some 2100 kids will be taking part in the festival this year, from age two and up.

“Competing in and eventually winning Challenge Wānaka in 2016 and 2017 launched my profile into the world of international triathlon,” he says. “Challenge Wānaka was always known as one of the toughest and most honest long-distance triathlon events in the world and winning it was a huge badge of honour. It also led to being invited to race the famous Challenge Roth event in 2017 in Germany, which remains one of the biggest racing experiences of my life.

“Whether it is an athlete’s ambition to race pro or not, Challenge Wānaka offers the opportunity to be part of a very professionally organised event that offers so much across the weekend, from the event village to the crowd support. It is a truly internationally recognised event that’s made very accessible to domestic athletes. While these days I’m no longer competing, it’s great to be coaching some of those athletes lining up for next weekend’s race.”

The event welcomes athletes from all over NZ and the world every year, and some from closer to home, too. Wānaka GP Dr Andrew McLeod has participated in every Challenge Wānaka race since its inception.

“I don’t remember much of that first race in 2007 but I clearly remember crossing the line, already analysing what I’d done wrong, what I’d somehow done right, and how I’d do it better next time,” he recalls. “Twenty years on – and after races across NZ, Australia, North America and Europe – I’m still learning.

“Along the way my wife Karen and I have been to amazing places, met wonderful people, and so often heard the words: ‘You’re from Wānaka? I’ve always wanted to do that event.’ Being part of something that inspires that reaction is pretty special, and it’s probably why I keep coming back.”

This year’s Challenge Wānaka brings together more than 850 athletes competing in the Gallagher Insurance Challenge Wānaka Half, including 376 athletes in the individual half event. The anticipated professional field features Mike Phillips, Frederic Funk, Jack Moody, Tamara Jewett, Rebecca Clarke, Gabrielle Lumkes, and Lucy Byram. More than 155 teams are also entered, with 18 teams vying for the Gallagher Insurance Corporate Trophy, while friends and family team up for a fun day of swim, bike, and run. Media personality Brodie Kane will take on the 1.9km swim as part of a relay team.  

The 2026 Gallagher Insurance Challenge Wānaka Half is also an opportunity for age-group athletes to claim a National Title and qualify to wear the silver fern at the 2026 World Championships, as part of the Tri NZ Suzuki Series.

“This year’s event is set to be extra special to celebrate 20 years of Challenge Wānaka,” Sharman says. “This festival has always been about more than racing; it’s about community, resilience and the shared excitement of pushing boundaries in one of the world’s most scenic locations. We’re incredibly proud of the athletes, volunteers and supporters who return year after year to help make Challenge Wānaka a standout on the world triathlon stage.”
 
About Gallagher Insurance Challenge Wānaka
The Gallagher Insurance Challenge Wānaka is one of the world’s most scenic triathlon festivals, held annually in New Zealand’s stunning Southern Lakes region. Featuring a range of events, including the flagship middle-distance triathlon, multisport races, and AquaBike, the festival welcomes athletes of all levels. Operated by the Challenge Wānaka Sports Trust, a charitable organisation committed to community wellbeing, the event supports youth, adaptive athletes, and local charities through inclusive sport and recreation initiatives. In 2026, the Challenge Wānaka Festival event will mark its 20th year, taking place from February 19 – February 21. Registrations at  www.challenge-wanaka.com

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/nzs-biggest-triathlon-festival-toasts-20-years-challenge-wanaka/

CGTN: Little Chinese New Year opens big window to China’s soul

Source: Media Outreach

BEIJING, CHINA – Media OutReach Newswire – 11 February 2026 – As China marks Xiaonian, or Little Chinese New Year, there is growing evidence of its ancient traditions evolving into global lifestyle trends. CGTN published an article analyzing how this prelude to the Year of the Horse – from the folk ritual of “sweeping the dust” to the cross-cultural fusion of the Spring Festival Gala – illustrates China’s growing global cultural resonance.

As the lunar calendar turns its final pages, China enters a period of joyful anticipation known as Xiaonian, or Little Chinese New Year. Often celebrated as the Festival of the Kitchen God, it marks the official start of the “busy year” – a traditional term for the intense, joyful period of preparing food, cleaning homes, and shopping for the upcoming Spring Festival.

The Spring Festival is a deeply significant time for family reunion. In 2024, UNESCO inscribed the “Spring Festival, social practices of the Chinese people in celebration of the traditional Chinese New Year” onto the Representative List of the Intangible Cultural Heritage of Humanity.

While daily routines continue to evolve, they remain anchored in rituals that provide a sense of normalcy and meaning. It is perhaps no wonder that in a climate of uncertainty, traditional Chinese lifestyles are finding a new audience beyond the country’s borders, with the Spring Festival chief among those unique traditions that are fast becoming a shared human experience.

Diverse traditions, shared aspirations

In a prelude to the broader celebrations, Xiaonian, observed on February 10 and 11 this year, kickstarts a focused period of preparation. According to ancient lore, families offer Zaotang, or sticky “Kitchen Candy,” to the Kitchen God to ensure he delivers a favorable report on the household’s conduct before he ascends to the heavens. This lighthearted tradition marks the beginning of several symbolic rituals aimed at welcoming a fresh start.

A key element of this transition is donning new clothes. In Chinese culture, the New Year represents a moment when “all things are renewed,” and wearing new garments symbolizes shedding the “dust” or misfortunes of the past to embrace auspicious energy for the year ahead. Alongside this personal renewal, families nationwide engage in “sweeping the dust,” a deep-cleaning ritual to purify the home and prepare it for new blessings.

Whereas these practices are universal, celebratory flavors vary by geography. In the north, families traditionally gather over steaming plates of dumplings, whereas in the south, the menu often features sweet rice cakes (Niangao) and glutinous rice balls (Tangyuan).

As Mao Qiaohui, a researcher at the Institute of Ethnic Literature at the Chinese Academy of Social Sciences, explains, these variations highlight the inclusive nature of Chinese civilization.

“Although folk customs differ between different regions across China, this diversity reflects the cultural pluralism within the Spring Festival tradition,” she notes. “Different regional identities contribute to a shared pursuit of harmony and reunion.”

The vitality of these traditions is also evident in local craftsmanship. In northern regions like Shandong and Henan, artisans are currently making Huamo, decorated steamed buns, featuring horse designs for the upcoming zodiac year. Meanwhile, in Shuozhou, Shanxi Province, intangible heritage inheritors are carving spirited stallions onto traditional gourds. These creations reflect the regional diversity of the festival and a collective desire for progress in the year ahead.

Cultural dialogue: From global stage to daily life

The festive atmosphere is reflected further in preparations for the Spring Festival Gala (Chunwan), produced by China Media Group.

Recent rehearsals show performances meshing traditional Chinese culture with international artistry. One performance piece combines the wooden clog dance of the Hani and Lisu ethnic groups with the rhythmic tap of Spanish Flamenco and Hungarian folk dance. And with global stars like Jackie Chan and Lionel Richie on the bill, the Gala’s stage is set to become a stage for the world to come together.

The reach of the gala has expanded far beyond a domestic audience. Through the “Spring Festival Gala Prelude” events held in the United States, Russia, France, Italy, and several African nations, the program has become a gateway to Chinese New Year customs and cultural exchange.

This interest extends beyond art and into the lives of people worldwide, as seen in the #BecomingChinese trend. This phenomenon features international social media users adopting elements of Chinese daily life – such as keeping a thermos of hot water handy, wearing quilted indoor slippers or practicing mindful movement with Baduanjin exercises.

The festival is no longer a distant event but a gateway to Chinese lifestyle, rooted in ancient wellness wisdom and constantly updated by modern convenience, and the first step to a journey of exploration into a culture that values ritual, safety and hospitality.

Whether through global broadcasts or shared daily habits, the Spring Festival increasingly strengthens a sense of cultural empathy between China and the rest of the world.

For more information, please click here:

https://news.cgtn.com/news/2026-02-10/Little-New-Year-opens-big-window-to-China-s-soul-1KEhJjMX2fe/p.html

Hashtag: #CGTN

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– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/cgtn-little-chinese-new-year-opens-big-window-to-chinas-soul/

De Beers Group and Assouline Celebrate the Launch of “A Diamond Is Forever: The Making of A Cultural Icon 1926-2026”

Source: Media Outreach

LONDON, UK – Media OutReach Newswire – 11 February 2026 – In the 1930s, De Beers redefined the role of diamonds in society, celebrating them as masterpieces of nature and craftmanship. Before this, diamond jewelry pieces were treasures exchanged discreetly amongst society’s elite, as luxury houses, fearful of diminishing their mystique, fostered only private relationships with their clients. De Beers revealed the wonder of diamonds to a wider audience, shifting the perception of them from luxury item to a gift integral to romantic milestones and aspirational, glamorous lives, as well as a way of marking personal achievement.

De Beers Group And Assouline Celebate The Launch Of “A Diamond Is Forever: The Making Of A Cultural Icon 1926-2026”

When copywriter Frances Gerety captured the diamond’s essence with the phrase “A Diamond Is Forever” in 1947, the declaration enshrined the diamond as a promise of love and endurance, a sentiment resonating far beyond the notion of a simple gift. Gerety’s words, seen on archival advertisements, magazine placements, and celebrity endorsements, reflected the deep cultural connection between diamonds and enduring relationships. Commissioned artwork from artists such as Pablo Picasso, Salvador Dalí, and Raoul Dufy draw a direct line between a diamond’s rarity—each one formed deep within the earth over billions of years—and the creative genius of fine art. By sharing these artistic visions with the world, De Beers revealed the wonder of diamonds—nature’s oldest treasure—to a wider audience, elevating their aura and allure while preserving the sense of rarity and significance that sets them apart.
For a century, the story of diamonds has been one of transformation and continuity. In the 1960s, stars like Elizabeth Taylor and Marilyn Monroe adorned themselves with diamonds, embodying the elegance and glamour associated with the gemstone. The 1990s “Shadows” campaign, with its evocative pairing of diamonds and the neoclassical composition Palladio by Karl Jenkins, captured the essence of the diamond: authentic, unique, and everlasting.
In recent years, the conversation around diamonds has expanded to include provenance, sustainability, and ethical stewardship, affirming the diamond’s place as a symbol not just of love but of responsibility and conscience. Much like walking through a gallery that traces the evolution of artistic expression, A Diamond Is Forever offers a view into how diamonds have come to embody the shifting ideals and aspirations of society itself.

https://www.debeersgroup.com/
https://www.linkedin.com/company/debeersgroup/posts/?feedView=all
https://www.facebook.com/DeBeersGroupOfCompanies
https://www.instagram.com/debeersgroup/

Hashtag: #DeBeersGroup #NaturalDiamonds #diamonds #ADiamondIsForever #Assouline

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– Published and distributed with permission of Media-Outreach.com.

LiveNews: https://livenews.co.nz/2026/02/11/de-beers-group-and-assouline-celebrate-the-launch-of-a-diamond-is-forever-the-making-of-a-cultural-icon-1926-2026/

Sheep farmers come to parliament to celebrate record year

Source: New Zealand Government

Agriculture Minister Todd McClay has today hosted a celebratory barbecue for farmers, industry representatives and MPs to mark the upcoming National Lamb Day on 15 February.

“As we honour the legacy of the pioneers behind the first shipment of frozen sheep meat to the United Kingdom, we also celebrate lamb exports exceeding $4 billion for the first time last year,” Mr McClay says.

“Today we acknowledge the red meat sector and its significant economic contribution to New Zealand, as well as the hardworking men and women behind that success.

“Agriculture is the backbone of our economy. Meat and wool export revenue alone is forecast to increase seven per cent to $13.2 billion in the year to 30 June 2026.
 
“The efforts of New Zealand’s hard-working sheep and beef farmers support tens of thousands of jobs, and the sector is crucial to New Zealand’s ambitious goal of doubling the value of exports in 10 years.

“This Government is focused on building the future. We’re cutting red tape through significant reforms, building trade, boosting farmgate returns, and investing in the health of rural New Zealand,” Mr McClay says.

“Since coming to Government, we have concluded, signed and entered into force the NZ–UAE Comprehensive Economic Partnership Agreement, finished negotiations with the Gulf Cooperation Council, and secured a high-quality, once-in-a-generation Free Trade Agreement with India.

“We’ll continue removing barriers to trade, opening doors to new partners and making the most of strong trading relationships.”

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/sheep-farmers-come-to-parliament-to-celebrate-record-year/

Independent review of Covid-19 monetary policy

Source: New Zealand Government

The Government has instigated an independent review of New Zealand’s monetary policy response to the Covid-19 pandemic.

Finance Minister Nicola Willis says the purpose of the review is to identify any lessons New Zealand could learn to improve the monetary policy response to future major events.

“An independent review means the conclusions found can be objective and constructive.

“The Reserve Bank of New Zealand took unprecedented action in response to the Covid-19 pandemic. This included reducing the Official Cash Rate to 0.25 per cent, and the use of additional monetary policy tools, including a Large Scale Asset Purchase (LSAP) programme.

“These actions helped to preserve jobs and keep businesses afloat, but the indirect impacts included decades-high inflation, and losses of about $10.3 billion on the LSAP programme and a significant spike in asset values with house prices increasing 30 per cent in one year.

“The purpose of the review is to learn from experience. It will focus on decisions by the Monetary Policy Committee (MPC), and analysis provided by the Reserve Bank to support those decisions. This includes MPC decision making and communication, the use of additional monetary policy tools, and the coordination of monetary and fiscal policy.”

Monetary policy experts Athanasios Orphanides and David Archer have been appointed to conduct the independent review.

Dr Orphanides is a former governor of the Central Bank of Cyprus and member of the Governing Council of the European Central Bank, and a professor of the Practice of Global Economics and Management at the Massachusetts Institute of Technology. 

Mr Archer is a former Reserve Bank assistant governor and former head of the Central Banking Studies Unit at the Bank for International Settlements. 

The review is expected to be completed in August 2026 and publicly released in September 2026.

MIL OSI

LiveNews: https://livenews.co.nz/2026/02/11/independent-review-of-covid-19-monetary-policy/

New Zealand’s corruption-free reputation takes hit for fourth-year in a row – survey

Source: Radio New Zealand

Voter fraud allegations and a lack of transparency around political lobbying and funding were some of the top concerns. (File photo) Pixabay/shafin_protic

New Zealand’s reputation for low levels of corruption has taken a hit for the fourth year in a row.

In global organisation Transparency International’s latest Corruption Perception Index – a survey of surveys measuring how corrupt a country is thought to be – New Zealand’s score has fallen two points.

New Zealand still ranked highly in fourth place alongside Norway, and behind Denmark, Finland and Singapore.

“We used to be first in the world and we’ve just seen a continual drop down the ladder – about 10 percent in four years,” Transparency International New Zealand chairperson Anne Tolley said.

“It sort of feels like the wheels are coming off a bit and that’s really dangerous for our democracy.”

Voter fraud allegations and a lack of transparency around political lobbying and funding are some of the top concerns, with prosecutions for bribery, deception and misuse of public funds adding to potential reputational damage.

“A strong democracy has people feeling very confident about those democratic systems and wanting to take part,” Tolley said.

Corruption perception versus reality

Transparency International’s concerns were mirrored in the pilot report released Tuesday from the Anti-Corruption Taskforce, lead by the Serious Fraud Office.

The report looked at how big the issue of fraud and corruption was within public agencies and how well-equipped they were to find and prevent it.

“Cases of internal fraud and corruption are almost certainly being under-reported, due to a number of factors, and the true scale of the issue remains unclear,” the report said.

It highlighted the need for a national anti-corruption strategy, according to Tolley, and it was crucial for New Zealand’s reputation as a small trading nation reliant on global relationships.

“The world’s become more conscious of dirty money – that money is that’s derived from the drug trade and prostitution and modern slavery,” she said.

“We’re all more aware of being sure that we are we are investing and trading with a country that has good systems in place to stop that.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

LiveNews: https://livenews.co.nz/2026/02/11/new-zealands-corruption-free-reputation-takes-hit-for-fourth-year-in-a-row-survey/