Kiwi folk singer Marlon Williams has announced he will be taking a break from performing “for a wee while”.
“For nearly 20 years I’ve explored both the physical and musical world in the company of incredible musicians, songwriters and friends and it’s been an absolute pleasure.
“The catch with it is that because it’s such a blessing to do what you love, it can be easy to overlook the toll it can take over time, on body and soul. So yes, I’m gonna have a cup of tea and a lie down and maybe get a dog.”
Williams’ break will come after a run of shows across Europe and Australia, and a tour of New Zealand at the end of May.
In Australia he and his band the Yarra Benders will play festivals, and in Europe, perform with The Maes in support.
The New Zealand support act will be announced on Thursday, Williams said, alongside the release of presale tickets.
“Please come and join in the fun while it lasts.”
Williams (Kāi Tahu, Ngāi Tai) won the APRA Silver Scroll Award in 2025 for the song ‘Aua Atu Rā’, co-written by KOMMI (Kāi Tahu, Te-Āti-Awa), and in in 2018 for ‘Nobody Gets What They Want Anymore’.
“Like all modern music it is a hybrid, blending elements of country, folk, pop and rock’n’roll, yet it is one that could only come from here, and it’s for all of us. This is the sound of home.”
– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand
Showcasing Spectacular Entertainment and Chinese Cultural Performances, Featuring Renowned Chinese Artist “Zhu Zhengting” to Bless the People of Thailand in the Heart of the City
BANGKOK, THAILAND – Media OutReach Newswire – 16 February 2026 – Siam Paragon, Thailand’s premier global landmark and the top destination in the hearts of Thai people and international tourists, has partnered with the Tourism Authority of Thailand (TAT) and Kasikornbank, ushers in a grand celebration for the Year of the Horse. The event “Siam Paragon A Prosperous Chinese New Year 2026,” bringing an array of rare cultural performances from China to offer a magnificent experience in the heart of Bangkok, The celebration also features special performances by leading Thai artists and an exclusive appearance from Chinese superstar “Zhu Zhengting,” who flew in to deliver New Year blessings to Thai fans at Parc Paragon, Siam Paragon.
The Grand Opening Ceremony, held on 14 February 2026, was honored by the presence of Atthakorn Sirilatthayakorn, Minister of Tourism and Sports, alongside Mr. Han Zhiqiang, Ambassador Extraordinary and Plenipotentiary of the People’s Republic of China to Thailand, who both joined in delivering Chinese New Year blessings. Also in attendance were Thapanee Kiatphaibool, Governor of the Tourism Authority of Thailand (TAT); Chadatip Chutrakul, Chief Executive Officer of Siam Piwat Group; and Mayuree Chaipromprasith, President of Corporate Affairs and Communications at Siam Piwat Co., Ltd., all gathered amidst a grand and festive atmosphere. The event captivated the audience with special performances, including “Chinese New Year Welcome Dance” from China and the “Siam Noble Steed Dance” from Thailand, symbolizing the deep-rooted ties between the two nations. The celebration also featured rare and exquisite Chinese cultural showcases from four renowned troupes originating from Beijing, Chongqing, Henan, and Fujian.
The highly anticipated highlight was the appearance of renowned Chinese artist “Zhu Zhengting,” who joined the festivities to wish fans wealth, happiness, and prosperity for the year ahead, while delivering a special performance as a New Year gift. Additionally, the celebration featured mini-concerts by leading Thai T-Pop artists, including Better Weather and Daou Pittaya, who brought joy and left a lasting impression amidst the spectacular sight of giant auspicious lanterns illuminating the entire of Parc Paragon.
The grand celebration of “Siam Paragon A Prosperous Chinese New Year2026″ presents a magnificent parade of entertainment to deliver joy and prosperity for the Year of the Horse, running from today until 18 February 2026. In addition to the spectacular colors of giant auspicious lanterns and exquisite cultural performances from the People’s Republic of China, there are concerts from leading Thai artists performing on a rotating schedule to provide non-stop fun at Parc Paragon and Fashion Hall.
The lineup includes:
15 February 2026: Enjoy performances by HERS and MEAN Band;
16 February 2026: Meet 2Ectasy, Jeffy, Kakagoesbackhome, and Slapkiss;
17 February 2026: Have fun with SERIOUS BACON and Klear;
18 February 2026: Concluding with Wanyai and OABNITHI.
Simultaneously, Siam Paragon is packed with activities to enhance luck and wealth across various areas, featuring many more highlights such as:
Be mesmerized by the art installation “The Fortune Guardians,” depicting a pair of lions in a rhythmic and lively spirit of celebration, created by Suthipa Kamyam, a renowned artist and illustrator who has collaborated with numerous international brands. She has transformed the Jewel zone and Cascade on the M Floor into an artistic landmark for the Chinese New Year, symbolizing the opening of gates to welcome positive energy, inviting luck and joy to flow in and reach all visitors.
The Sculpture Exhibition by Ren Zhe: This exhibition features the work of the renowned Chinese sculptor, celebrated for his masterful fusion of Eastern cultural roots with a contemporary global perspective. His powerful sculptures are imbued with dynamic movement, harmoniously communicating Eastern philosophical values through modern materials. The exhibition will be on display from 5 March 2026 at the Glass Wall on the M Floor.
NEXTOPIA, the prototype for the world of tomorrow, welcomes the Chinese New Year festival with the heartwarming concept “Let Good Things Grow: Lucky in Love, Lucky in Green.” This initiative invites everyone to share positive energy through self-care, meaningful connection with others, and sustainable growth alongside the planet. Visitors can immerse themselves in contemporary interactive activities and workshops that are engaging and accessible to all ages. We invite you to fulfill your special moments at NEXTOPIA with eco-friendly, heart-healthy menus amidst a romantic atmosphere and melodies —perfect for hanging out until midnight.
For those seeking spiritual guidance and an opportunity to give back, the Siriwattana Cheshire Foundation under the Royal Patronage of Her Majesty the Queen presents the “Siriwattana Fortune Telling for the Disabled” charity event. To welcome the Year of the Horse, the event features 40 renowned experts specializing in various disciplines. The event takes place from February 13–20, 2026, at Crystal Court, 2nd Floor (North Zone), Siam Paragon, from 10:30 AM to 7:00 PM. Fortune-telling tickets are available at the venue for 400 THB.
Beyond the exceptional experiences offered across all zones, Siam Paragon delights shoppers with the exclusive “A Prosperous Chinese New Year2026,” promotion, running from today until22February2026, featuring discounts of up to 50% at participating stores. Shoppers meeting the spending requirements can receive Siam Gift Cards and Paragon Department Store Cash Coupons with a total value of up to THB 1,700. Special privileges are also available for Kasikornbank credit cardholders, while ONESIAM members can earn 4x ONESIAM Coins upon qualifying spend, along with up to 15% credit cashback from participating credit cards, or 0% interest installments for up to 6 months on Siam Gift Card purchases.
Additionally, the special “Lucky with Love” promotion will run from today until17February2026. Shoppers meeting the spending requirements can redeem Siam Gift Cards and Paragon Department Store Cash Coupons with a total value of up to THB 31,800, plus an additional bonus of up to 1,550 ONESIAM Coins when spending via ONESIAM KBank Credit Cards. Furthermore, purchases of THB 2,000 or more will be rewarded with an extra Ang Pao (containing gift vouchers or discount coupons from participating stores). For top spenders at participating luxury brands, an exceptional prize of 2 Baht weight of gold, valued at THB 149,500 (price as of 26 January 2026), will be awarded to those with a cumulative spend of THB 4 million or more.
Experience the grandeur of the Chinese New Year celebration, a spectacular and radiant start to a prosperous Year of the Horse at“Siam Paragon A Prosperous Chinese New Year2026.“Join the festivities at Siam Paragon from today until 20 February2026. For more information, please visit Facebook: SiamParagon
Hashtag: #SiamParagon #SiamParagonCNY2026
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AUCKLAND, NEW ZEALAND – Media OutReach Newswire – 16 February 2026 – Lee Kum Kee Sauce (“Lee Kum Kee”), the global leader of Asian sauces and condiments, marked a successful debut as the Platinum Sponsor of the 2026 Chinese New Year Festival & Market Day in Auckland. Co-hosted by the Auckland Chinese Community Centre (ACCC) and Channel 33, this festival was held on 14 February 2026, in celebration of the upcoming Year of the Horse, bringing together families, community groups, and cultural performers.
The Lee Kum Kee booth draws strong crowds at the 2026 Auckland Chinese New Year Festival & Market Day.
Set against the backdrop of the Auckland Showgrounds, the festival featured over 200 specialist stalls offering traditional Chinese hot delicacies, festive foodstuffs and traditional arts and crafts, attracting over 20,000 visitors. The extensive entertainment programme included lion dances, traditional Chinese songs and performances that brought the spirit of the celebrations to life.
Lee Kum Kee set up a captivating booth experience for festivalgoers of all ages, allowing them to explore an extensive range of sauces through delectable tastings, exclusive promotional sales, and the exciting “Chopstick Lucky Dip” prize-giving game, which drew enthusiastic participation throughout the event.
A visitor tries his luck by drawing chopsticks from the luck dip game.
Gary Hui (left), Business Development Director – Oceania of Lee Kum Kee Sauce, presents a cheque to the ACCC as a Platinum Sponsor of the event.
In serving the local community, Lee Kum Kee aims to bring traditional festive moments to life. Gary Hui, Business Development Director – Oceania of Lee Kum Kee Sauce, remarked, “Spring Festival represents family, togetherness, and the joy of sharing meals. We are proud to support an event that reflects these values. Whether you are discovering new tastes or enjoying familiar favourites, we hope this festival brings joy and connection to all.”
(Fourth from left) Vincent Wong, President – APAC of Lee Kum Kee Sauce, pictured with the New Zealand market team at the booth.
A trusted household name for generations, Lee Kum Kee is renowned for its authentic Asian sauces that inspire home cooking and festive dining. Through on-going community partnerships and cultural celebrations, Lee Kum Kee remains committed to supporting local communities while promoting Chinese culinary culture worldwide through the joy of food.
https://www.LKK.com
Hashtag: #LeeKumKee #LKK
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BEIJING, CHINA – Media OutReach Newswire – 14 February 2026 – The People’s Daily has launched two seasons of the documentary My China Story, featuring 10 foreigners who have pursued their careers in China. Season one features tech entrepreneur Nikk Mitchell, US zoologist Kevin Messenger, US ceramist Matt Watterson and Argentinian motorcycle designer Rodrigo Álvarez. The newly released season two of the series puts the spotlight on Neil Schmid, a US expert on Buddhist studies and Dunhuang; US martial arts lover and Taoist Jake Pinnick; French spelunker Jean Bottazzi and Russian vlogger Anton Butov, all of whom have shared their distinctive life paths in China.
My China Story gives the world a window into foreign residents who have lived across different regions with a wide range of career choices. This documentary series has gained a significant number of overseas viewers on a variety of social media platforms, including Youtube, Tiktok and X. Among all the episodes, the viewers have shown the most interest in Pinnick, who was born in the 1990s in the US, and came to China following an obsession with Chinese martial arts and Taoism studies. This contrasting background has made viewers more eager to learn why and how he lived in China ‘s Wudang Mountains for over a decade.
2025 marked a remarkable year for Pinnick. In April, he received China’s Foreign Permanent Resident ID Card — the “Five-Star Card” — and in May, he was named an Honorary Citizen of Shiyan City at an inaugural ceremony. These honors stand as powerful testaments to his decade-and-a-half journey of cultural immersion.
Pinnick’s story began in 2010 when, inspired by kung fu movies, the then-20-year-old arrived at the foot of the Wudang Mountains with zero martial arts experience and no knowledge of the Chinese language. He carried only a dictionary and a handwritten note that read, “I want to go to the Wudang Mountains.” Emerging from the morning mist, he found his purpose the moment he saw a master leading disciples in practice.
The path from novice to master has been paved with rigorous discipline. Pinnick mastered Tai Chi and various weapon techniques. Beyond the physical movements, he delved into the spiritual heart of China, studying the Tao Te Ching and learned to play Taoist music. During his toughest moments of exhaustion and homesickness, it was his “kung fu family” that gave him the strength to persevere.
Over the past 16 years, Pinnick has not only transformed personally but also witnessed China’s rapid development. He vividly remembers that reaching Wudang once required a slow train to Yibin; today, the journey is defined by high-speed rail and an expanding airport now welcoming international travelers.
Today, Pinnick serves as a vital cultural bridge. Through social media and live performances, he shares the wisdom of Wudang with a global audience. “I originally came for martial arts,” Pinnick reflects, “but I stayed for the culture and history.” Guided by his master’s philosophy that “Kung fu knows no borders,” Pinnick continues to demonstrate that martial arts is not about conflict, but about inclusivity and connecting a diverse world.
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ACT Leader David Seymour’s latest attack on the public sector is straight out of the hard-right playbook – slash and burn now, worry about the consequences later.
“We’ve seen this movie before Iin the 1980s and 90s and we know how it ends – with worse services for New Zealanders and the country less able to deal with the challenges we face,” said Fleur Fitzsimons, National Secretary for the Public Service Association Te Pūkenga Here Tikanga Mahi.
“The last thing New Zealand needs is more ideologically driven re-structuring designed to meet some arbitrary numerical target and bugger the impact on what really matters – the future of our country and the health and well-being of New Zealanders.
“This is lazy politics from David Seymour and an attempt to distract from the failure of the Government to address the high cost of living facing New Zealanders.
“Seymour wants to cut agencies at exactly the wrong time. New Zealand’s population is growing rapidly and aging. We face a massive infrastructure deficit. Climate change is here right now, as recent severe storms even this week show.
“On top of that, we have our unique bicultural obligations under Te Tiriti o Waitangi, severe homelessness and high unemployment, and being an isolated island nation dependent on biosecurity – these challenges are complex and require more capability, not less, they need specialist agencies.
“Now is the time to be investing in the public services here to support New Zealand, not make more damaging cuts.
“The sad irony is that every time there’s a crisis – whether it’s Pike River, the Christchurch earthquakes, or the 15 March mosque attacks – the Royal Commissions consistently recommend more resources and clearer accountability, not fewer agencies.
“What Seymour dismisses as ‘vanity portfolios’ are often responses to specific community needs and advocacy. The Cancer Control Agency exists because cancer advocates fought for years for independent national leadership. Agencies serving women, Pacific peoples, and ethnic communities exist because these groups were historically underserved by government.
“Seymour claims reducing agencies will magically boost productivity and wages. That’s fantasy economics. Countries with strong public services – like Norway, which he name checks – invest heavily in their public sector and pay their workers well.
“ACT’s ideological belief in a minimal state will leave ordinary Kiwis to fend for themselves while the wealthy like Seymour’s landlord mates get tax cuts.
“The truth is New Zealand needs a capable, well-resourced public service to tackle the challenges ahead. Seymour’s slash-and-burn approach would leave us weaker, less prepared, and less able to protect New Zealanders when they need it most.
“Voters will have a clear choice this election – and the PSA will be saying loud and clear that ACT wants to sacrifice our future all for a deeply flawed ideology.”
The Public Service Association Te Pūkenga Here Tikanga Mahiis Aotearoa New Zealand’s largest trade union, representing and supporting more than 95,000 workers across central government, state-owned enterprises, local councils, health boards and community groups.
For 12 days, the Spring Fair transformed VEC into a walkable map of 34 provinces, blending cuisine, culture and commerce inside Southeast Asia’s largest exhibition complex.
HANOI, VIETNAM – Media OutReach Newswire – 14 February 2026 – For nearly two weeks, the Spring Fair 2026 turned the Vietnam Exhibition Center into something few destinations manage to become: a condensed, high-definition portrait of an entire country.
As the fair drew to a close, what remains is not simply a tally of booths or sales figures, but the impression of a place that allowed visitors to move ‘through Vietnam’ at remarkable speed. Within a single afternoon, one could travel from the northern mountains to the Mekong Delta without leaving a 90-hectare venue on the outskirts of Hanoi.
Framed as “A Marketplace of 34 Provinces,” the event gathered regional economies, culinary traditions and cultural performances under one monumental roof. For many international visitors in Hanoi this spring, it became a defining stop on the city’s New Year cultural calendar.
A Country in One Afternoon
The scale was unapologetically large. More than 3,000 standard booths. Around 2,500 enterprises. Participation from 34 provinces and cities across Vietnam. Over 12 continuous days, the fair aimed for direct revenue of 1,000 billion VND and operated at a pace that rarely slowed.
Inside, the exhibition floor was organized into thematic zones such as “Vietnamese Cultural Essence” and “Vietnamese Agricultural Products – Connecting Spring”. The layout encouraged visitors to drift geographically. One moment, they stood in the northern region. Minutes later, they were tasting specialties from the south.
In the section representing Bắc Ninh, trays of bánh phu thê (sticky rice cake filled with mung bean paste, traditionally served at weddings) glowed under warm light. Nearby, vendors rolled out bánh cuốn Mao Điền (thin rice sheets wrapped around seasoned minced pork and wood ear mushrooms), the steam rising gently into the air. Nem chua (fermented pork sausage) was sliced into neat portions, while bundles of mì gạo chũ (sun-dried rice noodles from Bắc Giang) were arranged in pale, orderly stacks.
Further along, the scent shifted. At a booth from Sơn La, strips of thịt trâu gác bếp (smoked buffalo meat) were cut from darkened slabs and dipped into a dense sauce flecked with mắc khén (wild mountain pepper with a citrusy heat). The taste was smoky, slightly sweet and sharply spiced. At another stand, mắm tôm chua (fermented shrimp paste with chili and garlic) from Huế was wrapped with boiled pork belly and green banana slices, layered with fresh herbs to soften its tang.
In the southern cluster, bánh pía (flaky pastry filled with mung bean, salted egg yolk and durian) from Sóc Trăng were sliced while still warm, their layered crust collapsing delicately to reveal a rich interior. The aroma of durian lingered in the air, unmistakable and confident.
“I really liked how the space was designed according to each province’s characteristic… not only products, but also culture – music, people, traditional dress. It clearly shows very thoughtful experiential design,” said an American visitor during the event.
For business delegations, the appeal went beyond atmosphere.
“We came here to find Vietnamese partners for cashew nuts, cacao and coffee,” said Mandel V. Panizares, representative of Green Agricultural Products Trading in the Philippines. “Seeing the products directly and discussing at the booth; this ‘see and touch’ approach helps us evaluate quality and production capacity more clearly than just looking at profiles or images.”
Cultural performance threaded through the marketplace. Visitors found themselves mesmerized watching more than 50 performers in restored Nguyễn-era garments entered the main corridor for the “Hundred Flower Parade”. Gold embroidered nhật bình (formal imperial robes) shimmered beneath the hall’s lights. Ceremonial horses stepped carefully across polished floors as shoppers paused mid-conversation to watch.
“The parade is not just a performance, but a living cultural experience, where traditional Vietnamese attire, rituals, aesthetics and people exist together within the flow of daily life and commerce,” said Nguyen Thanh Nam, a member of the project team.
Across the 12 days, more than 40 cultural programs and hundreds of performances unfolded, including shows by the Vietnam Circus Federation and the Vietnam Puppet Theatre. Music, acrobatics and folk art existed in easy proximity to contract discussions and product demonstrations.
By the final weekend, it was clear that the Spring Fair had evolved into something more than an exhibition. It functioned as a temporary indoor festival city, layered with sound, flavor and movement.
The Platform Powering the Experience
The intensity of the experience was made possible by the Vietnam Exhibition Center itself.
Spanning 90 hectares, VEC is the largest exhibition complex in Southeast Asia and ranks among the top ten globally. At its core stands the Kim Quy Exhibition Hall, a 130,000 square meter column-free structure that provides uninterrupted interior space on a scale rarely seen in the region.
Built in just 10 months by Vingroup, Vietnam’s largest private conglomerate, and officially opened on August 19, 2025, the center welcomed 1.2 million visitors within its first three days of operation. Managing that volume required advanced crowd coordination, robust security systems and integrated logistics capable of operating at metropolitan scale.
The infrastructure extends well beyond the main hall. An 18-hectare parking area accommodates more than 10,000 vehicles. Nearly 1,200 electric vehicle charging ports form the largest EV charging station in Vietnam. Integrated storage zones, transport logistics and modern electronic payment systems allowed thousands of booths to operate simultaneously without visible strain.
VEC is also a member of the Bureau International des Expositions and serves as Vietnam’s official representative at global exhibition events, positioning it within the international exhibition circuit.
“We believe that, building upon this foundation, VEC will continue to thrive and evolve into a premier hub for major regional and international events. When operated at its full potential, VEC will emerge as a new symbol of a connected, prosperous, integrated, innovative, and sustainable Vietnam, thereby elevating our national standing in the country’s new era of ascent.”, said Mr. Tran Le Phuong, Chairman of the Board of Directors, Vietnam Exhibition Fair Center Joint Stock Company (VEFAC JSC).
During the Spring Fair, that capacity was visible in every operational detail. Corridors remained fluid at peak hours. Multiple stages operated without acoustic conflict. International delegations moved seamlessly between provincial booths.
“I highly appreciate the handicraft products of Hue and high-tech agricultural products of Thanh Hoa and Dong Thap,” said Ozasa Haruhiko, Chief Representative of JETRO Hanoi. “The diversity and quality here strengthen my confidence in Japan-Vietnam trade potential.”
As the 2026 edition concludes, the Spring Fair leaves behind more than transactions and photographs. It has demonstrated that Vietnam can stage large-scale exhibitions with cultural depth and operational precision inside world-class infrastructure.
Hashtag: #VEC #Vingroup
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Supporting Sustainable Social Development through Arts and Education Celebrating the Power of “Music Changes Lives”
HONG KONG SAR – Media OutReach Newswire – 13 February 2026 – Great Eagle Group (Stock Code: 41) today announced that the Great Eagle Music Children Ensemble, supported by the Group, will present its annual concert, “Symphony of Light & Legacy”, on 29 March 2026 at The Hong Kong Academy for Performing Arts in Wanchai. Through the children’s performances, the concert will share their growth and transformation along their music-learning journeys.
Titled “Symphony of Light & Legacy”, the concert reflects the belief that music, like starlight, can gently illuminate children’s paths forward. “Light” symbolises music as a guiding presence, while “Legacy” represents the continuation of care and encouragement—so that each generation of children may feel supported as they explore a broader future.
Following the inaugural “Grow & Glow” concert in 2023, the Ensemble once again appears on a professional stage. The performance offers a glimpse into the children’s learning journeys and the values nurtured through music training, including discipline, confidence and a sense of responsibility. It also reflects the steady efforts of dedicated educators and the support of the wider community.
For many years, Great Eagle Group has supported the Music Children Foundation (the “Foundation”) in providing underprivileged children with access to structured, quality early music education. In 2018, the Group established the Great Eagle Music Children Ensemble under the Foundation to offer outstanding students a continuous and progressive platform. Through professional training, public performances and competitions, the programme seeks to nurture children’s musical abilities and whole-person development. Currently, the Ensemble comprises 73 orchestra members and 24 choir members. To date, the programme has benefited more than 187 children and delivered over 40 public performances.
Mr Alexander Lo, Executive Director of Great Eagle Group, said: “At Great Eagle, our vision is ‘Sustainable Growth’. We believe a company’s responsibility extends beyond business, and that we must use our resources thoughtfully in support of the communities we serve. Over the years, we have focused on arts, youth education and environmental protection, and remain committed to working alongside partners who share these values. We hope, in our own small way, to help create more opportunities for children to be seen, encouraged and supported, so they may move forward with greater confidence and choice.”
Ms Annike Pong and Ms Monique Pong, Co-founders of the Music Children Foundation, said: “Music brings together art and education in a way that can help children build confidence, broaden their horizons and discover their potential. We are thankful for Great Eagle Group’s long-standing support, which allows us to reach more communities and provide quality music education to more children.”
Tickets for “Symphony of Light & Legacy” are available via Cityline starting today. The concert is also supported by Cordis, under Langham Hospitality Group, a member of Great Eagle Group. Cordis’s brand manifesto, “Let Your Heart Rule”, encourages people to stay true to themselves and cherish authentic connections, which resonates with the positive messages conveyed through music.
“Symphony of Light & Legacy” – Concert Details
Date: 29 March 2026 (Sunday) Time: 7:30 pm – 9:00 pm Venue: Hong Kong Jockey Club Amphitheatre, The Hong Kong Academy for Performing Arts Ticketing: Cityline https://cultural.cityline.com/en/2026/symphonylightlegacy.html
Programme Highlights and Concert Narrative
The concert will be led by renowned music educator Mr Ray Tsoi as Orchestra Conductor, with Dr Lo Po Yan serving as Choral Director and Choir Conductor.
First Half: Choral works portraying children’s inner journeys from enlightenment to growth.
Second Half: Orchestral performances that, through richly layered melodies, express the strength and momentum of moving forward.
Sustained Commitment, Creating a Shared Future
Great Eagle Group believes the role of a corporation extends beyond achieving business success to making good use of its resources and uniting collective efforts to bring meaningful and sustainable positive impact to the community. Through continued investment in children and youth development, mental wellbeing and cultural education, the Group will continue to move forward hand in hand with society to help create a better future.
At the “Symphony of Light & Legacy” Concert, children will write their dreams through music and pass on hope.
Hashtag: #GreatEagleGroup
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KUALA LUMPUR, MALAYSIA – Media OutReach Newswire – 13 February 2026 –
Standout MotoGP Booth Experience for Fans in Malaysia
MotoGP fans were treated to a unique motorsports experience at the MotoGP Launch in Kuala Lumpur, held from 2 – 7 February, 2026. Organised by Honda LCR and supported by GOD55 Sports, the free-entry Fan Zone attracted over 10,000 motorsports enthusiasts throughout the week. Visitors enjoyed up-close access to official 2026 racing leathers and helmets worn by Johann Zarco and Diogo Moreira, alongside video features showcasing the latest riders’ featured video and the growing partnership between Honda LCR and GOD55 Sports.
Honda LCR x GOD55 Sports logo at the MotoGP Launch booth
Premium Fan Zone Design & Interactive Experience
The MotoGP Fan Zone stood out with its striking red-and-gold design, combining Honda LCR’s iconic red with GOD55 Sports’ signature gold to create a premium and visually captivating showcase. The thoughtfully planned layout encouraged fans to explore every corner of the booth, follow Honda LCR on Instagram, and take part in a wide range of interactive activities.
Merchandises from Honda LCR x GOD55 Sports booth
Adding to the festive atmosphere, the booth distributed limited-edition stickers and angpao packs in celebration of the upcoming Chinese New Year. These thoughtful touches, along with consistently long queues and strong visitor engagement, highlighted the success of Honda LCR’s collaboration with GOD55 Sports. The partnership played a key role in elevating the overall fan experience and reflected a shared commitment to delivering meaningful and memorable interactions.
Merchandise Giveaway & Interactive Games
MotoGP Time Attack Challenge
One of the main attractions was the MotoGP Time Attack Challenge, which quickly became a crowd favourite. Fans eagerly lined up to test their skills by attempting to hit the exact 5.5-second mark, with winners receiving exclusive limited-edition motorsport polo shirts and other special prizes.
Gashapon Machine & Social Engagement
The popular gashapon machine added another layer of excitement to the Fan Zone. Visitors who followed Honda LCR and GOD55 Sports on social media were rewarded with chances to win random limited-edition merchandise, including lanyards, caps, T-shirts, polo shirts, and keychains. This initiative creatively combined entertainment with digital engagement, strengthening the connection between fans and the teams.
The booth also welcomed several key opinion leaders between February 6 and 7, further boosting online visibility and on-site buzz. With its vibrant atmosphere, interactive features, and exclusive offerings, the Fan Zone became a central hub of motorsport excitement, giving visitors an immersive preview of the energy and anticipation surrounding the 2026 MotoGP season.
Rider Meet-and-Greet with Free Autographed Posters
One of the event’s biggest highlights was the exclusive opportunity for fans to meet Honda LCR riders Johann Zarco and Diogo Moreira up close. Despite heavy rain during the pre-scheduled meet-and-greet session, crowds continued to gather at the booth, undeterred by the weather.
Johann Zarco and Diogo Moreira autograph session
The riders and Honda LCR team arrived at approximately 4:15 PM, prompting an overwhelming response of cheers and excitement from fans. Upon arrival, Johann Zarco and Diogo Moreira were first welcomed by the CEO of GOD55 Sports, alongside invited key influencers, before proceeding to a brief VIP meet-and-greet at the booth.
Honda LCR Team Principal, Lucio Cecchinello, wearing the partners’ polo shirt
Shortly after, Honda LCR Team Principal Lucio Cecchinello arrived wearing the limited-edition Honda LCR × GOD55 Sports Motorsport Polo Shirt, symbolising the team’s strong support and commitment to its new premier partner. Following the VIP session, Lucio joined the riders in preparing the limited-edition rider posters and autograph cards, which were met with enthusiastic reactions from onlookers.
The Fan Zone emcee then officially announced the start of the autograph session, as Johann Zarco and Diogo Moreira signed posters using gold and silver marker pens respectively, sending the crowd into a frenzy of cheers. Fans were rewarded with on-the-spot free autographed posters, creating unforgettable moments and meaningful interactions with their MotoGP heroes.
The lively atmosphere was further enhanced by the presence of several well-known influencers and content creators, who interacted closely with visitors and helped sustain the crowd’s energy throughout the event. By sharing real-time updates and behind-the-scenes moments across social media platforms, they extended the reach of the Fan Zone beyond the venue, allowing online audiences to experience the excitement and support for the Honda LCR MotoGP Team.
A Landmark Event for Malaysia
As Malaysia’s first-ever MotoGP 2026 Launch, the Honda LCR booth generated significant excitement among motorsports fans. Interactive displays, rider meet-ups, and unique activities confirmed the country’s strong appetite for world-class MotoGP experiences.
Looking ahead, the partnership between GOD55 Sports and Honda LCR over the next three years promises more exclusive content, fan-focused initiatives, and regional engagement, bringing Southeast Asian fans closer to the thrilling world of MotoGP.
BEIJING, CHINA – Media OutReach Newswire – 12 February 2026 – When you think of the Chinese New Year, lively lion dances and vibrant red lanterns surely come to mind. But this time, in Beijing’s Chaoyang District, you might brush past an adorable panda mascot, run into trendy IP characters on street corners, and discover themed artistic lanterns and festive markets. All these are available at the “Trendy Chaoyang, Trendy Temple Fair” event unfolding at the Chaoyangmen Outer Street area.
“Trendy Chaoyang, Trendy Temple Fair”
From February 10 (Little New Year in northern China on the Chinese lunar calendar) to March 8, the UIC block in the Chaoyangmen Outer Street area transforms into an open-air New Year playground. The most eye-catching are the nearly 100 “pandas” scattered throughout the block—not real giant pandas, but art installations, lanterns, pop-up IPs, and interactive photo spots inspired by various trendy characters. Top panda celebrities like Beijing Zoo’s Meng Lan, Chengdu’s He Hua, Hu Hu from the movie Panda Plan, Bing Dwen Dwen (a mascot of Beijing 2022 Olympic Winter Games), Pang Anda (a mascot of Air China), and 52TOYS’ Panda Roll, among others, have all gathered here. Additionally, over ten renowned domestic and international IPs, such as MOLLY from Pop Mart and WAKUKU from HERE, have also “traveled” here, creating a warm, healing, fun-filled, adorable universe.
Apart from trendy toy IPs, the event offers diverse Spring Festival experiences: Yingge Dance from the Chaoshan area of Guangdong Province makes its debut in Beijing, beating majestic New Year drums; folk song and dance performances from Guangxi and other ethnic areas showcase the diverse flavors of Chinese New Year. Visitors can enjoy specially crafted drinks from AI-powered unmanned beverage stations while appreciating intangible cultural heritage crafts and designer brands at the market. At THE BOX shopping mall, you can try VR tennis, visit a pet market, and interact with roaming non-player characters (NPCs) to receive red envelopes. After nightfall, lights, woven tree covers, and themed lighting effects turn the entire street into a dreamy open-air “art gallery.”
At historic sites such as Dongyue Temple and Ritan Park, Chaoyang District leverages local cultural heritage to create all-ages-friendly fairs combining exhibitions, fun activities, markets, and performances. This is not just a revival and celebration of Chinese New Year but also a cultural exchange that bridges tradition and modernity, folk customs and fashion, the local and the global.
Chaoyang’s “Trendy Temple Fair” welcomes everyone, no matter where you are from, with open arms, creative and heart-warming celebrations, inviting all to experience a Chinese New Year that is tangible, interactive, and full of surprises and happy memories.
Hashtag: #TrendyTempleFair
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Melco, with its American depositary shares listed on the Nasdaq Global Select Market (Nasdaq: MLCO), is a developer, owner and operator of integrated resort facilities in Asia and Europe. The Company currently operates City of Dreams ( www.cityofdreamsmacau.com) and Altira Macau ( www.altiramacau.com), integrated resorts located in Cotai and Taipa, Macau, respectively. In addition, the Company operates Studio City ( www.studiocity-macau.com), a cinematically-themed integrated resort in Cotai, Macau. In the Philippines, the Company operates and manages City of Dreams Manila ( www.cityofdreamsmanila.com), an integrated resort in the Entertainment City complex in Manila. In Europe, the Company operates City of Dreams Mediterranean, an integrated resort in Limassol, in the Republic of Cyprus ( www.cityofdreamsmed.com.cy). In South Asia, the Company manages the Nüwa hotel at City of Dreams Sri Lanka ( www.cityofdreamssrilanka.com), an integrated resort in Colombo, Sri Lanka. For more information about the Company, please visit www.melco-resorts.com.
Melco is majority owned by Melco International Development Limited, a company listed on the Main Board of The Stock Exchange of Hong Kong Limited, which is in turn majority owned and led by Mr. Lawrence Ho, who is the Chairman, Executive Director and Chief Executive Officer of the Company.
Uniting Networks from Over 17 Countries to Drive Cross-Border Collaboration and Sustainable Regional Growth
BANGKOK, THAILAND – Media OutReach Newswire – 12 February 2026 – As design increasingly proves its power to transform creativity into a strategic force of macroeconomic competitiveness, Bangkok Design Week 2026(BKKDW2026), organized by the Creative Economy Agency (Public Organization) or CEA, together with its partners, enters its ninth edition with a bold ambition — evolving from a national design festival into a leading creative platform for Asia. By uniting networks of designers and international partners from more than 17 countries across Asia and Europe, the festival plays a pivotal role in positioning Bangkok as Asia‘s Creative Festival Hub(Creative Hub of Asia).
Under the theme “DESIGN S/O/S,” Bangkok Design Week 2026 highlights design and creativity as practical tools to help societies act, adapt, and survive amid global challenges. The festival significantly expands its international partnerships, opening new spaces for designers, artists, and creative entrepreneurs to exchange knowledge, technology, and business models. These collaborations aim to foster a new creative business ecosystem as one that leads to investment opportunities, business matching, and the development of Thai creative products capable of competing in global markets.
Explore perspectives from international partners, who shed light on the role of design as a universal language — a borderless bridge between cultures that generates tangible opportunities for Thailand’s creative economy in the global arena.
FROM LEGACY TO THE FUTURE.RESTORATION AS A DESIGN PROJECT Sustainable Cultural Asset Management for Future Generations by Embassy of Italy in Bangkok
The first international highlight comes from Italy, through the project Italia Reloaded, presented by the Italian Cultural Institute and the Embassy of Italy in Thailand. The initiative introduces the concept of “Restoration as Sustainability.”
Maria Sica, Director of the Italian Cultural Institute, explains “Restoration is not about the past, it lies at the heart of sustainability. It focuses on reusing existing resources rather than producing new ones, guided by the principle of ‘Not Fake’- repairing without imitation. By integrating innovation, restoration preserves the authenticity and living value of cultural heritage. The project also draws on the historical relationship between Florence and Bangkok, inspired by the legacy of Silpa Bhirasri, serving as a foundation for knowledge transfer and hands-on workshops. These activities aim to elevate Thai craftsmanship to international standards while supporting high-quality cultural tourism. Together, these efforts frame restoration as a strategic pillar of urban cultural asset management — revitalizing historic districts, generating economic vitality, and strengthening a creative business ecosystem that grows sustainably from the city’s existing foundations.
LAHI(Heritage):The Philippine Fashion Exhibition Fashion as Cultural Diplomacy and a New Economic Bridge in ASEAN by the Philippine Embassy in Thailand
Representing the Philippines, Bangkok Design Week 2026 serves as the launch platform for “LAHI(Heritage):The Philippines Fashion Exhibition,“ presented through a collaboration between the Department of Trade and Industry(DTI), the Philippine Trade and Investment Center in Bangkok, and thePhilippine Embassy in Thailand. Using fashion as a tool of both economic development and creative diplomacy, the initiative underscores Thailand’s role as a strategic partner for the Philippines within ASEAN.
A representative from DTI noted “Bangkok Design Week is a key platform for showcasing Philippine design capabilities to regional and global markets. It also serves as a gateway for cross-border business and investment opportunities, particularly through co-creation.The collaboration explores hybrid products that combine Thailand’s strength in international-standard manufacturing with Philippine design and craftsmanship. This approach not only strengthens the ASEAN brand and elevates products into high-value market segments, but also demonstrates how fashion — when rooted in cultural heritage — can become a competitive economic asset on the global stage.”
Ephemeral Sounds of the Gulf Listening to Impermanence Through Design That Is Meant to Dissolve
The project “Ephemeral Sounds of the Gulf“ by Japanese mixed-media artist and producer Erika Tsuchiya (VCUarts Qatar) examines the tension between permanence and impermanence in contemporary production and consumption. The work experiments with biomaterial records, using physical media as a sonic and conceptual platform.
Erika Tsuchiya explains “The project reflects the continued economic potential of the physical format market even in a digital era — especially in Bangkok, where vinyl culture is experiencing a revival. At the same time, the project functions as research and development for a future green supply chain in the music industry. By recording natural soundscapes from the Arabian Gulf region and distributing them globally through biodegradable records, the work challenges conventional expectations of sonic perfection, while raising awareness of digital pollution and resource-intensive mass reproduction.
“Presently, designers and creators must be conscious of where materials come from and the impact of their choices. Understanding costs and consequences from the very beginning of the supply chain is the foundation of business models that grow not only in profit, but in long-term sustainability.” Tsuchiya concludes.
People Pavilion:Reimagining Streetlights as Urban Landmarks Shade, Light, and Inclusive Design for the Tropical City
Another tangible example of urban innovation is People Pavilion, or Lan Prakai Muang, a collaboration between Urban Ally and HAS design and research, led by Jenchieh Hung and Kulthida Songkittipakdee. The project reinterprets “the Streetlight Pole” an existing piece of urban infrastructure transforming it into a functional and inclusive public architecture.
The design is grounded in a shared perspective that “the tropical climate is not a constraint, but an urban resource.” Drawing from everyday life in Bangkok where people seek shade during the day and light at night, the pavilion upgrades existing infrastructure into usable public space. This approach reduces construction waste while adding value to existing urban assets through the concept of infrastructure upcycling.
The core of the project goes beyond creating a new space. People Pavilion functions as an urban prototype for sustainable city-making, offering alternative solutions to public space challenges without relying on large-scale budgets. Through cross-sector collaboration and inclusive design, underutilized or neglected areas are transformed into places of tangible social and economic impact supporting a more resilient, adaptive, and people-centered city. Ultimately, the project demonstrates that meaningful urban transformation can be achieved through strategic design, rather than heavy financial investment.
HONG KONG:Projecting Future Heritage When Everyday Architecture Becomes Tomorrow‘s Blueprint
The exhibition “HONG KONG:Projecting Future Heritage,“originally presented at the Venice Biennale Architettura in 2025, arrives in Bangkok curated by Hong Kong architects and urbanists Sunnie S.Y.Lau and Fai Au. It offers a perspective on social innovation by re-examining architecture embedded in everyday life. Moving beyond iconic landmarks, it invites critical reflection on ordinary buildings and familiar urban structures.
The two creators explain “Under the concept of Future Heritage, we explore strategic commonalities among historic port cities such as Hong Kong, Venice, and Bangkok. Those highlight the role of urban water systems as foundational infrastructures that have shaped these cities’ transformation from historic settlements into economic centers. We also present local architectures that reflect real everyday life, which may become valuable historical heritage in the next 20 – 30 years.”
From a sustainability perspective, the exhibition proposes an approach to urban development that integrates traditional wisdom with contemporary technology. Rather than viewing existing buildings as obsolete or burdensome, it advocates adaptive reuse — reimagining and repurposing structures without demolition — so they can continue to support living, working, and everyday life in meaningful ways. The exhibition underscores that looking back at what already exists is a crucial key to transforming cultural heritage into economic and intellectual capital capable of sustainable growth in the future.
Elevating Bangkok Design Week as the Creative Hub of Asia
These collaborations represent only a fraction of what unfolds at Bangkok Design Week 2026, taking place from 29 January – 8 February 2026. Through CEA’s strategic direction, the festival is being elevated as an international creative platform connecting designers, cities, businesses, and investors from Thailand and abroad. The goal is clear to transform cultural capital into measurable economic value, while firmly establishing Bangkok as one of Asia’s leading creative festival hubs. Driven by the power of the creative economy and sustained through long-term cross-border collaboration, Bangkok Design Week continues to advance a vision of inclusive, competitive, and sustainable growth for the region and beyond.
The luxury integrated resort extends its record-setting run, raising the bar for the fourth consecutive year with three new five-star awards; distinguishing its singular vision for world-class hospitality with the most Forbes Travel Guide five-star hotels under one roof
MACAU SAR – Media OutReach Newswire – 12 February 2026 – In the ever-evolving world of luxury hospitality, consistency is the true measure of distinction. For the fourth consecutive year, Galaxy Macau has not only met this standard, but has redefined it, securing an unprecedented 12 Five-Star awards in the highly anticipated 2026 Forbes Travel Guide. This achievement reaffirms its position as a global leader and marks the fourth consecutive year it has broken its own record for having the most Five-Star hotels under a single roof. It’s a move that underscores a steadfast dedicated to quality and service, further burnishing Macau’s credentials as a World Centre for Tourism and Leisure.
Galaxy Macau achieves a remarkable industry-leading milestone with 12 Five-Star accolades in Forbes Travel Guide Five-Star Awards 2026.
This year’s distinction is bolstered by the inclusion of three notable new additions to its decorated roster: Capella at Galaxy Macau, the newly-opened, penthouse-leaning all-suite hotel offering a new tier of cloistered luxury; Sushi Kissho by Miyakawa, the first international outpost for the celebrated Master Chef Masaaki Miyakawa, located at Raffles at Galaxy Macau; and Lai Heen, the renowned Cantonese fine-dining destination on the 51st floor of The Ritz-Carlton, Macau.
Officially opening its doors to the most discerning guests, Capella at Galaxy Macau has been recognised with a Forbes Five-Star Award upon the hotel’s official launch.
Two years into its operation, Sushi Kissho by Miyakawa, the first and only overseas outpost of Sushi Miyakawa in Hokkaido, has received its first Forbes Five-Star Award in 2026.
A sanctum of Cantonese fine-dining and the highest of its kind in Macau, Lai Heen – winner of Forbes Five-Star Award 2026 – showcases the pinnacle of exquisite dining.
The 2026 Forbes Travel Guide Five-Star Awards Roll Call:
Hotels
Capella at Galaxy Macau (Five-Star Award winner on official opening)
Raffles at Galaxy Macau (Five-Star Award winner for the second consecutive year)
Galaxy Hotel (Five-Star Award winner for the fourth consecutive year)
Banyan Tree Macau (Five-Star Award winner for the 13th consecutive year)
The Ritz-Carlton, Macau (Five-Star Award winner for the 10th consecutive year)
Hotel Okura Macau (Five-Star Award winner for the fifth consecutive year)
Spas
Banyan Tree SpaMacau (Five-Star Award winner for the 13th consecutive year)
The Ritz-Carlton Spa, Macau (Five-Star Award winner for the 10th consecutive year)
Restaurants
Sushi Kissho by Miyakawa (Inaugural Five-Star Award winner)
Lai Heen (Five-Star Award winner for six years)
Yamazato (Five-Star Award winner for the second consecutive year)
8½ Otto e Mezzo BOMBANA (Five-Star Award winner for the fourth year in a row)
Winning Forbes a Five-Star Award for the fourth year at Galaxy Hotel.
Raffles at Galaxy Macau boasts exceptionally refined and personalised services – a reason for its second-consecutive-year victory in Forbes Five-Star Awards.
Years of providing luxury experiences at Galaxy Macau, The Ritz-Carlton, Macau earns its 10th Forbes Five-Star Award this year.
The independent global authority on luxury, Forbes Travel Guide evaluates and rates top-tier hotels, restaurants, and spas around the world, employing a professional review team that assesses properties across hundreds of exacting criteria and stringent standards, making Galaxy Macau’s record-breaking 12 Five-Star Awards all the more impressive.
Banyan Tree Macau is home to refined Thai luxury at Galaxy Macau for more than a decade.
Detail-oriented service is key to the success of Hotel Okura Macau, winner of Forbes Five-Star Award for the fifth year in a row at Galaxy Macau.
“For our discerning guests, the experience is paramount,” remarked Mr Kevin Kelley, Chief Operating Officer – Macau at Galaxy Entertainment Group. These new accolades are a reflection of our team’s commitment to our ‘World-Class Asian Heart’ service philosophy. It’s about delivering sincere, detailed service that defines a new standard for luxury, not just in Macau but globally.”
Signature in its authentic fine Italian cuisine, 8½ Otto e Mezzo BOMBANA is proud to win a Five-Star Award for the fourth consecutive year.
The achievement not only highlights Galaxy Macau’s singular vision, but bolsters Macau’s standing as a premier global destination for tourism and gastronomy; a ‘World Centre for Tourism and Leisure’ and a UNESCO Creative City of Gastronomy.
Forbes Travel Guide, the independent authority in evaluating luxury, noted Galaxy Macau’s singular commitment. “The team at Galaxy Macau has demonstrated an unwavering commitment to elevating the guest experience,” notes Ms Amanda Frasier, President of Standards & Ratings at Forbes Travel Guide. “Their staff are as passionate as they are exacting, a quality that distinguishes them, year after year.”
Japanese fine-dining at Hotel Okura Macau, sees Yamazato attain its second consecutive Forbes Five-Star Award this year.
Serene retreat best describes The Ritz-Carlton Spa, Macau – winner of Forbes Five-Star Award for the 10th consecutive year.
Galaxy Macau continues its constant evolution to expand its visionary footprint, offering a plethora of service touchpoints throughout the luxury district, driven by a vision to create a world-class resort experience catering to today’s global guests in their pursuit of quality, variety and personalised service. Galaxy Macau’s stand out recognition by Forbes Travel Guide is testament to this visionary achievement.
Banyan Tree Spa Macau is Galaxy Macau’s tranquil sanctuary earning a Forbes Five-Star Award for the 13th consecutive year.
Hashtag: #GalaxyMacau
The issuer is solely responsible for the content of this announcement.
Swan Lake was ripe for reinterpretation, says the leader of Australia’s premier circus company.
Circa’s latest production Duck Pond blends the classic ballet and Ugly Duckling stories into a high-energy, acrobatic visual feast.
“Somewhere in the back of my fetid imagination, it got melded into the story of The Ugly Duckling, both tales of birds and emerging into identity,” Yaron Lifschitz told RNZ’s Nine to Noon.
Circa is bringing its version of the classic ballet Swan Lake to the Auckland Arts Festival next month.
Pia Johnson
– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand
SINGAPORE – Media OutReach Newswire – 11 February 2026 — The Republic of Singapore Yacht Club (RSYC) marked its 200th anniversary (#RSYC200) with a Bicentennial Charity Gala Dinner on Saturday, 7 February 2026, at the club’s Nautica Ballroom.
Ceremonial cake-cutting by President Tharman Shanmugaratnam, Minister for Education and MP for West Coast–Jurong West GRC Mr Desmond Lee, RSYC Commodore Balakrishnan B, RSYC Vice Commodore James Yeo, and RSYC committee members
The milestone event was graced by President of the Republic of Singapore, Tharman Shanmugaratnam and attended by over 130 guests, including club members, sponsors and distinguished guests, raising funds in support for the wider community.
Bicentennial Milestone Ceremony
Founded in 1826, RSYC commemorated 200 years of rich heritage through an evening reflecting tradition and a longstanding commitment to service, tracing its journey alongside Singapore’s seafaring story as it evolved into a distinctly Singaporean and multicultural institution.
The programme opened with a Bicentennial tribute video, followed by welcome remarks by the Commodore of RSYC Mr Balakrishnan B. In honour of the club’s enduring legacy of service, fellowship and contribution to the wider community, President Tharman officiated the unveiling of the RSYC Bicentennial Plaque and the ceremonial cake-cutting, joined by Mr Desmond Lee, Minister for Education and MP for West Coast–Jurong West GRC, RSYC Commodore Mr Balakrishnan B and other members of the RSYC Committee.
The gala also marked the opening event of RSYC’s year-long bicentennial programme, designed to drive member engagement through a series of sporting and social activities held throughout 2026 (refer to Appendix for full list of #RSYC200 events in 2026), and brought together significant figures who have shaped the club across generations.
This included Mr Edward Wong, Managing Director of AWP Pte Ltd and architect of the RSYC’s current clubhouse following the club’s relocation to its present premises in 1999, as well as Mr Francis Lee, RSYC’s first Singaporean Commodore (appointed in 1985) who played a pivotal role in redefining RSYC as a national club with an international membership, while championing initiatives that strengthened sea sports development, professional training and the preservation of the club’s history.
Charity Auction in Support of President’s Challenge
The highlight of the evening was a charity auction, featuring a curated selection of rare and exclusive items, including a one-of-a-kind RSYC Bicentennial Commemorative Pure Gold Coin, limited-edition Bicentennial Pure Silver Coins, and a rare 60-year-old Martell Cognac — one of only 12 in the world — presented in a Baccarat crystal decanter.
RSYC raised a grand total of S$326,692 through the gala dinner and auction, and all proceeds were directed towards ThePresident’s Challenge 2026 – A national movement launched in 2000 by RSYC’s former Patron, the late President S R Nathan, to rally Singaporeans in building a more caring and cohesive society, and to support communities in need.
Later in the evening, a cheque presentation was held in the presence of President Tharman, Mr Desmond Lee, RSYC Commodore Balakrishnan B, and members of the RSYC Committee, followed by a post-dinner heritage exhibition showcasing key milestones from the club’s long and distinguished history.
As a token of appreciation, all attendees were presented with a specially produced RSYC Bicentennial commemorative gold-plated coin, to mark the historic occasion.
“As we mark 200 years of the Republic of Singapore Yacht Club, this bicentennial milestone reflects our enduring maritime heritage and the values that have shaped the club over many generations. We are honoured to commemorate this historic occasion through a meaningful initiative in support of The President’s Challenge, reaffirming RSYC’s long-standing commitment to contributing positively to Singapore’s community,” said Commodore Balakrishnan B, Republic of Singapore Yacht Club.
Looking ahead, the Republic of Singapore Yacht Club will continue to build on its heritage as a premier institution, honour its seafaring legacy, and chart its next chapter for centuries more to come, through milestone occasions and activities that contribute meaningfully to national causes and Singapore’s future.
The Bicentennial Charity Gala was made possible with the support of Platinum Sponsors: Royal Salute Scotch Whiskey, Martell; Gold Sponsors: Asiatic Fire System Pte Ltd, and Marina Technology and Construction, Nippon Paint and OCBC; as well as Silver Sponsors: AWP Architects, Cloudable Solutions Pte Ltd. and Sindcon. Neo Garden served as the Official Caterer, with Adidas as the Official Merchandiser.
Appendix
#RSYC200 2026 Events
27 March 2026: Back to School Social Night
A nostalgic, adult-themed social evening featuring games, food, and opportunities for members to reconnect
13 June 2026: RSYC Recycled Boat Race
A sustainability-focused team event where participants build and race boats using recycled materials at the RSYC marina
18, 19 & 25 July 2026: RSYC Regatta 2026
RSYC’s annual sailing regatta featuring keelboats competing in passage and short-course races across Singapore’s southern waters
22 & 23 August 2026: RSYC Commodore’s Day 2026
Annual Open House and celebration welcoming members and the public, featuring water sports, carnival activities, food offerings, and the introduction of new Committee Members
19 & 20 September 2026 (Silver Fleet) and 26 & 27 September 2026 (Gold Fleet): Optimist Knockout Championship 2026
A youth sailing championship organised by RSYC under the auspices of the Singapore Sailing Federation
9 October 2026: RSYC Beerfest 2026
An evening festival featuring international beers, food, music, and interactive games
18 October 2026: RSYC Fishing Tournament 2026
RSYC’s annual fishing competition bringing together fishing enthusiasts from across Singapore
14 November 2026: RSYC Charity Cruise 2026
A community-focused charity initiative bringing volunteers and sponsors together in support of a meaningful cause
4 & 5 December 2026: Christmas & Boat Light-Up 2026
A festive weekend featuring carnival activities, a holiday market, and the Christmas Boat Light-Up Parade
31 December 2026: New Year’s Eve Countdown Party
A year-end celebration to welcome the New Year with music, festivities, and fellow members and guests
The iconic Carillon bells have not sounded out across Pukeahu National War Memorial Park since 2020, due to earthquake strengthening to the carillon tower. Manatū Taonga Ministry for Culture and Heritage has revealed a new approach to ensure visitors hear the instrument played again soon.
“Earthquake strengthening work at the National War Memorial is progressing well and we are planning to reopen before Anzac Day 2026,” says Secretary for Culture and Heritage Leauanae Laulu Mac Leauanae.
“We’ve been able to draw upon the expertise of carillonists from the Carillon Society of Australia as we plan for future recitals – a fitting connection as we approach Anzac Day.
“Last year, I decided the Ministry would look at new ways to secure more sustainable services for playing the Carillon. Australia provides a useful model. There are more than 20 carillonists in Australia who share the workload between three carillons in Canberra, Sydney, and Bathurst.
“Our plan is to develop local talent and capability over time, so there is a pipeline of future musicians that can play one of the world’s largest instruments, and a taonga of remembrance in the heart of our capital.
“The National War Memorial Carillon is a key part of commemorations at Pukeahu National War Memorial Park. We look forward to sharing the schedule for regular recitals once it’s finalised.”
Leauanae acknowledged the long-term service of recently retired National Carillonist Timothy Hurd QSM.
“Timothy has been an important part of Pukeahu National War Memorial Park for more than four decades. We thank him for his dedication and wish him the best for the future,” says Leauanae.
When Kirsten O’Connor’s daughter Kahlia died by suicide in April last year, she started to keep records about her creative and complex daughter.
It was a way of processing her grief, she told RNZ’s Afternoons.
“Sometimes when you’re going through grieving, the brain isn’t working quite right. You forget memories. And I was really scared that I would forget memories of Kahlia.”
Kahlia and Kirsten O’Connor dressed up for an Elton John concert.
Kirsten O’Connor
– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand
Tourism and Hospitality Minister Louise Upston has welcomed the official opening of the New Zealand International Convention Centre (NZICC), the country’s largest conference, exhibition and entertainment venue, describing it as a significant milestone.
“Today’s grand opening of this multi-purpose convention space is a game changer for New Zealand’s capacity to host world‑class events,” Louise Upston says.
“The opportunities this venue creates for New Zealand’s tourism and hospitality sector are enormous, whether it be hosting large international conferences, national ceremonies or local events.
“The NZICC strengthens our ability to attract major conventions and events, showcasing the very best of New Zealand to the world. With capacity for more than 4,000 attendees, the NZICC is an incredible space designed not only for business, but for a wide range of cultural events and activities.
“This is a huge moment for New Zealand, helping attract more international visitors to our shores and giving a significant boost to our economy.”
Located in the heart of Auckland, the NZICC has been designed to support large‑scale conventions and events, incorporating state‑of‑the‑art technology, flexible meeting spaces, and sustainable design features intended to serve both domestic and global audiences.
To date, more than 120 events have been confirmed for 2026, including two of Australasia’s largest association conferences – The Australian and New Zealand College of Anaesthetists (ANZCA) and the Royal Australian and New Zealand College of Ophthalmologists (RANZCO).
“The strong pipeline of events NZICC already has confirmed means more job opportunities for our people in the tourism and hospitality sector,” Louise Upston says.
“I can’t wait to see the first conferences and concerts filling these spaces, putting New Zealand firmly on the map as a go-to-destination.
“New Zealand is open for business – and we’re ready to welcome many more visitors in 2026 and beyond.”
The New Zealand International Convention Centre is owned by SkyCity Entertainment Group, operating in partnership with the New Zealand Government.
Notes to Editor:
The NZICC is the largest conference, exhibition, and entertainment venue in New Zealand, with capacity for more than 4,000 attendees. The NZICC theatre is the largest seated theatre in the country, seating 2,850 people, while the hall will be able to host 3,300 people for a banquet.
In 2013, the Government and SkyCity agreed to build a new international convention centre for Auckland, including a 300-room hotel and 1,300 car parks. The Agreement was codified in law under the New Zealand International Convention Centre Act 2013 (the Act).
MACAU SAR – Media OutReach Newswire – 10 February 2026 – Capella at Galaxy Macau has officially opened, marking the arrival of the serene enclave within the celebrated world of Galaxy Macau. This exceptional property represents a rarefied expression of hospitality within Galaxy Macau, Asia’s highly awarded luxury resort.
Mr Francis Lui, Chairman (centre); Mr Kevin Kelley, Chief Operating Officer – Macau (2nd from right); and Mr Troy Hickox, Head of Hotels & Lifestyle Development (1st from right), of Galaxy Entertainment Group and Mr Samuel Ding, Senior Vice President of Design and Technical Services (2nd from left); Ms Mei Ping, Head of China and Chairman Assistant (1st from left), of Capella Hotel Group officiate at the Opening Ceremony of Capella at Galaxy Macau.
Capella at Galaxy Macau represents the pinnacle of the luxury resort’s experiential offering. Designed for the most discerning of premium guests, the property occupies a privileged position within Galaxy Macau’s constellation of lauded luxury hotels. An ultra-residential retreat designed for the most discerning traveller; it offers privacy, expansive space, and superlative service.
The golden hued architectural landmark comprises just 95 suites and penthouses, while maintaining an exceptionally low key-count and a welcoming sense of intimacy and seclusion.
The opening of Capella at Galaxy Macau further strengthens Galaxy Macau’s status as the region’s premier experiential destination, offering guests a highly curated way to experience the dynamism of the luxury resort, and all that UNESCO World Heritage–recognised Macau has to offer.
Mr Kevin Kelley, Chief Operating Officer – Macau of Galaxy Entertainment Group delivers his welcome remarks at the Opening Ceremony of Capella at Galaxy Macau.
Kevin Kelley, Chief Operating Officer – Macau of Galaxy Entertainment Group, states: “Galaxy Macau was created as a destination where the world’s finest hospitality and ultra-luxury experiences come together. We are delighted to reveal Capella at Galaxy Macau to our treasured guests from around the world; which showcases a new expression of our signature and ever-evolving ‘World Class Asian Heart’ service – that is not just personalised but anticipated; promising that true exclusivity is no longer about spectacle – but about scarcity.”
Clive Edwards, Senior Vice President, Operations, of Capella Hotel Group adds: “This strategic partnership positions Capella at Galaxy Macau as a distinctive expression of our brand vision: an intimate, residential retreat within an integrated resort context. Our guests enjoy seamless access to Galaxy’s world-class amenities while experiencing the culturally immersive hospitality that defines Capella—from our Capella Culturists to curated experiences celebrating Macau’s rich heritage.”
Mr Samuel Ding, Senior Vice President of Design and Technical Services, Capella Hotel Group, delivers a speech at the Opening Ceremony of Capella at Galaxy Macau.
A contemporary retreat where The Gilded Jungle meets the runway
Conceived with renowned Paris-based design studio Moinard Bétaille, Capella at Galaxy Macau introduces a distinct design sensibility to the city, influenced by the jungle-inspired motifs found throughout the world of fashion, defined by craftsmanship, sophistication, and vintage luxury accents.
Imagined as a gilded jungle, the undulating exteriors draw from the formations of Macau’s tropical landscape while offering a sleek, residential interpretation of ultra-luxury. Rather than enclosed opulence, the architecture and interiors emphasise soft curves and undulating fluid forms, mirroring meandering waterways, light, airflow, the organic forms of the rainforest canopy – all brought to life with tactile materiality; creating a deeply immersive and energetically aligned experience.
Interior design studio Moinard Bétaille was tasked with creating a ‘residential sanctuary in Macau.’ From the forest-like canopy at the Ground Floor Lobby arrival and the Tree of Life, to the multi-sensory digital artwork by Laura Cheung – whose hand-finished jungle inspired walls grace every suite, Bruno Moinard has composed an environment of serenity, luxury and quiet confidence. For Capella at Galaxy Macau – a collaboration with Bruno Moinard’s creative partner, Claire Bétaille – the design duo have built on their collective commitment to bespoke luxury; creating a signature new language that builds upon culture, community, tradition, and heritage craftsmanship in a way that is both distinctive and unique. Moinard states: “Our vision was to create a sense of calm, crafted elegance, a residential sanctuary that feels both intimate and timeless, set within the extraordinary environs of Galaxy Macau.”
Gentle curves, softened edges, and dappled light that mimics sunlight filtering through a rainforest canopy guides guests from the moment they enter the driveway.
Gentle curves, softened edges, and dappled light that mimics sunlight filtering through a rainforest canopy guides guests from the moment they enter the driveway, a protected space that transitions from the pulsing energy of Macau, surrounded by lush foliage that fosters a sense of calm and privacy. In an ecosystem of light, art and nature, as one steps into the Lobby, a chamber of light and running water frame the Tree of Life – the beating heart of the Lobby that pulsates in coloured light. Round pools, lush foliage, and a mustering of carved wooden storks alight, finding their place in front of the spellbinding three-metre immersive multi-sensory LED artwork by Hong Kong artist Laura Cheung, founder of artisanal luxury homeware brand LaLa Curio. Evoking the natural rhythm of a tropical jungle, the sculptural natural forms, rocks and fire pits enable the kinetic artwork to subtly transform from dawn to dusk; connecting the interior to the passage of time outside. This digital grove “breathes” with the time of day; featuring a cacophony of ambient sounds that culminate in a nightly bloom of glowing fireflies and shooting stars. A custom-handmade tumbled glass sculpture by Czech glass masters Lasvit – ‘Splash’ – cascades over the illuminated water pools.
The arrival experience unfolds on the first floor, where guests discover the gilded Lobby layered with specially commissioned artworks. Highlights include contemporary abstract gouache and oil artworks by Bruno Moinard, alongside ceramic scholar’s rocks on Amazonite marble plinths by American ceramic artist Jason Messinger, that blend the softly-hued neutral interiors with statement pieces.
Guests are welcomed by their Capella Culturist in the Capella Living Room, a brand signature reimagined here as a cocooning social salon, before being escorted to their private residences for in-suite check-in by their personal butler. “Jungle Blue” – a Bruno Moinard abstract oil painting anchors the space in Moinard’s signature Macau Blue, a nuanced hue that echoes his interior inspiration, where water meets the jungle. Here, the Capella Culturists host daily rituals such as tea ceremonies, baijiu tastings, and cultural introductions.
The ultimate exemplar of penthouse living
Capella at Galaxy Macau delivers a rare combination of grandeur, serenity and exclusivity.
Capella at Galaxy Macau delivers a rare combination of grandeur, serenity and exclusivity. Offering the largest rooms in Southern China, the Capella Penthouses are among the most remarkable accommodations ever introduced in the territory. Two- and four-bedroom penthouses offer expansive indoor-outdoor living, with sliding glass doors opening onto breezy, light-filled terraces, sun rooms and glass-walled outdoor private infinity pools overlooking futuristic Hengqin island – where visionary engineering meets architectural finesse – achievements previously unseen in the region. Artisanship is apparent in the details, such as the penthouse entrance doors featuring bespoke woven horsehair panelling lining, offering superior acoustic protection and a refined, luxurious patina. Four-bedroom penthouses, spanning close to 700 square metres, include a private Winter Garden with its diamond-stitched leather upholstery inspired by vintage automotive seats; wellness room with state-of-the-art massage chair and TechnoGym personal training equipment, games room with foosball table, and butler pantry. A den-like, soundproofed media and entertainment room houses a state-of-the-art home theatre and karaoke system, while airy, spa-like marble bathrooms feature generous soaking tubs and ultra-spacious his and hers showers. Two-bedroom penthouses include many of the same bespoke amenities, along with a dedicated VIK (Very Important Kids) room for family travellers.
The Capella Penthouses are among the most remarkable accommodations ever introduced in the territory, each equipped with private swimming pool for the utmost sense of leisure.
One- and two-bedroom suites begin at 128 square metres and feature indoor relaxation pools, sunbeds, Amazonite marble bathrooms with mosaic floors, and polished finishes. Bedrooms are accentuated with jungle-inspired, hand-finished wall coverings by LaLa Curio, extending into canopy-like ceilings.
A heightened and singular service philosophy
Capella at Galaxy Macau brings together a union of award-winning hospitality for exceptional personalization. With Capella Hotels and Resorts voted the “No.1 Hotel Brand in the World” in Travel + Leisure’s World’s Best Awards for the third consecutive year, Capella’s globally recognised service philosophy finds a new home in the most accentuated expression of Galaxy Macau’s signature and ever-evolving World Class Asian Heart service.
Every guest enjoys 24-hour butler service, packing and unpacking of luggage, a complimentary minibar, premium Chinese tea sets, Officina Profumo-Farmaceutica Santa Maria Novella bath amenities, locally-sourced pre-batched cocktails and a Bugatti kettle and Illy IperEspresso Professional Machine for the ultimate precision-brewed coffee experience. Dedicated Capella butlers – unique to this hotel – and Capella Culturists work seamlessly together to intuitively shape each stay around individual preferences; promising that true exclusivity is no longer about spectacle – but about rarity and experience.
Culturists curate bespoke experiences connecting guests to Macau’s heritage and contemporary culture, from art tours and baijiu tastings to culinary masterclasses with Stephen Hsu, the executive chef of Capella at Galaxy Macau’s signature restaurant Botanica, or private helicopter and walking tours arranged with insider access.
A dining destination for connoisseurs
As part of Galaxy Macau’s reputation as one of Asia’s most celebrated gastronomic destinations, Capella at Galaxy Macau introduces three highly anticipated dining and bar concepts.
Pony & Plume, a whisky and cocktail bar and divan designed by Moinard Bẽtaille, reveals a haven of hidden delights and secret spaces, waiting to be revealed. Set to become a vibrant Macau destination hotspot in its own right, the bar’s name is its creed: the “pony” – a precise measure of spirit – represents intention in every pour, while the “plume” is the bar’s calling card, introduced as an aromatic cloud of smoke that infuses its signature cocktails, bar snacks and the divan experience. Home to more than 650 whiskies curated across eight flavour profiles, the venue celebrates precision, ritual, and the aroma, from rare and limited-edition bottles to guided tastings and signature smoke-infused cocktails inspired by Macau’s cultural eclecticism and morsels designed to appeal to connoisseurs and the curious alike. Featuring a cabinet of the world’s rarest unicorn whiskies, even the private reserve of whisky casks of provenance might be sighted by those in-the-know.
Botanica, a 48-seat restaurant led by Executive Chef Stephen Hsu, serves international comfort classics reimagined with Asian influences for the global palate. Light floods the tropical interiors by Moinard Bétaille, where indoor water reflections feature beneath imaginary jungle vines and a cluster of soft, pillow-like fungi stretch across the high ceilings. Ornamental glass screens and trellises add to an ambient space punctuated by climbing botanicals and sculptural works by Mexican artist Joel Escalona, creating a casual yet refined atmosphere.
Further elevating Galaxy Macau’s culinary stature, acclaimed Hong Kong chef Vicky Cheng will open an independent fine-dining restaurant within Capella at Galaxy Macau in 2026. The Michelin-starred chef and Krug Ambassador, whose Wing restaurant is ranked number three on the Asia’s 50 Best Restaurants 2025 list, is set to present modern French cuisine shaped by his distinctive and adventurous culinary vision.
Francis Lui, Chairman of Galaxy Entertainment Group, concludes: “Capella at Galaxy Macau’s architecture, service, gastronomy, and residential privacy create a singular experience for our top percentile of VIP guests, one that sets a new reference point for hospitality in Macau and globally. Our design and operations teams have worked tirelessly to bring the vision for Capella at Galaxy Macau to life in close partnership with Capella Hotel Group. Together, we have crafted the most intimate, elevated, and personalised way to experience our global entertainment and leisure resort offering; creating a true sanctuary, where every stay unfolds as a bespoke retreat, shaped by design, culture, and service at the highest level.”
Hashtag: #GalaxyMacau
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HANOI, VIETNAM – Media OutReach Newswire – 10 February 2026 – VinFast and Exposure SARL announced the signing of a Memorandum of Understanding regarding the potential supply of electric vehicles for green taxi services in Kinshasa, Democratic Republic of the Congo. The agreement marks an important milestone in the Vietnamese EV maker’s international expansion strategy and a major step forward in promoting the transition to green transportation in the capital of the DRC.
Ms. Le Thi Thu Thuy – Vice Chairwoman of Vingroup and Chairwoman of VinFast, and Mr. Fely Samuna Lukwaka – CEO of Exposure SARL, together with representatives of both parties at the signing ceremony.
Under the MOU, the two parties will discuss and coordinate to develop a plan to supply the first batch of VinFast electric vehicles for Exposure to operate electric taxi services in Kinshasa. This batch is expected to include the commercial-oriented Limo Green and Herio Green models, regarded as an initial foundation for an all-electric taxi model, contributing to the formation of zero-emission transport habits in urban passenger transportation in Congo.
At the same time, Exposure has expressed its intention to become a distributor of VinFast vehicles in the Congolese market and will jointly study a business plan suited to local conditions. Both parties commit to continued cooperation in good faith, laying the groundwork for deeper collaboration in the future.
The MOU between VinFast and Exposure SARL initiates the implementation of the strategic cooperation framework established by Vingroup and the City of Kinshasa in 2025. At that time, the parties agreed to study and promote the procurement and deployment of VinFast’s electric mobility solutions, including electric buses, cars, and scooters, to serve the city’s and residents’ transportation needs.
Earlier, the Kinshasa municipal authorities and Vingroup also signed an MOU to study and develop a riverside mega urban project covering approximately 6,300 hectares. Featuring housing, villas, hospitals, schools, shopping centers, hotels, and entertainment facilities, the project is expected to become a new tourism destination and a symbol of Kinshasa’s future development.
The partnerships align with the Democratic Republic of the Congo’s long-term vision for sustainable urban development and green transition, particularly in rapidly urbanizing cities such as Kinshasa, where demand for clean, smart and efficient mobility is rising. Building on the country’s renewable energy potential and commitment to low-emission growth, the initiative supports Kinshasa’s ambition to develop an integrated green infrastructure and electric mobility ecosystem.
Ms. Duong Thi Thu Trang, Deputy CEO of Global Sales, VinFast, stated: “The cooperation with Exposure SARL reflects VinFast’s confidence in the potential for green transportation in Africa and reaffirms our commitment to delivering modern, accessible green mobility solutions tailored to each market. We believe that VinFast’s electric vehicle products, proven across multiple markets, combined with Exposure’s local expertise, will help accelerate the transition to green transportation in Congo.”
Mr. Fely Samuna Lukwaka, Chief Executive Officer of Exposure SARL, said: “We are very pleased to cooperate with VinFast toward a low emission mobility future for the Democratic Republic of the Congo in general and the capital Kinshasa in particular. With a population of more than 120 million and a strategic location bordering nine countries, forming a regional market of over 200 million people, the Democratic Republic of the Congo has strong potential to become a gateway for electric vehicle development in Central Africa. We have full confidence in VinFast’s technological capabilities and product ecosystem, and we expect this cooperation to establish a foundation for the next stages of development of the electric vehicle market not only in the DRC but across the wider region.”
VinFast is a pure-play electric vehicle automaker under Vingroup, Vietnam’s largest private conglomerate, with a vision to drive the movement of the global smart electric vehicle revolution. Over the past years, the EV maker has expanded strongly into new and promising markets such as India, the Philippines, Indonesia, and the Middle East, while continuing to strengthen its presence in key markets in Europe and North America. Strategic moves in 2025 are expected to provide strong momentum and a solid launchpad for further breakthroughs in 2026.
Hashtag: #VinFast
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